IMDb रेटिंग
6.6/10
26 हज़ार
आपकी रेटिंग
रंगकलाओं में निपुण छात्रों के लिए न्यूयॉर्क उच्च विद्यालय में पढ़ रहे कई किशोरों के जीवन का एक वृत्तांत.रंगकलाओं में निपुण छात्रों के लिए न्यूयॉर्क उच्च विद्यालय में पढ़ रहे कई किशोरों के जीवन का एक वृत्तांत.रंगकलाओं में निपुण छात्रों के लिए न्यूयॉर्क उच्च विद्यालय में पढ़ रहे कई किशोरों के जीवन का एक वृत्तांत.
- 2 ऑस्कर जीते
- 9 जीत और कुल 16 नामांकन
सारांश
Reviewers say 'Fame' is celebrated for its vibrant portrayal of young performers, capturing ambition and struggle. The realistic depiction of challenges faced by aspiring artists is praised, along with energetic music and dance numbers. Irene Cara and Gene Anthony Ray receive commendations for their performances. However, some criticize unresolved storylines and character development. The film's exploration of diverse backgrounds and the pressures of fame is highlighted. Despite criticisms, 'Fame' is regarded as influential in musical dramas.
फ़ीचर्ड समीक्षाएं
"Fame" is a very well done portrait of the students who inhabit New York City's High School of the Arts. The film focuses on a group of students who dream of making it big while they perfect their craft at the now famous school. Director Alan Parker allows each of the highlighted students to mature on screen, allowing you to feel a connection with each one. The music here is infectious and fun. The dancing is exciting and fresh. The film eventually became the basis for an Emmy-winning television series starring Debbie Allen and some of the other actors from the film. One of the more enjoyable "dance" films of the 1980's. Received Oscars for music. 8/10
High school. Years and decades later, some look back on it with fondness, others with embarrassment. But few find it easy to forget. It's one of the most critical phases of our lives, when changes come fast and furious whether we're ready or not. No longer children, not yet adults, irresistible forces buffet us, pushing and pulling us in every direction.
"Fame" did its best to capture this turbulent, chaotic period for its cast of young characters. For the most part, it succeeded. It meandered, but did feel like a slice of life. This movie holds a special place in the hearts of the Class of '80. We had just bid farewell to the sensational '70s, and soon to the end of three or four stimulating and sometimes difficult school years. We were headed out into the cold, cruel world, leaving home for college then parts unknown. As we approached our watershed event, this newly released movie was like a two-hour yearbook for us. We couldn't escape the titular song on the radio. That was us up there on the screen. Those were our friends, rivals and classmates as we had faced our own dreams, frustrations, successes and failures. Except that theirs were peppered and punctuated with lively tunes from Michael Gore.
It's especially poignant for those who attended any of New York City's other elite, top-tier high schools, especially Stuyvesant, Bronx HS of Science or Brooklyn Tech. Like the kids here, we were considered the best of the best. We had no auditions, but instead rigorous entrance exams. More than the Performing Arts kids, we were expected to change the world, although not necessarily become famous. Like them, not all of us made it. But the pressure cooker environment fostered extraordinary camaraderie and esprit de corps, not unlike the toe-tapping "Hot Lunch Jam" in the cafeteria. On our own graduation day, our spirits soared almost like the jubilant crescendo in the rousing finale. The film leaves us fittingly on a single, triumphant note at the end of "I Sing the Body Electric," pointing to the blindingly bright, boundless future and all the promise it held.
"Fame" couldn't have been set anywhere else. This story would never have worked in a small or suburban school. Los Angeles has a stronger identification with movies and television, but NYC is a mecca for all of the arts. Home not only to what was then called PA, but also world-renowned Juilliard, NYC is a cultural center unmatched by any other city in the world. "Fame" is also a time capsule of the rest of the city of the time, showing the seediness, grit and grime that was endemic of a New York still struggling back from the fiscal crisis that had nearly bankrupted it. But most of all, it showed the vitality, since muted by the inroads of Giuliani, Disney and tourism. Having it filmed in and around an actual NYC school - although not the real PA - helped give it a wonderful sense of verisimilitude.
