The Wanderers

This film made a BIG impression on me when I was growing up. More than any other film, it captured the timelessness of the transition from being a boy to becomming a man and how you leave childish things behind. Funny, raucous and, at times, both disturbing and moving,this film has it all. If you've never seen "The Wanderers", please do yourself a favour- you won't regret it.

This film has been a personal favourite of mine for years and it has always amazed me how hardly any people know about it. This film is so fun and full of charm it feels so real and gritty at times. I can't really comment on whether this film is realistic or not however as I didn't grow up in the era the film is set in but the time period has always fascinated me. In my opinion I prefer this film over films like grease or American graffiti and even the warriors because I just find it so enjoyable. The reason people don't know about this is because the film is pretty hard to find , I had to import my Blu ray online because there isn't a UK release but in the USA more people need to pick it up and try it.

Interestingly enough, most of the gangs portrayed in the film were neither symbolic nor imaginary, but were based on various real gangs who existed at different periods throughout the fifties and early sixties.

Many of these gangs were not real gangs in the common theatrical sense, but were specific ethnic groups of teens from different Bronx and Manhattan neighborhoods. Of course, each group developed its own mythical idea of what the other groups were like, and in his novel, Richard Price used much of this teenage myth and lore.

Of all the well-embellished epics common to the teens in the Wanderers' neighborhood , those dealing with the Duckies were the most detailed and commonly accepted. The Duckies, whether or not they were truly an organized group with such a name, were "the guys across the tracks", insofar as The Wanderers were concerned (the tracks being the NY Central's Harlem Line). They lived in the predominantly Irish neighborhood directly across Bronx Park. I believe their frightening, near demonic quality in the movie was based on a single actual event when two of the Wanderers were actually attacked in the park. Since The Wanderers had never really engaged in any real "gang wars" (or any significant fighting for that matter), that particular episode was the source of most of their perceptions of the Duckie Boys' penchant for unbridled violence.

Philip Kaufman is a great director (true some of his films are not my cup of tea, so to speak, such as "Quills" & "the Unbearable Lightness of Being", but he's had his hand in "The Right Stuff", "Indiana Jones" & "the Outlaw Josey Wales", and that ALONE qualifies him for greatness) This film is one of my favorite coming-of-age movies, having never read the book it was based on didn't deter me from falling in love with this movie. The whole cast does spot-on performances and you grow to really feel for these characters and while it seems a bit episodic, it all ties together in the end. Many memorable scenes and an amazingly good soundtrack. Definately in my top 20 of all-time.

My Grade: A

DVD Extras: Commentary by Philip Kaufman; Theatrical Trailer

One of the greatest scenes ever put on film is in this movie: Ken Wahl, about to get married, facing the transition between youth and responsibility, peers through a window at the action at Gerdes' Folk City in Greenwich Village, where, he dimly senses, there's a whole new world beyond his comprehension...it's pure gold, like most everything in this movie. I don't recall rock'n'roll songs ever being put to better or more appropriate use in a sound track. I don't recall a movie ever shifting more seamlessly, effortlessly, from gritty naturalism to bizarro impressionism and back. The cast is great! Whatever happened to some of these actors? There really was a Fordham Baldies, and I grew up not far from the old Alexander's in the Bronx, so I can't pretend to objectivity. For me, this is rather like a New York version of American Graffiti; it creates a world that I feel at home in, even if I never was a gang member and we left the Bronx when I was eight. By the way, the adaptation from Richard Price's book is, I think, remarkable. The book is a series of thematically linked stories that become a single organic story in the film. And I can't blame Ken Wahl--or his character--from being besotted by Karen Allen. Personally, I'd have gone right into Gerdes and flung myself at her feet. Oh yeah, the late Dolph Sweet is superb here.