Hard to Kill

The picture talks on the police agent called Storm(Seagal)whose family is wiped out by a corrupt politician, he is severely wounded and spends several years in coma.He awakes and executes a terrible vendetta, the happenings go out of control ,causing an incredible body-count against numerous evil-doers(William Sadler,Branscombe Richmond).He is only helped by a gorgeous nurse(his wife Kelly Le Brock,now days is divorced)and a good cop(Frederick Coffin). The film is combined of unstopped action,shoot out,violence,fighting, romance between both protagonists and a minimum characterization.Beside abundant fist fights in which body parts are slice off and limbs are slit or blasted apart.Savage and brutal killings make only recommended for those adults no squeamish and with strong stomach enough to take it.The movie gets a certain similarity with Charles Bronson films from ¨Death wish¨series for the matter,the avenger,thus the main personage ,the Vigilante, makes of judge,jury and executioner.It's a run a mill action movie because from the start until the end the action packed is continued ,in fact ,the final confrontation is breathtaking and extremely violent.The film is from Steven Seagal first period when the movies were of middling or high budget(Above the law,Marked for death,Out of justice,On deadly ground,The patriot),nowdays are of bow budget(Out of kill,Submerged,Foreigner,Black Dawn). The picture has an atmospheric synthesizer music fitting to action by David Michael Frank,nicely cinematography by Matthew F. Leonetti and is well realized by Bruce Malmuth.The motion picture provides fast and furious amusing and action nonstop with no sense developed with fast pace and movement.It's a must for the Seagal fans.

Mason Storm is a tough cop who uncovers the beginnings of something big when spying on gangsters on a deserted pier. He uncovers a conspiracy involving a politician – a discovery that gets his wife and his partner killed and him and his son thought dead. After being hidden by a friend in a coma hospital under an alias for seven years, Mason wakes up to find that his wife's killers are still after him and that the politician has become a very big target indeed.

After seeing a podgy Seagal in rapper `banger' movies in the past few years, it is almost a relief to see him in a film where he is slim, agile and a bit less `up his own ar*e' with all that new age stuff! That's not to say that `Hard to Kill' is a good film, for it certainly isn't, but it's basic nature is almost refreshing in how lacking in pretension it is – want a revenge thriller which is of video standard, then this is for you.

The plot is laughable at times. The whole thing lacks cohesion and logic, often making huge leaps with no real explanation. However it does just about enough to provide reasons for Seagal to fight with groups of people at the same time. Some of the dialogue is hilarious and reminded me of the character in the Simpsons who apes Arnie and delivers cr*p kiss-off lines. Seagal's funniest is `I'll take you to the bank – the blood bank!' Dialogue like that reminded me that this was a video movie and not a blockbuster! The action is basic, although it is nice to see Seagal in fights where his movies are fully visible and are fluent, the only thing that put me off here was just how cruel the whole thing was.

Seagal is a rubbish actor if you expect anything more than his whisper-voice-of-menace acting style and his one facial expression where he looks like his piles are giving him mild discomfort. However for fans this will be accepted and I was OK with it as par for the course for his films. LeBrock has no real excuse for being as bad as she is – a rubbish English accent, awful dialogue and really poor delivery. Sadler is OK but has very little screentime – playing the least subtle corrupt politician in the world! I mean, sitting and talking with thugs and hoods in front of all the cameras and never using middlemen!?

Overall this film is OK at what you expect from it – fight scenes with Seagal's skills on good show. However almost everything else (characters, logic, plot, humour, acting) is either really basic or so poor it's funny. In some ways this is better than his recent movies simply because the recent ones raise expectations with their budget and effects – here I had no illusions about what I was getting into!

"Hard to Kill" is bar-none the best Steven Seagal film by a cosmic mile. That is not saying that this is a masterpiece, but it works pretty well due to some really evil bad guys (led by William Sadler) and the fact that Seagal's character is legitimately out for revenge. Seagal is a cop who has just learned that Sadler, an ambitious lawyer with political aspirations, is involved with shady cops and high-class crime syndicates. This information will lead to an attempt on Seagal's life which will kill his wife, cause their young son to just barely escape death and cause Seagal to go into a coma himself. Of course he awakes some eight years later and his only motivation is to bring all those involved to justice. Works well due to Seagal's performance more than anything else. 3.5 out of 5 stars.

Steven Seagal, whether you love him or loathe him, he's the martial arts action hero that just won't go away. That's partially the premise of "Hard to Kill," the 1990 vehicle obviously meant to throw the pony-tailed, then-sixth-degree Aikido black belt into the action foray with Schwarzenegger, Stallone and Norris, but missed a few steps along the way and it would be another two years after when Seagal would find success in 1992's "Under Siege."

It's true that Seagal has yet to make a perfect film in his thoroughly uneven and distinguished career, but "Hard to Kill" certainly ranks as one of his best and one of my personal favorite pictures of the actor. Two years after breaking and busting the heads of corrupt CIA agents as Nico Toscani in his electrifying 1988 debut "Above the Law," Seagal returns not as the pony-tailed Toscani but as Mason Storm, the most unstoppable cop SOB that ever lived.

After getting home movie footage of an aspiring political candidate (Bill Sadler) conspiring with shadowy underworld types on tape, Storm is tracked down by corrupt cops and nameless and faceless goons and they shotgun the unstoppable SOB into a seven-year coma while also wiping out his wife and young son. O'Malley (Frederick Coffin), Storm's dedicated Internal Affairs friend, whisks him away into a coma-care unit under the assumed name of "John Doe."

Seven years later, Storm awakens and with the help of gorgeous nurse Andy Stewart (Seagal's then real-life, lovestruck wife Kelly Le Brock, who manages to catch peaks at our hero's anatomy), he trains intensely to regain his strength using the Oriental healing arts, renews his Aikido skills, and sharpens his eyes with that good ol' police-issue. All this culminating in some very nasty, neck-breaking, arm-twisting action.

As somewhat mis-directed by Bruce Malmuth and written by Steven McKay, "Hard to Kill" is undoubtedly one of the actor's most competently skilled performances because he's able to rise above the average material and make it his own. The problem may be with Seagal though. He snaps a few wrists and what's this? - he throws out one-liners - most of which are quite corny and fall flat on their face and simply put aren't Seagal's strong points. His strengths are in the arm-snapping and finger-breaking.

But still, Seagal's fists of fury are at their best (because that's what he does best) because this time around, he's mad and it's wise to not get characters played by Steven Seagal mad. Pretty soon after Storm has regained his skills and strength, the corrupt cops and goons that put him into his coma come back to finish the job. And this time, he's ready.

The action begins to pick up about half-way through and from there on in it's non-stop, which is true Seagal fashion, if you get my drift. But with "Hard to Kill," it's the seven-year Storm, and there's no letting up.

6/10

An American action thriller; A story about a police detective who uncovers high-level corruption and is attacked and his family are left for dead. In time he decides to pay them a visit. This is a lively and ambitious revenge flick and does a little more than simply string fight scenes together. It has some similarity to "Commando" (1985) in the way the action flows - villains are disposed of with great efficiency because there are so many to get through and there isn't much depth. Seagal and Le Brock strike up a friendship which is appealing but when this transforms to love interest it feels false because it is rushed and convenient to the plot progression and no more. The film wastes no time in satisfying the audience's bloodlust but uppermost in its appeal is the charisma of Seagal and his aikido movements to disarm his foes.