अपनी भाषा में प्लॉट जोड़ेंAfter WWII, ex-Gestapo officer Kessler flees as a war criminal, escaping with wealth to Paraguay to start anew as a businessman. He dreams of fascism's return while former Lifeline members h... सभी पढ़ेंAfter WWII, ex-Gestapo officer Kessler flees as a war criminal, escaping with wealth to Paraguay to start anew as a businessman. He dreams of fascism's return while former Lifeline members hunt him.After WWII, ex-Gestapo officer Kessler flees as a war criminal, escaping with wealth to Paraguay to start anew as a businessman. He dreams of fascism's return while former Lifeline members hunt him.
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However, would he have really made a fresh start in Germany rather than flee to South America?
The creators of this series originally intended to set it in an earlier decade - the 1960's - but the BBC objected on the grounds that this would cost more than a contemporary setting. The writers were told that it was deemed too expensive to hire 'period-appropriate' clothes, cars, props and locations; when they pointed out that the Kessler character would be quite ancient by the dawn of the 1980's (not to mention further removed from the events of "Secret Army"), the BBC executives apparently replied:"who cares, nobody will notice". Thus the cast and those behind the camera began the project with legitimate misgivings.
In "Secret Army", Kessler had a romantic relationship which made the character three dimensional and showed that even a cruel Nazi bigot had human dimensions. At the time, some people at the BBC felt that this factor might inspire too much sympathy for Kessler. Perhaps the Corporation's fear of the SS man being hero-worshipped explains why his loving companion makes no appearance in the subsequent series?
In "Secret Army", Kessler had a romantic relationship which made the character three dimensional and showed that even a cruel Nazi bigot had human dimensions. At the time, some people at the BBC felt that this factor might inspire too much sympathy for Kessler. Perhaps the Corporation's fear of the SS man being hero-worshipped explains why his loving companion makes no appearance in the subsequent series?
The first episode of the "Kessler" mini series is a re-worked version of the (unbroadcast) final episode of "Secret Army" (1977-79), "What Did You Do In the War Daddy?", which the BBC management had refused to broadcast in 1979.
As such, the first episode features the surviving cast of "Secret Army" - Albert, Monique and Natalie. This is great, but they only appear in the first episode (which sets up this series).
Overall, "Kessler" was disappointing. It didn't have the strong dramatic tensions which had made "Secret Army" such a success. Removed from his Gestapo post, and on the run, Kessler was no longer the sinister menace that had given the character such strength in "Secret Army".
And it was, of course, impossible to present the character sympathetically. This was a serious drawback to the series. The main character must have the audience's sympathy if we are to care what happens to him.
"Secret Army" had very successfully characterised its two Luftwaffe officers - Major Brandt and Major Rienhardt - sympathetically, by their contrast to the evil Kessler. But it was impossible for the writers to do anything with Kessler himself other than demonise the character. This seriously undermined the "Kessler" series, as there was never any chance for the audience to like the lead character.
The presence of the well-loved Resistance heroes of "Secret Army" might yet have saved the day. But that was made impossible by the decision to set the sequel mainly in South America, and to give it a completely new cast (for all but the first episode). Only Kessler himself continued from "Secret Army".
I was particularly surprised by the absence of Madelaine (Hazel McBride), Kessler's only friend in the earlier series, who might have stood at least some chance of showing up a human side to him.
As such, the first episode features the surviving cast of "Secret Army" - Albert, Monique and Natalie. This is great, but they only appear in the first episode (which sets up this series).
Overall, "Kessler" was disappointing. It didn't have the strong dramatic tensions which had made "Secret Army" such a success. Removed from his Gestapo post, and on the run, Kessler was no longer the sinister menace that had given the character such strength in "Secret Army".
And it was, of course, impossible to present the character sympathetically. This was a serious drawback to the series. The main character must have the audience's sympathy if we are to care what happens to him.
"Secret Army" had very successfully characterised its two Luftwaffe officers - Major Brandt and Major Rienhardt - sympathetically, by their contrast to the evil Kessler. But it was impossible for the writers to do anything with Kessler himself other than demonise the character. This seriously undermined the "Kessler" series, as there was never any chance for the audience to like the lead character.
