Hammer House of Horror

Curiously enough, this is only Hammer's second foray into Wolf Man lore after THE CURSE OF THE WEREWOLF (1961); intriguingly, it's mixed here with a VILLAGE OF THE DAMNED (1960)-like brood of evil children – while the sinister procreation plot is a clear nod to ROSEMARY'S BABY (1968). An unsettling mood pervades this particular episode (helped by its central location, an English country-house situated deep into the woods) – even if, when finally glimpsed, the werewolf make-up is kind of goofy! The bewildered hero is played by Christopher Cazenove, his business partner by Hammer veteran Robert Urquhart, while Diana Dors is the deceptively genial housekeeper of the eerie mansion – who, apart from looking after the children by day, has the task of initiating the werewolf's female victims (the latest being Cazenove's wife) into their new 'role'. The final twist – concerning a woodsman Cazenove meets when he goes looking for his missing wife – is predictable, but nicely handled all the same. As has been the case with some other episodes in the series – which, I have to admit, has taken me by surprise overall – this presents a far more chilling, and subversive, concept (bestiality) than is usually associated with Hammer Films!

You could argue that by 1980 Hammer's best years were well and truly in the past, but they had one final hurrah with this series, thirteen episodes of witches, demons, werewolves and possessed children.

It's Hammer, so expect to see blood, gore, nudity and of course Peter Cushing. There are actually several very macabre moments to enjoy.

If you're a fan of the Hammer films, or shows like Thriller, Armchair Thriller and Tales of the Unexpectedly, then this show will definitely appeal to you.

It's a generally very well produced series, it certainly looks good, there are some great props and make up, and some of the camera angles are hugely imaginative.

My only gripe with this show, is that it ran for just one series, overall it's an excellent series, but with so many highlights in the series, surely it had a lot of mileage left.

Everyone seems to remember one scene in particular, the party scene from The House that dripped blood, it's certainly a memorable moment.

There are plenty of great episodes, The Silent Scream is a definite fan favourite, and a personal favourite, but the likes of Charlie Boy and The Thirteenth reunion are very good also.

I wouldn't say any episodes are out and out clunkers, but I would say that Visitor from The Grave and Growing Pains are some of the less successful offerings.

Expect to see some incredibly well known faces, look out for Denholm Elliott, Anthony Valentine, Patricia Quinn, Brian Cox and many more.

8/10.

Could you believe that after so long, the Hammer Company could come back and release a show that had as much quality content as the original Twilight Zone? For those who have not seen this, the closest that I can come to describing this gems is to compare to the 1 hour episodes that Rod Serling put out. Even that doesn't do them justice.

There are thirteen episodes in all. The cover lists Peter Cushing, Denholm Eliot, and Pierce Brosnan, but there are stand-out performances by many more in each episode. Jon Finch (Hitchcock's Frenzy) starts off as director editing his film at home when a fierce storm draws near... From the first minute of the first episode, it is apparent that this series was something special. Good direction, tight casting, and fast paced stories are the norm. This is not to say that all will interest, and some have common themes to other episodes, but all are enjoyable. Picture a standard film, and cut out a half an hour of the excess, and you've got these.

Certainly worth the investment, these episodes can be collected in one box set, which is quite well done by A+E. Werewolves, demons, witches, voodoo dolls, and for good measure a demented Nazi can all be found within. Horror fans, and those who miss good television, should take a look at Hammer. I assure you, you will not be disappointed.

For those of us of a certain age, this was the must-see Saturday night TV event. And out of the 13 (very apt number...) individual episodes, there are several that chill my blood and haunt my nightmares to this day.

The luridly titled 'House That Bled To Death' was an excellent take on the Amityville theme - new owners of a house discover its murderous past, 'Thirteenth Reunion' takes the cannibal-aircrash-survivors story to a scary extreme, and 'Charlie Boy' gives us the cursed voodoo effigy from hell.

But undoubted winner of the 'Scare A Thirteen Year Old So He Pees The Bed' Award - 'Two Faces of Evil'. For any thirtysomething who has passing hazy recollections of this series, think rotten teeth and one sharp, black fingernail...

I'm off - I need the loo.

Hammer House Of Horror, with its Spinal Tap's 'Stonehenge' soundalike theme tune, casts of soon-to-be-famous actors and commendably nasty flair for nihilism and genuine nastiness slithered onto British television (on Saturday nights, too!) in 1980 and carved indelible scars in the collective subconscious of an entire generation. Sure, not all the episodes were up to the same standard, but the ones that worked - well, they were classics.

THE HOUSE THAT BLED TO DEATH is one of the most memorable episodes, and rightly so. I think this would have made a decent feature-length film. An apparently unsuspecting family moves into a house with a grim recent past and quickly realize that all is not as it should be. A series of horrible incidents (animal lovers should not even consider watching this episode) culminate in the notorious blood-soaked birthday party and the family moves away, but even that isn't the end of their problems. This episode has one of the most shocking and disturbing final scenes of the whole series and would make a nice companion piece to Romano Scavolini's NIGHTMARE (1981), released the following year. SILENT SCREAM is another excellent series entry, with Peter Cushing at his creepy best as a seemingly innocuous pet shop owner who turns out to be a former concentration camp guard with a penchant for unpleasant experiments involving "prisons without walls". The finale is extremely creepy and haunted my dreams for a long time when I was a child. THE TWO FACES OF EVIL goes all out to disturb, with creepy electronic music, claustrophobic camera angles, dopplegangers, nausea-inducing shocks and another troubling ending. It's the closest the series comes to straight horror for its own sake, and should NOT be watched alone!

After the excellent opening salvo of three brilliant episodes, the rest of the series can seem like a disappointment, but CHARLIE BOY, WITCHING HOUR, GROWING PAINS, THE MARK OF Satan and VISITOR FROM THE GRAVE are all fine stories (the latter boasting a completely wacko final scene that will have you muttering "what the hell was THAT?!"), RUDE AWAKENING is as bizarre as anything the late Dennis Potter ever came up with, THE CARPATHIAN EAGLE boasts the gorgeous Suzanne Danielle, THE THIRTEENTH REUNION is well-acted and macabre if a little predictable, and the remaining few episodes don't quite come off. Nonetheless, it's a pleasingly varied series that's consistently entertaining, and a reminder of a time when television treated adults like adults and had yet to dumb down to the levels of dreck like Freddy's Nightmares.