What I wouldn't give to be young again. But with "Fame," at least I can remember what it was like.
"Fame" did its best to capture this turbulent, chaotic period for its cast of young characters. For the most part, it succeeded. It meandered, but did feel like a slice of life. This movie holds a special place in the hearts of the Class of '80. We had just bid farewell to the sensational '70s, and soon to the end of three or four stimulating and sometimes difficult school years. We were headed out into the cold, cruel world, leaving home for college then parts unknown. As we approached our watershed event, this newly released movie was like a two-hour yearbook for us. We couldn't escape the titular song on the radio. That was us up there on the screen. Those were our friends, rivals and classmates as we had faced our own dreams, frustrations, successes and failures. Except that theirs were peppered and punctuated with lively tunes from Michael Gore.
It's especially poignant for those who attended any of New York City's other elite, top-tier high schools, especially Stuyvesant, Bronx HS of Science or Brooklyn Tech. Like the kids here, we were considered the best of the best. We had no auditions, but instead rigorous entrance exams. More than the Performing Arts kids, we were expected to change the world, although not necessarily become famous. Like them, not all of us made it. But the pressure cooker environment fostered extraordinary camaraderie and esprit de corps, not unlike the toe-tapping "Hot Lunch Jam" in the cafeteria. On our own graduation day, our spirits soared almost like the jubilant crescendo in the rousing finale. The film leaves us fittingly on a single, triumphant note at the end of "I Sing the Body Electric," pointing to the blindingly bright, boundless future and all the promise it held.
"Fame" couldn't have been set anywhere else. This story would never have worked in a small or suburban school. Los Angeles has a stronger identification with movies and television, but NYC is a mecca for all of the arts. Home not only to what was then called PA, but also world-renowned Juilliard, NYC is a cultural center unmatched by any other city in the world. "Fame" is also a time capsule of the rest of the city of the time, showing the seediness, grit and grime that was endemic of a New York still struggling back from the fiscal crisis that had nearly bankrupted it. But most of all, it showed the vitality, since muted by the inroads of Giuliani, Disney and tourism. Having it filmed in and around an actual NYC school - although not the real PA - helped give it a wonderful sense of verisimilitude.
What I wouldn't give to be young again. But with "Fame," at least I can remember what it was like.
This movie and its subsequent TV series followup has become the iconic stand-in for what is great about America.
Fame is famous for its music and performances. There are several standouts including Irene Cara, Paul McCrae, Anne Meara*, and the superb Gene Anthony Ray. The latter who plays a walk-on dancer with no academic or other than "street" credentials is an amazing personality and is worth watching for what is essentially a portrayal of himself. A wonderment to behold, as one king was apt to say.
The plot follows an interesting format - chronological at times, genre at other times, personalities in some cases ... but, it all really ends in a kind of mush.
Where Parker succeeds is in pushing this movie into periodic overdrive - with the extremely poignant and sometimes beautiful and outright campy music score that matches the performers step for step.
The climax of the film is a climax for all times. And this climatic complete cast of many many talented musicians and dancers and music is thankfully repeated throughout the credits. These are one set of credits that are well worth sitting through ... an achievement for the ages. The music by Christopher Gore is a gift to behold.
Fame is famous for its music and performances. There are several standouts including Irene Cara, Paul McCrae, Anne Meara*, and the superb Gene Anthony Ray. The latter who plays a walk-on dancer with no academic or other than "street" credentials is an amazing personality and is worth watching for what is essentially a portrayal of himself. A wonderment to behold, as one king was apt to say.
The plot follows an interesting format - chronological at times, genre at other times, personalities in some cases ... but, it all really ends in a kind of mush.
Where Parker succeeds is in pushing this movie into periodic overdrive - with the extremely poignant and sometimes beautiful and outright campy music score that matches the performers step for step.
