Runaway Train

I remember watching this as a kid and thinking it was an incredibly powerful film, but i forgot how strong the performances are, particularly Voight's. Roberts is good, but he's basically playing second fiddle to Voight's hulking, frightening, feral, almost mythical Manny, a con so dangerous the warden has kept him in solitary confinement for three years straight.

Roberts is a younger convict who idolizes Manny and helps him escape from the Alaskan prison where they both reside. they end up on a train barrelling down the tracks at 90mph with no conductor and no way to stop it. The film is based on a screenplay by the legendary Akira Kurasawa.

Great action scenes. Muscular film-making. It just seems they don't make films like this anymore. Films that aren't trying to pander to a certain demographic. This is lean, mean action all the way.

And that "little biddy spot" monologue Voight has halfway through the film is really breathtaking. He should have won an Oscar for that alone.

RUNAWAY TRAIN is one of only a few films which are so great that you'll like the people involved in it for the rest of their career regardless in which movies they appear in the future. Walter Hill's underrated STREETS OF FIRE did this to Willem Dafoe, Diane Lane and even Michael Pare while RUNAWAY TRAIN did the same to John Voight, Rebecca DeMornay and even Eric Roberts.

I find it interesting that a film written by a Japanese (Akira Kurosawa!) and directed by a Russian (Andrej Konchalowsky) which features American actors can be such a coherent masterpiece. Although the story is very simple there are deeper layers of meaning which have a lot to say about the human condition and which are so universal that everyone can read the metaphors. Truly an existential action-film!

RUNAWAY TRAIN is not only one of my favorite action-movies of all times but one of the greatest films ever in my opinion. And the famous "gold"-monologue by Manny is just so true!

The stock title promises action and suspense, and we get that, but with a story by Akira Kurosawa, expert direction by Russian émigré Andrei Konchalovsky and superior lensing by Alan Hume, we get a study of what defines a man.

John Voight and the vastly underrated Eric Roberts play two cons who escape from a hellish gulag and board a train with no driver. Their struggle to stop the train and battle their own inner demons is the movie.

Konchalovsky creates a cold, alien, ethereal world inside the train that, in the oddest way, provides a haven for self-examination for the two leads. Rebecca de Mournay is layered into the mix, as is the indefatigable John P. Ryan as a prison warden who risks death to return his charges to custody, but the movie belongs to Voight and Roberts who both bring tremendous humanity to their finely sketched characters.

The final image is as powerful as cinema gets and marks RUNAWAY TRAIN as a modest masterpiece.

Though often criticized for producing cheap rubbish, the Cannon Group, in fact, also produced many fine films including this, 52 PICK-UP and MARIA'S LOVERS (also Konchalovsky).

'Runaway Train' is a rare thing, an intelligent action movie, full of both exciting sequences and strong character development. This combination makes it all that much more suspenseful and powerful. For me it could well be the best action movie of all time. Interestingly enough it's based on a screenplay by Kurosawa, but criminal turned novelist Edward Bunker (who plays Jonah here but is best known to most people as Mr. Blue in 'Reservoir Dogs') gets the main writing credit. Jon Voight gives one of his very best performances as Manny, but Eric Roberts is also just great. Roberts is overlooked these days, making too many b-grade and straight-to-video movies to be taken seriously, but boy, back in the day this guy was GOOD! Check him out here, and in 'Star 80', and especially 'The Pope Of Greenwich Village' with Mickey Rourke. Roberts actually scored an Oscar nomination for 'Runaway Train'. Just why his career subsequently went in the direction it did is one of the great mysteries of Hollywood. Voight and Roberts are supported by Rebecca De Mornay, super tough guy John P. Ryan ('It's Alive') and well loved character actor Kenneth McMillan. Also keep an eye out for Danny Trejo in the boxing sequence towards the very beginning of the film. 'Runaway Train' is a movie I never tire of watching. The interplay between Voight and Roberts is wonderful to watch, the action sequences are breathtaking, and the ending is one of the all time greats!

Everything about this film has a surreal, visceral, in-your-face quality; the anguished, violent intensity of the prison scenes, the frozen wastelands of the lands outside the prison (gee, a metaphor?), the train -- not just a lifeless machine but a huge, juggernaut-like beast -- that the title refers to, the fierce, animalistic performance by Jon Voight, who plays the character of Manny with such raw emotion and conviction that at no moment do we doubt that he is anything other than what he appears to be on screen.

It's based on a screenplay by the legendary Akira Kurosawa -- knowing this makes a lot of the elements a bit more familiar; the snow, the hopelessness, the apocalyptic atmosphere -- and it's directed by Russian Andrei Konchalovsky, who after this film directed two Hollywood embarrassments called "Homer & Eddie" and "Tango & Cash" (apparently trying to corner the market on ampersands), and most recently helmed the acclaimed Armand Assante mini-series "The Odyssey" for television. "Runaway Train" is not a perfect film, some of the minor supporting performances are really awful and some viewers may find Eric Roberts to be irritating, but the sheer kineticism, among the other stronger elements, makes it worthwhile. Often called an intellectual action picture, it's more of an existential one, i.e. man versus a indifferent/hostile universe, etc. Everything in the film has a greater, more universal meaning, and it's not rocket science to figure out what stands for what. The simplicity of its metaphors doesn't dull the impact of "Runaway Train" as a sensory experience, though, because it's still pretty potent stuff. Provided you're not completely close-minded, this is one you'll remember for a long, long time.