Zulu Dawn

As a long-time fan of the original "Zulu" I'm always surprised this film hasn't got the same reputation. True the story isn't as 'tight' as the Sixties classic (more scene-setting, more characters to deal with) but the production values are excellent, the photography beautiful and the climactic battle scenes brilliantly staged.

I like "Zulu Dawn," but maybe for strange reasons. I'm glad that it favors plot over characterization, and I appreciate its attention to detail and tactics. Too many modern war movies ignore tactics, and don't place battles in their proper contexts. Here, it's easy to follow exactly what's happening, and why.

What makes the film especially memorable is that it's the story of a military disaster - the biggest defeat of a "modern" army at the hands of a "primitive" one (though I believe the Zulus suffered higher casualties than the British did). The script pretty much telegraphs the battle's result from the beginning; Peter O'Toole, as the British commander, is clearly too stubborn and blind to danger, so the attentive viewer should realize fast that he's heading for a fall.

The ending is somewhat misleading, though. The final caption might suggest to some viewers that the Zulus won the whole war. Sadly, they were beaten pretty rapidly and suffered some hideous defeats. I guess that's what makes this initial Zulu victory so noteworthy - almost unbelievable, really.

As is often the case in war movies, "Zulu Dawn" features big-name actors playing real soldiers. This makes it easier to tell the somewhat thin characters apart. Though nobody gives a career-best performance, it's great to see O'Toole, Burt Lancaster, Bob Hoskins and a solid cast of British character actors together in one movie.

I don't suppose they'd ever make this today. The politics are too awkward; I don't think a modern audience would have much sympathy for the British or the Zulu. And, of course, contemporary movies have rejected old-time spectacle, electing to replace sweeping landscapes and huge crowds of extras with fake-looking CGI.

But, in this case, old-fashioned is good. "Zulu Dawn" is definitely worth checking out in budget DVD form.

An impressive recreation of the events leading up to and of the battle of Isandlwana. The cast quality was first class, but the film jumped about from British to Zulu camps and back again to much, and some more footage of the Zulu rulers and their decisions would have been nice.

As it is the film gave a fairly balanced account of both sides. The actual battle scenes were very impressive but given the area at Isandlwana were not as tightly shot as in Zulu nor as good, and thus the same atmosphere just wasn't there, with scenes jumping around, and you could not relate to the individual characters as much as in Zulu, as they were on and off screen to quickly.

The Zulu charge though was frightening, and you felt for the soldiers who had to meet it. In short, not as good as the original, and with some mistakes in the British weapons and some equipment, but a very good introduction to Zulu if you were to see both movies back to back.

Not perfect, but awesome in its spectacle and casting, ZULU DAWN makes a fine companion piece to it's earlier sequel, ZULU.

DAWN starts fairly slowly with lots of lengthy contrasting scenes in Zululand and Natal, showing a big rift between the comfortable life of the British Colonials in Natal vs. the primitive barbarism of the Zulus. It's only inevitable that conflict later comes in one way or another and boy does it ever! The final battle scene consumes roughly the last 30 minutes of the movie and it's very exciting to see roughly 1200 British soldiers swiftly get overrun by a 30,000 strong army of Zulu warriors armed with spears. The red coats mow down wave after wave of Zulus but they just keep coming. The best scenes show the Zulu wave murdering wounded soldiers lying in their beds and then even running through the poor mess cooks! Then comes one of the best shots in any epic film (reminding me of LAWRENCE OF ARABIA and BATTLE OF NERETVA) with one excellent long shot where the entire background shows the Zulus swarming through the British tents while in the foreground a Zulu stabs and British soldier to death.

The main disappointment here is that Peter O'Toole is a bit underused and in his rather 2-dimensional presentation of Lord Chelmsford as an uptight snob really doesn't have the complexity or larger than life impact that one would usually expect from him. The rest of the cast comes off great though, especially Denholm Elliot, Peter Vaughan, Bob Hoskins, and especially Simon Ward. The musical score is very good as well, though at times possibly a little distracting and oppressive.

Hats off to the cinematographer and location managers for this one - I believe ZULU DAWN was shot at the actual South African locations near the real battle (though Isandlwana hill was too modernized and built up to use for the film), so the authenticity of this film shall probably go unequaled into history. I heartily recommend this film to any fan of large-scale war and action films - just hang in there for the climax as it's one of the finest in all filmdom.

Ostensibly a detailed retelling of the defeat of British forces at Isandlwana, and an attempt to duplicate the success of the earlier "Zulu" (about the battle at Roarke's Drift, a British "Alamo" situation that the British won). However, "Zulu" had a taut storyline and the tension never leaves until the end. "Zulu Dawn" is necessarily more diffuse, covering the folks at home (both in South Africa and Zululand) and the converging of battle forces and the division of the British between Lord Chelmsford's column and the men at Isandlwana. Through it all, stock military characters (the crusty cockney Sgt. with the caring heart, the Gomer Pyle recruit, the commanding officer who can't even pronounce the name of the camp, the far-sighted outsider who gives satiric barbs about everything (in this case, newspaperman Norris-Newman, played with wonderful acidity by Ronald Lacey), the military commander who thinks he's omnipotent, the jolly young chaps in the officers' mess . . .

A lot of fine actors (Nicholas Clay, Simon Ward, James Faulkner, Ronald Pickup, Donald Pickering, Michael Jayston) wind up without much to do other than lend their names to a prestigious cast headed by Peter O'Toole, Burt Lancaster, and John Mills. Nigel Davenport comes off well with a flamboyant Hamilton-Browne and Lancaster and O'Toole are always dependable. But there's no focus in the story and there's little sympathy for either the British or the Zulus, such as they were able to impart in "Zulu".

Also, the movie takes the easy route through Isandlwana. Instead of ascribing any of the blame for the defeat to Col. Durnford (who should be considered the commander at Isandlwana rather than Pullein), all the blame is accounted to the hubris of Lord Chelmsford (the chilling Peter O'Toole). Though Chelmsford gives terse reasons for, say, not laagering his wagons, his reasoning should not be dismissed as specious. And it's never clear (as the fact was) that Chelmsford's was the _major_ column and not the camp at Isandlwana.

The main cause for the British disaster is fairly clear in the movie, and that's the method of giving out bullets. Peter Vaughan gives a crafty performance as the quarrelsome quartermaster who demands that each bullet be accounted for at the head office. The niggardly way the bullets were dispersed to the men, who were holding the Zulu back until they ran out of ammunition on the front lines while crates of bullets were held back in the wagons, was the primary cause of the disaster. It would've been nice to have broken with tradition by laying some blame on Col. Durnford for dividing the force, though Lancaster's Durnford is never anything less than the hero of the movie.

Most viewers probably don't care about the facts of the disaster, but they will care that the feature itself is not compelling. Nevertheless, if one can sit through it, it makes a companion piece to "Zulu" that does set up the tense drama and excitement of that better movie.