The climax of the film is a climax for all times. And this climatic complete cast of many many talented musicians and dancers and music is thankfully repeated throughout the credits. These are one set of credits that are well worth sitting through ... an achievement for the ages. The music by Christopher Gore is a gift to behold.
This movie showcases a LOT of incredible talent. Fantastic performances throughout. The movie also is a great story about potential and how people use, abuse or ignore it in themselves. This is a story about students who look like they are all headed for fame and fortune. It shows the pitfalls along the way. We learn that talent is not enough. We also learn that many fall short and give up along the way. As an adult who was a teenager back when this movie first came out, it is a very bittersweet look at potential in us all and has us examine what we did with it in our lives, are we where we thought we would be? Yes, this movie is dated, it is over 20 years old, it HAS to be in some regard. But the story is timeless and will rank among classics of teenage movies and also always have a warm spot in the hearts of adults who grew up in the era. Highly recommended. Would make a great double feature with "Gold Diggers of 1933" just to show contrast and to see how Broadway has changed over the years.
Fame is more than a movie about high school and a group of developping teenagers. It is about what it means to go after a dream and the successes and failures along the way.
Increddibly crafted and edited, Fame is a joy to watch that keeps you invested in the journey of many characters despite its long runtime. The piece poignently captures some of the more meaningful moments of the students four years at performing high school while inserting some showstopping numbers along the way ("Fame" and "Out Here on My Own" for example). However, the film never strays from the more painful decisions and experiences of growing up and chasing a dream. It tackles a variety of topics with care and decisiveness.
Many complaints I have seen are against the film's openended nature. I would argue that this is part of the film's realism. High school is only the beginning of these students lives and there are countless more hurt and highs in their future that they have yet to experience. The film is about the lack of knowledge of whether one has talent or will "make it" in a nearly impossible business, and this choice only further upholds it.
The film is a wonderful drama that stands the test of the time for anyone who's been young with a wild dream and determination. It is definitely worth watching.
Increddibly crafted and edited, Fame is a joy to watch that keeps you invested in the journey of many characters despite its long runtime. The piece poignently captures some of the more meaningful moments of the students four years at performing high school while inserting some showstopping numbers along the way ("Fame" and "Out Here on My Own" for example). However, the film never strays from the more painful decisions and experiences of growing up and chasing a dream. It tackles a variety of topics with care and decisiveness.
Many complaints I have seen are against the film's openended nature. I would argue that this is part of the film's realism. High school is only the beginning of these students lives and there are countless more hurt and highs in their future that they have yet to experience. The film is about the lack of knowledge of whether one has talent or will "make it" in a nearly impossible business, and this choice only further upholds it.
The film is a wonderful drama that stands the test of the time for anyone who's been young with a wild dream and determination. It is definitely worth watching.
क्या आपको पता है
- ट्रिवियाDirector Sir Alan Parker wanted a scene that showed Doris overcoming her fear and becoming an actress. He heard of the audience participation at the local screenings of रॉकी हॉरर पिक्चर शो (1975) and went to check it out. He loved it so much that he not only decided to use it in the film, he had many of the "cast" from the local screenings appear in the film, as the people doing the time-warp on stage when Doris runs up and joins them.
- गूफ़After four years of school, Doris Finsecker's little brother never gets any older.
- भाव
Doris Finsecker: I'm about as flamboyant as a bagel.
- इसके अलावा अन्य वर्जनFollowing the success of the TV series in the UK, an alternate PG-rated version was released theatrically with all of the swearing, sexual and drugs references removed.
- कनेक्शनFeatured in On Location with: FAME (1980)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Fama
- फ़िल्माने की जगहें
- Church of Saint Mary the Virgin 145 West 46th Street, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(School Exterior - Parker was not allowed to shoot the actual school at 120 West 46th, so he opted for a then abandoned Church directly opposite)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $2,12,02,829
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,18,160
- 18 मई 1980
- दुनिया भर में सकल
- $2,12,03,707
- चलने की अवधि2 घंटे 14 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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