IMDb रेटिंग
5.3/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn a cyberpunk future, Kyron-5 supercomputer attempts to exterminate the human race, but Gunhed mechs stop it. In 2038, five thieves break into a condemned island facility to steal Kyron's d... सभी पढ़ेंIn a cyberpunk future, Kyron-5 supercomputer attempts to exterminate the human race, but Gunhed mechs stop it. In 2038, five thieves break into a condemned island facility to steal Kyron's dead CPU. The place turns out to be a deathtrap.In a cyberpunk future, Kyron-5 supercomputer attempts to exterminate the human race, but Gunhed mechs stop it. In 2038, five thieves break into a condemned island facility to steal Kyron's dead CPU. The place turns out to be a deathtrap.
फ़ीचर्ड समीक्षाएं
Incredible special effects make this movie worthwhile. For a movie made from Toho it has special effects worthy of an Oscar in 1989. The Japanese version is the one you should watch because it has better dialouge and it isn't dubbed. Visually intriguing but not a very competent plot. Rated R for some strong violence, blood, and profanity. Grade: B+
Despite the director of this movie callled himself the infamous nickname Allan Smithee and despite the setting is dark, is very entertaining Japanese 80s cyberpunk action movie style of James Cameroon at that time.
After the big war with humans against machinese on an island, old computer scrap is valuable as gold. A group of scrap hunters (with names that begins with B) discover the old island and land to find some scrap metal. But after they discover two kids and one female ranger and the good machine Gunhed. When the other machines come alive they have to work together to survive.
Despite its mostly dark scenes, it's very exciting and entertaining, the acting is pretty good, and the foreign actors in this movie is also pretty good. And if you have seen terminator 1 and 2 this one is a good treat.
After the big war with humans against machinese on an island, old computer scrap is valuable as gold. A group of scrap hunters (with names that begins with B) discover the old island and land to find some scrap metal. But after they discover two kids and one female ranger and the good machine Gunhed. When the other machines come alive they have to work together to survive.
Despite its mostly dark scenes, it's very exciting and entertaining, the acting is pretty good, and the foreign actors in this movie is also pretty good. And if you have seen terminator 1 and 2 this one is a good treat.
This film is abysmal.
Maybe it's lost something in the translation. Perhaps it's just plain rubbish.
I bought this video because I thought it was Manga Anime. Unfortunately it's the most unbelievably poorly acted euro-nippon trash I've ever seen. It's actually so bad I've had to watch it about four times to try and work out what the plot is. I still don't think it has one.
Why anybody would seriously want to watch this is beyond me.
Maybe it's lost something in the translation. Perhaps it's just plain rubbish.
I bought this video because I thought it was Manga Anime. Unfortunately it's the most unbelievably poorly acted euro-nippon trash I've ever seen. It's actually so bad I've had to watch it about four times to try and work out what the plot is. I still don't think it has one.
Why anybody would seriously want to watch this is beyond me.
I came to this film after a viral tweet expressed how Final Fantasy VII, Armored Core and Metal Gear owed a debt of gratitude to this film's imagery. I can easily imagine an impressionable teen or 20-something seeing this and later creating concept art for any of those game series; the resemblance is sometimes uncanny.
A story about tech scavengers entering the dormant 500-floor megafortress of a Skynet-like rogue AI is an obvious product of its time; one part Stalker, one part The Terminator, and existing in a continuum of otaku "mecha" media & techno-action video games.
The fortress is a chemical plant hellscape; the Death Star but without its austere cleanliness. Tangles of pipes stretch endlessly into the dark horizon strewn with wreckage from a decade-past humans-vs-robots showdown. Nightmarish "bioroids" lurk in the shadows as the scavengers rummage for lost technology.
Gunhed's particular horror revels in Japanese industrialization gone amok with its labyrinthine steel superstructures, putting it on a similar wavelength to "Patlabor: The Movie" and Katsuhiro Otomo's "Akira" and "The Order to Stop Construction". Its sometimes sublime imagery recalls the foggy and colorful sci-fi noir of Ridley Scott films and "Aliens". It could be a cultural touchstone for some, but it's very much a product of its time and wears its influences on its sleeve.
When the rogue AI's apocalyptic plans are revealed, their only hope is to repair the titular "gunhed", a giant, bipedal, transforming tank accompanied by a witty computer personality. Gunhed delivers the goods in terms of miniature-based visual effects. Whether good or bad, it often charms. A scene where the gunhed tank aggressively fords a pool of chemicals while fending off automated defenses is impressive; fire and waves and sparks filling the screen. I would love to see the filming of that battle.
Unfortunately, much of the storytelling is conventionally poor, visual or otherwise. Sometimes it's hard to tell what characters are doing, or what's happening to them. The dialog, with its blend of spoken English and Japanese, is 1980s style-over-substance; charmingly dated and poorly acted. It's only engaging as an artifact of its era, rather than a functionally good movie. If you're looking for cultural artifact to study, then Gunhed is interesting. Otherwise I'd skip it.
Patlabor: The Movie is an extremely similar but significantly better film in almost every respect: depth, writing, visual storytelling, and comprehensible action choreography. Like Gunhed it's about characters who enter a labyrinthine superstructure full of mecha gone amok in order to avert a Japanese industrial robo-pocalypse. Proving my point about the zeitgeist, it released at nearly the same time as Gunhed.
