I'm Dangerous Tonight

Amy, a college psych student comes across a red garment in a chest she just bought to use in a play. She keeps it and makes it into a party dress. However the first time she puts it on, it influences her and changes the way she acts. By bringing out her darker side. Soon everyone seems to want a piece of this garment. From her college professor she finds out it's an Aztec cloak that was used in sacrificial ceremonies.

I'll go to say that I never even heard of this Tobe Hooper supernatural thriller opus. Striking and strange, but the one-idea premise and languidly cut n' dry script doesn't really build upon its interesting background and teetering imagination enough. Maybe this is due to its restrictions of being a cheaply produced made-for-TV production, but I seem to doubt it as it could be associated to material being adapted from a short story. On the other hand it's probably best to not really delve deep into it though, because of uneven logic and it borderlines on tacky. The plot does have a 'Cinderella' touch to it, and seems to have that everything, but the kitchen sink drama quality to it. All the characters that come and go are stereotypically painted, but the performers were better than the material. The gorgeously fixating Madchen Amick confidently grows from her sweet performance as Amy. Anthony Perkins keeps it professional and likes to just pop up randomly as the suspicious college professor. Dee Wallace Stone is great in her minor role that reeks of attitude. R. Lee Ermey in a small role engages with his sombre detective. Corey Parker makes for a likable love-interest for Amick. Also appearing are Natalie Schaffer, William Berger and Jack McGee.

You can really see Hooper's able illustrative style shining through this work. He subtly mixes the eerie violence together with sexual seductiveness. Sure it can become silly and lousy with its jolts, but still it stays dangerously ominous and tautly handled with its imagery. It might not have the biting flair of some his previous early work ('The Texas Chainsaw Massacre', 'Eaten Alive' and 'The Funhouse') though. He milks it out slowly, letting the atmosphere unfold and the possessive force evolve. For a TV production the film is smoothly shot, very well lit and effectively scored.

A modest TV feature, which has some obvious and stodgy patterns.

I'm Dangerous Tonight is a functional piece of entertainment. Being a made for TV movie it is kind of bland and toothless. The blurb on the back on the case made me think it would primarily involve the Madchen Amick possessed by the evil dress for the course of the movie, sort of slowly turning her evil, kind of like Christine but with a dress instead of car. It doesn't quite work like that with the dress being worn or possessed by various different people throughout the film and turning evil to varying extents. The central premise of a dress, or a cloth that eventually gets turned into a dress, that turns those who wear it evil is one of those silly concepts that could provide cheesy entertainment and would require some really good scripting to work as a genuinely good film. I'm Dangerous Tonight does kind of try but ultimately does not succeed. There is some claptrap that is never really explored about inanimate objects being mystical focuses of belief and power, which is thrown in as an explanation for the Aztec cloak/dresses' power, which is quite forgettable. It does seem an enormous coincidence that the girl who comes into possession of the dress (No pun intended) just happens to be studying this very esoteric and specialised topic as part of her college course. There is also some stuff about the dress affecting different people in different ways, depending of their existing strength of character and their psychology etc. It isn't delved into very much, other than as an explanation as to why some people seem to turn more evil than others, but it is a fairly interesting plot idea. As it is the concept of a random object or artifact which turns people around it evil or makes weird stuff happen has been done a few times by now- I'm looking in your direction Amityville sequels.

What we do get on screen is okay but nothing to write home about. Tobe 'One Trick Pony' Hooper rattles through the proceedings with a predictable lack of flair. Madchen Amick is easy to watch, especially in the red dress, and Anthony Perkins provides the best entertainment in the movie with his giggle inducing scenery chewing. His histrionics and overacting are b-movie gold. By this point in this sad and sagging career it looks like he was just having fun. R. Lee Ermey has a small but amusing role as a gruff detective. There are quite a few plot contrivances and some scenes toward the end which are very choppily handled. There is one part where our heroine wakes up after being rendered unconscious to find the situation has changed in a way that doesn't make in sense in terms of plot logic or pacing. There is also a lame twist ending that everyone will see coming from miles away.

Bland, as one would expect for a made for TV movie but there is enough to at least hold your interest.

"I'm Dangerous Tonight" disappoints mainly in the plot department. Once you've realized the basic concept, the script looks one-note and unsurprising. But, judged by TV-movie standards, this thriller is surprisingly violent and sexually charged. Director Hooper brings some peculiar, kinky undertones to the material, playing with the role-reversal of the concept; there is a definite link between erotic tension and violence here.

As you may have guessed, Perkins doesn't play the villain here. He is pretty much wasted in a small supporting role, but he manages to give a classy performance. Amick is the lead here, and she's striking.

Disappointing, but entertaining adaption about a cursed red cloak that turns whoever is wearing it into a blood thirsty killer. A young woman who gets the cloak from her aunt turns it into a dress and of course goes on a killing spree. Made for USA television and then given a video release afterwards, this film features a pretty solid cast and some effective jolt scenes. Rated R.

Long have I been an Anthony Perkins fan, so I looked forward to seeing this movie when it came on the television in a recent horror-thon. I was left disappointed with his role, but intrigued by the writing and cinematography of the rest.

Horror is typically a slice 'em and dice 'em film fest where the viewer doesn't care who lives and who dies as long as the movie ends. "I'm Dangerous Tonight" supplied little in the way of well-known talent, but show-cased some unknown actors that did fairly well despite small, insignificant roles.

Dee Wallace Stone had great on-screen charisma in this movie as a woman possessed, proving once again that she is truly the queen of the low-grade horror films. Peter Brooks was mismatched in his role as self-centered football legend; he would have made a better Joker-wannabe in some "Batman" remake. Mädchen Amick, who lost a lot of brownie points when she broke into soft erotica a few years ago, is both innocent and refreshing in her role as Amy, and plays well off of her on-screen love Corey Parker, despite a script which is noticeably weak and shaky.

The flaws with this movie remain mostly in the lack of real characterization, and cheap theatrics. A horror movie is supposed to be either so real it scares you to death, or so cheesy you can barely stop laughing. "I'm Dangerous Tonight" manages to fall short in both categories, merely leaving you scratching your head and going, "Huh?" The script bandies around some heavy terms, but doesn't bother to explain them properly, and it's easy to leave the viewers scrambling for a dictionary to figure out what is going on.

All in all, the movie rates a 7 on a scale of "good movie VS. bad movie", but only 3 on the scale of "good horror VS. bad horror". Tobe Hooper has directed a number of excellent horrific films and shorts throughout the years, but "I'm Dangerous Tonight" (as well as the 1993 TV horror "Body Bags") is definitely not one of his better endeavors.