Sengoku jieitai

I have a pre-cert copy of this film, which is under the title 'time wars' and it runs at an even shorter time than the 110mins version mentioned here by other users. My copy barely hits 60 mins and the hacked editing shows in a very obvious way. There is little explanation of what is going on; the prostitute from the past seems to be still working at the brothel in the late 1970s; a Samurai appears riding a horse down the street in the 1970s for NO reason and while the ending is reminiscent of Macbeth there is a much a much stronger feeling of MacDuff to the whole finished product. I would like to see an unedited version of this in relation to what people are saying about it as my memory of it is as an instigator of Family arguments

BO!

Apart from controversial acting, directing, plot etc. there is one particular aspect of this movie thats is actually bad unconditionally.

If one would judge by "Sengoku Jieitai", one would conclude that JGSDF is the worst disciplined and trained army in the world, assembled by drafting idiots with criminal tendencies.

Samurai tactics against modern soldiers, shown in the movie, is remarkably decent to my surprise. It might even work IRL - well, if modern soldiers were indeed that stupid and untrained. Modern soldiers' tactics is just plain ridiculous - "WTF are they doing?!!" was all I could think about watching the otherwise spectacular final battle.

In my opinion, this movie creates a very bad image of JGSDF.

It also seems that there's not even single one positive character - anyone who's not an extra is either plain bad or just repulsive person. Even Lt. Iba (Sonny Chiba) - being badass - is also bad and an ass.

Well, at least we have two badass guys here.

High concept movies don't get much higher in concept than G. I. Samurai, which is about a group of military personnel and their equipment getting transported back in time 100s of years, to samurai times. Once there, they get involved in a great many battles and ridiculous action ensues, especially for what feels like most of the second half.

At 140 minutes, I feel like it's way too long. There are also some uncomfortable/awkward moments here and there that soured things a little. But at the same time, I enjoyed quite a lot of it, and I liked how gonzo it was. It found a good deal of things to do with the wild premise at hand, and in that way, it definitely didn't feel like a waste or a missed opportunity.

Sonny Chiba delivers an excellent performance in this movie that pits modern weapons against the formidable swords and strategic brilliance of the war lords from ancient Japan. I saw this movie first as a teenager in Germany and it was shown under the title Time Slip. I searched for many years until I found it again as G.I. Samurai. I purchased the DVD which has the English dubbed version along with the original Japanese with English subtitles. The Japanese version has much more impact due to it's more authentic delivery of the dialogue. Some of the emotion and mannerism is lost in the dubbed version.

"Who is Sonny Chiba? He is... he is bar none, the greatest actor working in martial arts movies today". So explains Clarence Worley in True Romance, a man who clearly knows his shizzle when it comes to Asian action stars. G.I. Samurai is the third flick I've seen from the dirt-cheap, 4-film Chiba box-set I bought from ebay, and it's the third winner in a row, a hugely entertaining sci-fi tinged action/adventure that ploughs through its 139 minutes like a 50-calibre machine gun through an army of warring-era Japanese soldiers.

Chiba plays Lt. Yoshiaki Iba, leader of a Japan Ground Self-Defense Force squadron that 'slips' through time, arriving in feudal Japan, where they join forces with a power hungry samurai planning to become the country's next ruler. The script doesn't concern itself with the whys and wherefores of the squadron's predicament, quickly glossing over the time travel nonsense in order to concentrate on the job at hand: pitting the modern-day soldiers, with their powerful weaponry, against hordes of warriors armed with swords, arrows, spears and throwing stars (oh yes, there will be ninjas!).

A couple of quieter moments do allow for that other all important staple of exploitative Japanese cinema—gratuitous female nudity—as several of Iba's men go AWOL for a rape and pillage spree, while a few others pay a visit to an obliging local widower; for the most part, however, it's loud, relentless, and bloody stuff, with Chiba proving Clarence to be right on the money with his assessment of the star: whether suspended from a helicopter firing a machine gun, riding a horse while firing a bow and arrow, or taking on a warlord with a broken sword, Sonny kicks serious ass.