Sidewalk Stories

I have known about and been wanting to see this gem ever since I looked at various movie sites that mentioned it over a decade ago. I read about it and the details concerning this made me interested in it and wanted so badly to see it. Another reviewer of this on here typed that he caught it on PBS and aired on that channel, let alone any other, only once and for some dumb, jacked-up reason, I know that it was released on VHS in Germany, but never in the U.S. and to date, it still hasn't been brought to DVD either. And since learning about the Youtube site that was founded and established a few years back, I kept checking back the search engine on the site to see if anyone posted it on there. Every time I did, there was no copy uploaded unfortunately. That is until a few months ago. I found it after searching once again on there a couple months after it was posted (which took long enough) and it's about time. Finally, at last. I thought I was never going to get to see it, since it's been so difficult to find a copy of the full movie online (although prior to that, I came across a clip of the feature on the same video site). Following watching it for the first time, I got to say I loved and enjoyed it a lot, just as I thought and knew I would.

Although Mr. Lane had already made a short film prior to this one over a decade earlier called A Place in Time as a film school project and assignment, this obscure, full-length, follow-up may be the better known for the two and for which he's best renowned. This must be the only, old-timey, black and white, (mostly) silent film shot in the second half of the 20th century (or at least, the only one that I know of anyway), because I haven't discovered any others. And if there really aren't, that's disappointing, because I'd love to see more filmmakers do something like this and again. Anyway, this movie is a throwback to the pre-colorized, pre-talkie kind of flicks. Lane's character, The Artist, is truly Chaplin's The Tramp-inspired and he captures that inspiration well. The Artist's life change when he happens to come across witnessing a robbery one night and a man is murdered, leaving his baby daughter (who happens to be Lane's real life daughter) an orphan. The Artist takes it upon himself to be her temporary guardian. We follow the adventures and misadventures they have as they journey around Greenwich Village, New York until he finds the mother and reunites the baby with her. The soundtrack in this is just as great. Early on, this takes a look at the wide array of denizens who live on the streets, but that situation isn't quite the made focus. If none of y'all who may be reading my review have ever seen a b&w, silent flick, then I advise y'all to do so. I know it captivated me the first time I saw it instantly. I hope someone else will do something like this in the future and I'd look forward to it.

Going silent (or almost entirely silent) was an outstanding choice by Charles Lane, and his film feels like an homage to Chaplin in its humor and humanism. In updating the tramp character to a homeless person of color, he seems to ask mainstream audiences to remember a time when so many more were destitute, and to suspend our tendency to judge in favor of empathizing. He also inverts the 'get rich quick by meeting a rich man' theme from Depression era films by having a female shop owner be the wealthy one and love interest. Most of all, he makes a film that's touching and funny.

Not hearing these characters (or even seeing intertitles) in no way took away from the ability to tell the story, and ironically it made me connect to them more deeply. I should say, not hearing them until the very end, when hearing a few plaintive requests for help hits like an emotional ton of bricks. Nicole Alysia is adorable as the little kid, Charles Lane is heartfelt as the struggling street artist, and Sandye Wilson is compelling as the business woman whose heart is as big as her right cross. How did Charles Lane not get more opportunities after creating this film, even if 'True Identity' was a bust? How did Sandye Wilson never appear in a feature film again?

Never heard of it until I saw it on a classic movie channel in September 2020. I was drawn in and followed it to the end. Even if you're not a fan of silents this was a good one.

Lane's Sidewalk Stories is a unique homage to Chaplin, with a social message dealing with the stereotype of the homeless. Lane uses the character of the Tramp for comedy but also as a literal representation of a homeless man without being overly sentimental or heavy handed.

An artist (Charles Lane) does portraits and sells his paintings on the streets. He lives in an abandoned apartment. He comes upon a murdered man and finds the man's baby. He reluctantly takes care of the little girl.

This is a black and white silent film set in the modern day New York City. Its sensibilities is mostly set in the silent film era. Charles Lane is the star and the filmmaker. He seems to be doing Chaplin and the Kid but with a modern black man and without the slapstick. It is a bit long. The old silent films are usually an hour. It probably does need the dialog text which is missing here. All in all, it's an intriguing black indie.