A story about tech scavengers entering the dormant 500-floor megafortress of a Skynet-like rogue AI is an obvious product of its time; one part Stalker, one part The Terminator, and existing in a continuum of otaku "mecha" media & techno-action video games.
The fortress is a chemical plant hellscape; the Death Star but without its austere cleanliness. Tangles of pipes stretch endlessly into the dark horizon strewn with wreckage from a decade-past humans-vs-robots showdown. Nightmarish "bioroids" lurk in the shadows as the scavengers rummage for lost technology.
Gunhed's particular horror revels in Japanese industrialization gone amok with its labyrinthine steel superstructures, putting it on a similar wavelength to "Patlabor: The Movie" and Katsuhiro Otomo's "Akira" and "The Order to Stop Construction". Its sometimes sublime imagery recalls the foggy and colorful sci-fi noir of Ridley Scott films and "Aliens". It could be a cultural touchstone for some, but it's very much a product of its time and wears its influences on its sleeve.
When the rogue AI's apocalyptic plans are revealed, their only hope is to repair the titular "gunhed", a giant, bipedal, transforming tank accompanied by a witty computer personality. Gunhed delivers the goods in terms of miniature-based visual effects. Whether good or bad, it often charms. A scene where the gunhed tank aggressively fords a pool of chemicals while fending off automated defenses is impressive; fire and waves and sparks filling the screen. I would love to see the filming of that battle.
Unfortunately, much of the storytelling is conventionally poor, visual or otherwise. Sometimes it's hard to tell what characters are doing, or what's happening to them. The dialog, with its blend of spoken English and Japanese, is 1980s style-over-substance; charmingly dated and poorly acted. It's only engaging as an artifact of its era, rather than a functionally good movie. If you're looking for cultural artifact to study, then Gunhed is interesting. Otherwise I'd skip it.
Patlabor: The Movie is an extremely similar but significantly better film in almost every respect: depth, writing, visual storytelling, and comprehensible action choreography. Like Gunhed it's about characters who enter a labyrinthine superstructure full of mecha gone amok in order to avert a Japanese industrial robo-pocalypse. Proving my point about the zeitgeist, it released at nearly the same time as Gunhed.
Ganheddo was produced by the same Japanese studio which brought us Godzilla, and it shows... but in a good way. Where many, higher-budgeted films of the time were moving to computer-generated effects, Toho stuck with scale models and stop-animation, giving this movie a gritty look not often found in films of similar provenance.
Though the plot is difficult to keep up with at times, it is still enjoyable, made especially the more so by the character of Seven. This movie will be a godsend for fans of the Mechwarrior/vertical tank type stories. The plot revolves around a group of scavengers who happen across a defunct lair controlled by machines, cyborgs, and their master, a central computer. The scavengers are after a rare power source which fuels the complex. Having detected their presence, the computer counts down to self destruct. Matters are complicated when one of the crew becomes incorporated into the machine's consciousness.
Good cinematography, decent acting, and a fantastic story all contribute to this film's warrants. It's too bad that CGI has taken the forefront -- I think modern filmmakers could learn a lesson from this one.
Though the plot is difficult to keep up with at times, it is still enjoyable, made especially the more so by the character of Seven. This movie will be a godsend for fans of the Mechwarrior/vertical tank type stories. The plot revolves around a group of scavengers who happen across a defunct lair controlled by machines, cyborgs, and their master, a central computer. The scavengers are after a rare power source which fuels the complex. Having detected their presence, the computer counts down to self destruct. Matters are complicated when one of the crew becomes incorporated into the machine's consciousness.
Good cinematography, decent acting, and a fantastic story all contribute to this film's warrants. It's too bad that CGI has taken the forefront -- I think modern filmmakers could learn a lesson from this one.
क्या आपको पता है
- ट्रिवियाThe concept for the film came from a story contest that Toho held in 1986, which was to decide on the narrative for the next installment in the Godzilla series. Jim Bannon was the contestant who was noted for his Godzilla 2 script, which had Godzilla facing off against a giant computer, but was beat out by Shinichiro Kobayashi with his early draft for Godzilla vs. Biollante. However, Toho didn't scrap Bannon's second place entry, but instead had Masato Harada heavily rework the idea, removing Godzilla and other elements from the film, until they were left with the final product: the infamous Gunhed.
- गूफ़In the opening of the bandit crew flying in the Mary Ann toward the island 8JO, Bebe announces the name of the island they're flying to; in this shot, the camera pans over to Brooklyn who has the lip of his turtleneck below his chin. In the next shot, a close-up of Brooklyn's face, he's pulling the lip of his turtleneck down from over his mouth to his chin.
- इसके अलावा अन्य वर्जनSci-fi channel version ommits strong profanity.
- कनेक्शनEdited into Front Line Assembly: Mindphaser (1992)
- साउंडट्रैकTheme Song for GUNHED
Performed by Aireen
Music by Takayuki Baba
Arranged by Takayuki Negishi
Sung by Mariko Nagai
टॉप पसंद
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- How long is Gunhed?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 40 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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