The presence of the well-loved Resistance heroes of "Secret Army" might yet have saved the day. But that was made impossible by the decision to set the sequel mainly in South America, and to give it a completely new cast (for all but the first episode). Only Kessler himself continued from "Secret Army".
I was particularly surprised by the absence of Madelaine (Hazel McBride), Kessler's only friend in the earlier series, who might have stood at least some chance of showing up a human side to him.
A Belgian journalist sets the wheels in motion, in a bid to hunt down former Nazi officer, Ludwig Kessler, who's now living a successful new life, with a new name.
It's definitely an interesting storyline, a group of fanatics still desperate to see Hitler's plans put into action, a network exposed.
The chances are you'll have come here from The Secret Army, hoping for an extension of that great series, and a continuation of that same quality, unfortunately Kessler doesn't quite hit those levels.
It's a bit of a clunky production, it doesn't move at pace, it doesn't really spark into life until later on in the series, the first trio of episodes are actually slow moving.
Initially you'll wonder if the budget was quite small, but it soon becomes apparent that it was used for the location work, and it's fair to say there is a great variety, it never feels studio bound.
The acting, for me this was the stumbling block, Clifford Rose was pretty good as the titled character, I found his character quite well rounded and sincere, the supporting cast however, some of the acting was flat, with blank characters, I never felt like I understood why Rak and Bauer were so heavily involved.
I've tried a few times to watch it, but always quit after episode two or three, I'm glad I persisted this time, as it does improve towards the end, sadly the first half of the series is just so dull.
6/10.
It's definitely an interesting storyline, a group of fanatics still desperate to see Hitler's plans put into action, a network exposed.
The chances are you'll have come here from The Secret Army, hoping for an extension of that great series, and a continuation of that same quality, unfortunately Kessler doesn't quite hit those levels.
It's a bit of a clunky production, it doesn't move at pace, it doesn't really spark into life until later on in the series, the first trio of episodes are actually slow moving.
Initially you'll wonder if the budget was quite small, but it soon becomes apparent that it was used for the location work, and it's fair to say there is a great variety, it never feels studio bound.
The acting, for me this was the stumbling block, Clifford Rose was pretty good as the titled character, I found his character quite well rounded and sincere, the supporting cast however, some of the acting was flat, with blank characters, I never felt like I understood why Rak and Bauer were so heavily involved.
I've tried a few times to watch it, but always quit after episode two or three, I'm glad I persisted this time, as it does improve towards the end, sadly the first half of the series is just so dull.
6/10.
Difficult to watch. This is an overdrawn Boys of Brazil. With similarly thick accents. The plot is not gripping at all. The Israeli girl a poor actress. The show grows preachy (European country do so little to catch the war criminals that we are told with a straight Israel must do the job, the whol hit squad being a petite Sephardic woman), the Fourth Reich business was already laughable in 1981. The show is slow, hardly believable, the characters are hard to like, the "nostalgic" bits too frequent. Pass you way. Just watch the Secret Army, a far more subtle series (especially in its second and third seasons).
क्या आपको पता है
- ट्रिवियाThe serial incorporates several elements of What Did You Do in the War, Daddy? (1979), the never aired final episode of Secret Army (1977) which was also written by John Brason: Kessler married his Belgian mistress Madeleine Duclos, who has since died, and has established himself as a major industrialist in West Germany under the pseudonym Manfred Dorf, Monique has a son in his twenties and returns to Brussels for the first time since the end of the war, Albert still owns the Candide in addition to six other restaurants and the surviving members of Lifeline reunite for the purposes of a documentary series entitled "In Our Time" which attempts to expose Kessler as a Nazi war criminal.
- क्रेज़ी क्रेडिटThe opening titles start by displaying the letters SS which change to the name Kessler.
- कनेक्शनFollows Secret Army (1977)
टॉप पसंद
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- How many seasons does Kessler have?Alexa द्वारा संचालित
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