The Tenth Man

I remembered this movie (and subsequently ordered it) because of Anthony Hopkins' incredible role. When I received it from my movie retailer, I realized that the other actor in it was Derek Jacobi, who has become my favorite actor of all time. To top it off, the woman is Kristin Scott-Thomas who hadn't come into her own yet. This is an amazing cast, from a novel from an amazing author. Watch it! Watch it!

A WWII dark story by Graham Greene (who also wrote the Third Man).

A prisoner makes a deal with another prisoner to save himself from being executed they swap places in exchange for everything the one owns including a secluded mansion.

I won't spoil the story or bore you (if you have seen it) with more of the plot.

It is well done...the acting good...the screen adaptation of the book not ponderous like they sometimes are trying to cram too much in.

Anthony Hopkins like Anthony Perkins before him was type caste by one horror role. This younger version of him makes it easier to forget.

A good watch. RECOMMEND.

In Nazi-occupied France, a well-to-do businessman is imprisoned by chance and trades all his money and possessions to another prisoner in order to escape execution. Once released, he travels back to his old home and there encounters the bitter family of the man who took his place...

It's a good distance from the perfection of The Third Man, but this largely-forgotten TV adaptation is still a thoroughly engrossing story, much better than the great majority of cinema releases in a similar vein. It's better early on, and ends a little weakly, but all the turns of the plot keep you watching.

Anthony Hopkins is truly first rate, and the script is fine, even if the camerawork, music, direction and general production values are strictly from a 1980s made-for-TV movie. All the other actors are solid, although the young Kristin Scott-Thomas, not yet fully-formed, is slightly miscast as a working class woman with a continually appearing and disappearing amateur dramatics cockerney accent.

With more money, time and care, this could have been just as much a classic as The Remains of The Day or The English Patient, but even as it is, it still remains one of the better adaptations of Greene's work.

A typical Graham Greene story, with many human factors, many human weaknesses, many human lies and many strange turns in a very human story. Anthony Hopkins is a very ordinary citizen, a very bourgeouis lawyer, well off with a chateau-like house outside Paris, working in Paris, when he goes in to town to work in 1940 gets rounded up by the Gestapo and put in prison on a waiting list for death. Although he shouldn't, he survives three years in that prison, while several of his fellow prisoners have been shot. He looks up the sister of one of them, Kristin Scott Thomas, and they become very good friends, until there is Derek Jacobi, who turns out to be a collaborator with the Germans, trying to take Kristin Scott Thomas for himself, which of course Anthony Hopkins can't quite accept. Perhaps the flaw of the story is its very human weakness, predominant in almost all of Graham Greene's novels. Here he should have told Thomas the real truth from the beginning and reveal who Jacobi really was, which he didn't which results in the consequences. It's perfect acting, a great human drama, a beautiful film and above all with wonderful music by Lee Holdridge, ideal film music for this kind of film. It is both one of Anthony Hopkins' and Kristin Scott Thomas' best performances in very delicate and tricky parts, she always does well in France, and this film and story is all French and very French. It's about the resistance in the war, the German tyranny, the intricate psychology of freedom fighters and collaborators, the son of Max Ophuls once made a very explicit film about this, clearing it all up in a unique documentary, while this film only touches on the problems and is focussed on the human factors. In brief, no Graham Greene admirer or reader of his books could be disappointed by this splendid feature on quite an intimate and chamber music level.

"The Tenth Man" is a screen adaptation of the powerful novel by Graham Green. Set in 1940s France at the time of the Nazi occupation and its aftermath, it tells the story of a man who does something despicable to save himself and later comes face to face with those whom he wronged. It's a great story with excellent acting by Anthony Hopkins and Kristen Scott Thomas, and well worth watching. However, you should bear in mind that this was a made-for-tv movie in 1988 for the Hallmark Channel.

This means its presentation suffers from a lot of dated clichés, such as a saccharine Hallmark Channel musical score that often detracts from the powerful acting, bright lighting & sets which give it a slightly cheap look, and it also feels a bit rushed in pace, not giving the dramatic moments enough time to sink in. But if you can overlook these small flaws, the story and acting will sweep you away.

Though set during WW2, this is not a war movie, there isn't much violence, and when there is violence it's handled in a safe PG-13 way. This is mostly a sentimental film that focuses on the characters' feelings more than action and plot twists. The plot does get twisty toward the end, bordering on crime thriller, but really this movie is more for people who enjoy slow, nostalgic films with themes of regret, forgiveness, morality and a dash of romance.

I would compare this film to "Somewhere in Time" (1980) though the stories are nothing alike; they both share the same sentimental vibe, a bit syrupy in presentation but with first class acting and a great story.