Remington Steele

Re-visited 'Remington Steele' recently, now with more time on my hands with a much needed calmer period after intensive studying, and it is every bit as good as remembered. Had memories of it being brilliant for most of its run before running out of steam in the last season, those recollections proved to be correct. 'Remington Steele' is a very good show and for much of the run more than that, but it deserved a better final season.

Visually, 'Remington Steele' has a very elegant and stylish look throughout, very 80s but strikingly so. Love the slickness of the photography and the beautiful locations, editing is also succinct and the costumes, hair and make-up are both appealing on the eyes and nostalgic. The music has a slinky jazziness to it, never overbearing the action or being discordant with it while having presence and energy. Not easy to forget the main theme either.

The writing is beautifully balanced and cleverly written. The comedy is witty and sophisticated while the romance is both sensual and bubbly, the chemistry between Pierce Brosnan and Stephanie Zimbalist is irresistible. The mysteries are fun and suspenseful and with rarely if ever a rushed or draggy moment, or anything that comes over as ridiculous (excepting the Season 3 finale perhaps).

Brosnan is charismatic, suave and charming and he handles the comedic and serious sides beautifully. Zimbalist is at her loveliest here and her most sparkling, while Doris Roberts is a sheer delight. Zimbalist's real life father Efrem Zimbalist Jnr is suitably commanding.

With so many positive attributes, it feels sad that Season 5 doesn't live up to the rest of the show. There are shows with worse final seasons, like 'Lost' and the US 'House of Cards', but it was disappointing enough to bring things down a little. The energy doesn't sparkle as much and the central chemistry is underused and too hostile.

A triangle is also attempted, but that feels shoe-horned, not of much use and makes one like Laura less), the characters aren't as interesting or well written with development being ignored and there is too much Tony, an irritating character and the show's low-point. Am in two minds as to whether it worked for me or not that 'Remington Steele' ended on an unfinished note.

In conclusion, hugely enjoyable but ended disappointingly. 8/10 Bethany Cox

With oodles of dashing, masculine charm, Pierce Brosnan is one of my very favorite actors, who ranks, in my polls, at the #2 position as being the best James Bond, ever. (And, nope, Sean Connery is not my #1 choice)

Here in the TV Series "Remington Steele", Brosnan (in his pre-Bond days) never failed to pour on the charm and put in a captivating performance as the show's title character.

In "Remington Steele" our hero is teamed up with the always-alluring P.I., Laura Holt. And, together this dynamic duo scrupulously fights vicious crime and corruption with a fine sense of style and (sometimes comic) flair - Always making certain to never mix business with pleasure. Well..... Almost never.

Remington Steele is one of my favorite TV series. It had everything: fun, romance, mystery, suspense, and three great leading actors, Stephanie Zimbalist, Pierce Brosnan and Doris Roberts. They were a winning combination. I would love to have the entire series on DVD. Although, I have some complete episodes on video tape, tapes wear out, and I'm hoping for a DVD set to preserve such a wonderful series for posterity.

Stephanie Zimbalist played Laura Holt beautifully. She was a character I admired, a woman striking out on her own, even though she initially had to use deception to get her business on track. Pierce Brosnan was charming as the mysterious con man. Who can forget the wild antics of Doris Roberts as Mildred Krebs, especially the time she was involved in the Steele, Inc. scheme to open a chain of Remington Steele agencies without the knowledge of Laura or Steele?

This is a series that MUST find a place on DVD shelves everywhere.

Here's a little known fact. Remington Steele obsessives, like myself, cannot bear to even mention the unfortunate 5th season of this series. To cut a long story short, male lead Pierce Brosnan was on the brink of being officially declared the new 007 (replacing Roger Moore) but NBC ordered more Remington Steele episodes and Timothy Dalton got the licence to kill instead. Brosnan returned to TV for a shortened, unsatisfying 5th season.

So, if we ignore the fifth and concentrate on the previous four seasons, what do we have? An excellent series, very much of its time, with a premise that just wouldn't stand up today! Can you imagine a show in these politically-correct days where a woman invents a male boss to attract business? Stephanie Zimbalist starred as Laura Holt, the woman behind the man – an attractive, spunky, fiercely independent private investigator. Pierce Brosnan played the handsome and mysterious thief-with-no-name turned eponymous super sleuth. The sexual chemistry between Laura Holt and Remington Steele was the driving force of the show but it had so many other plus points too. The first episode (License To Steele) sets the tone which future shows followed: an exciting mystery, tight plotting, fine script, a stylish feel and explosive sexual tension between the two protagonists. This was an absolute pre-requisite in the 1980s. Everyone was either doing it, or nearly doing it, or talking about doing it: Cheers' Sam and Diane, Moonlighting's Maddy and David, Scarecrow and Mrs King's Scarecrow and Mrs King(!) and Laura Holt and Remington Steele were no different! The writers of Remington Steele delighted in torturing their audience, keeping us guessing as to when the two would finally consummate their on-again, off-again rocky-romance as they ran around solving crimes. The series finished in 1987 but the plethora of websites dedicated to it and fan fiction inspired by it, is testament to its enduring appeal. Remington Steele? 100% pure class.

I loved Remington Steele back in the 1980s and videotaped many of the shows. I recently found those tapes again and have been watching them more critically this time around. I still love most of the shows, but now I think I understand why. Where else can you find a show nowadays where the star of a show is a bright, independent-minded entrepreneurial woman who finds a bright, warm, sensitive, and gorgeous man that pursues her more for her mind than her body? Where else can you find a show nowadays where the female lead deals with feminist issues and doesn't allow herself to be sexually exploited or even to take issues of sex and commitment lightly without being naive or a prude? Looking back on it, there was more romantic comedy than mystery or drama in most of the shows, but the main characters were very appealing, as was their dilemma. I'd love to see more shows like it on the air today.