Death Warmed Up

Ever go to one of those all-you-can-eat buffets that has virtually every kind of food imaginable, and you go in thinking it's going to be an excellent experience, a few of the foods you sample are fairly good, but you're left afterwards with a huge bellyache and the check? That's the way I felt after watching 'Death Warmed Up', from my now-infamous Mill Creek 50-film 'Nightmare Worlds' pack--it has a few interesting ideas, and some decent, though dated, atmosphere, but director Blyth doesn't know how to put it all together. In the right hands, this could have worked, but it definitely doesn't, and that's a shame, because it had potential...'it coulda been a contender!' The two young female leads that play Sandy and Jeannie are beautiful, there's good chemistry between them and the two male leads, particularly in the scene where they're on the ferry going to the island. The completely gratuitous nudity and softcore sex was a great bonus. In an interview that was a DVD extra for 'The Fog', Jamie Lee Curtis explained that she enjoyed starting out in horror and that it was a useful genre for an actor in that it gave one a wide range of possible behaviours to both utilize and show, and, by the end, Michael and Sandy proved to me they were good actors. It's just too bad they were in a nondescript, clunky script that had no idea what it was doing or where it was going. 'Death Warmed Up' is one of those films that doesn't have a climactic finale, or end, per se, it just simply stops or dies, as if the filmmakers simply had no ideas left and simply stopped when they ran out of film.

THIS is the type of film that should be remade, not the wildly successful and great film that has no need to have a different interpretation or chance at life, but the misfires or the should-have-beens--to show the world that these ideas had validity and meaning after all.

These revenge, gore-fest movies are all a little the same. It starts with no real motivation for the initial actions. The mad scientist is just mad. Still, he seems to have plenty of money for his sick research. What is his product? A bunch of zombie characters. Do we really need some of these? Anyway, the hero(?) drags his pals into his effort to avenge his father and mother's murders (actually, he committed them under the doctor's influence). Then there's the agony and the pain that goes on and on and on. People are dismembered, stabbed, burned, one after the other. I don't get the attraction. Why do audiences want so much of this? In the end, we're left wondering about a lot of things. There are no real answers. Maybe it's just obsession. Who knows.

I was told about this site from a friend. I'm the guy who played SPIDER. As someone commented, no eyebrows. We did it way back when we were all in our twenties. It was a great amount of fun to do. The creative team came from both film and theatre industry. I'd just finished a pirate movie with Tommy Lee Jones, Michael O'Keefe and Jenny Seagrove and a lot of theatre. Michael (Hurst) was also a fellow theatre actor and we went on after this to do a couple of stage plays together. As was also noted, Michael went on to do 'Hercules'. At the time, Fangoria was the genre magazine of choice, and, with David (Blyth) and Murray (Newey - RIP) and the script by Michael Heath, with the 80's sex chic of the nurses, designed by Micahel Glock, we hit Auckland with all the energy that a 4 week shoot can muster. It's amazing to read comments from watchers/viewers some, what? 25 years later! Don't get too analytical....we just went for the jugular and hoped that somewhere along the line it'd all make sense! Along the way we shot stuff in a deserted and rather creepy abattoir, the tunnels on the island off Auckland city, and got right into ridged knives with back splatter.

I bought this on Amazon.Com, and watched it last night, not knowing at all what to expect. And I must say, I liked it.

Ten years ago, Michael was hypnotized by a very unstable doctor into killing his own parents. Then he is locked up in the mental institution for it. In the present (or the present time of the movie) Michael, his girlfriend Sandy, and their friends Lucas and Jeannie head to an island for a vacation, where the doctor has moved his work to, and has started a new experiment in reprogramming people's minds. And Michael wants revenge for what was done to him, planning to kill the doctor. But they still plan to have a fun vacation, too. (I told you the movie was strange.) Anyway, when they get there, they see how the doctor has taken over the island, and then get themselves involved in some risky business to find the doctor, which leads to chases, attacks, and some all-around good scares.

I wasn't sure I liked this movie, but now I think I did. Some of it was weird, and I didn't understand every aspect, but it was still exciting. The chase scene in the tunnels was great, as was the attack on the pub. The characters were all likable, and the acting was surprisingly good. Of course, there's no denying that this is a B-movie, but it's well done. Towards the end, it gets sort of weird, and actually sort of tense, because you don't know if Michael is crazy or what, because he is pushed to the edge in this movie. But luckily, he isn't the only one in the spotlight. Everyone seems to be a star. Sandy, his girlfriend, is a great character, even though she manages to really set in with the waterworks towards the end of the movie. I think she cries for five minutes straight.

The actual ending is odd, but really good. I didn't understand what the deal was with Michael at that point, but it was still pretty cool, and the slow-motion of Sandy running seemed to have a weird effect. Overally, a pretty good movie. I'd recommend it, but don't try to understand it all.

Seven years after gunning down his parents, Michael Tucker (Michael Hurst) is released from his padded cell and goes looking for revenge on the man responsible for turning him into a killer: deranged scientist Dr. Archer Howell (Gary Day), who now runs an island-bound institution where he operates on the inmates, turning them into crazed zombies.

I remember thinking that New Zealand horror Death Warmed Up was a pretty weird film way back when it was first released on VHS, with its all-over-the-place plot, oddball characters and gaudy, '80s 'plastic and neon' aesthetic; thirty years later, and the film's new-wave punk style and aimless story-line seem even more bizarre. There's a little fun to be had with the gore—an exploding head, some bloody squibs, random brain surgery, an impalement etc.—and we also get some gratuitous nudity and sex, but on the whole, this is way too shambolic to be considered anything but a failure.

Interestingly, Death Warmed Up was made three years before Peter Jackson's classic debut, splatter-fest Bad Taste, making me think that the Lord of the Rings director saw this back in the day and thought to himself, 'I can do better than that!'. And you know what? He could!

3.5/10, generously rounded up to 4 for Ranji Gandhi (Jonathan Hardy), the Indian character who looked and sounded like something out of '70s TV series Mind Your Language.