IMDb रेटिंग
6.7/10
2.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn adventurer who's been inflicted with a deadly curse during a previous expedition to Thailand goes back to battle an evil sorcerer, his tribal army, and his deadly creatures.An adventurer who's been inflicted with a deadly curse during a previous expedition to Thailand goes back to battle an evil sorcerer, his tribal army, and his deadly creatures.An adventurer who's been inflicted with a deadly curse during a previous expedition to Thailand goes back to battle an evil sorcerer, his tribal army, and his deadly creatures.
फ़ीचर्ड समीक्षाएं
The Seventh Curse (German title) can easily be the Hongkong Version of Indiana Jones.That means more crazy fun and splatter. Have you ever seen a blood-sucking monster embryo fighting against an other old monster?If not, than take a look!
This Eastern movie has it all: Indiana Jones-like action, martial arts-performances, naked chicks, splatter, gore and monsters which look like if they were taken from an old Godzilla-movie. Don´t take this flick too serious in any way, folks! It´s the purest stupidity but great fun to watch! John Woo-star Chow Yun Fat is in, but his role is small and not very important for the film. Just another movie to laugh your head off! Highly recommended for your next trash video party!!!
If this had been the first Hong Kong action-horror film I'd seen, it would've stuck with me for the rest of my life. Unfortunately, The Seventh Curse comes on the coattails of some of the most crazy, awesome movies I have ever seen from the director Kuei Chih-Hung. Do you want a movie about a character that has a curse that causes wounds to appear on their body, and with gross worms? Watch Bewitched (Gu), which came out five years earlier.
And I know what you're saying, this movie is an adventure, not a Shaw Brothers film-which is definitely true. Seventh Curse often feels like the craziest Spielberg film you've never heard of. But I find it hard to keep thinking that when watching the more graphic and gross-out scenes, reminiscent of something from The Boxer's Omen.
All that being said, I still think it's at least a 6. The effects are great, the sets are particularly great, and Old Ancestor is probably my favorite movie skeleton. He's got that perfect mix of goofy, 80's glowy-eyes, and impressive editing hiding the transition from puppet to stunt actor.
So, is The Seventh Curse worth a watch?
If not for the fantastic skeleton (I seriously cannot state enough how great it is), I'd say no. I think there are other films that accomplish the same things this does with more interesting plots AND more fun. However, you guys gotta see the skeleton. You HAVE to see the skeleton. So yes, watch it.
And I know what you're saying, this movie is an adventure, not a Shaw Brothers film-which is definitely true. Seventh Curse often feels like the craziest Spielberg film you've never heard of. But I find it hard to keep thinking that when watching the more graphic and gross-out scenes, reminiscent of something from The Boxer's Omen.
All that being said, I still think it's at least a 6. The effects are great, the sets are particularly great, and Old Ancestor is probably my favorite movie skeleton. He's got that perfect mix of goofy, 80's glowy-eyes, and impressive editing hiding the transition from puppet to stunt actor.
So, is The Seventh Curse worth a watch?
If not for the fantastic skeleton (I seriously cannot state enough how great it is), I'd say no. I think there are other films that accomplish the same things this does with more interesting plots AND more fun. However, you guys gotta see the skeleton. You HAVE to see the skeleton. So yes, watch it.
THE SEVENTH CURSE is an unusual little film from Hong Kong, set in Thailand for the most part and featuring plenty of action and very little plot. It's a dark horror/fantasy that has its basis in the queasy Hong Kong horrors like BLACK MAGIC and HEX, as the central character discovers that he's been put under a 'blood spell' which spells imminent death unless he can kill the evil wizard who put him under it.
This is the most popular of the Chinese film series featuring the character of 'Wisely', a pipe-smoking professor who fights evil in his spare time. Chow Yun-Fat essays the role here, but as this was before he really hit the big time, he doesn't have a great deal of screen time, although he does make the most of when he appears and that bit at the climax is a hoot.
Chin Siu-Ho is a rather stolid lead, and the storyline gets saddled with an ultra-irritating Maggie Cheung as a reporter who tags along for the ride. But the supporting cast is much better: Joyce Godenzi (EASTERN CONDORS) shows up alongside Sibelle Hu, Kara Hui, Yasuaki Kurata, and best of all one of my favourite Hong Kong stars, Dick Wei, who ISN'T cast as the bad guy for a change! Seeing Wei rip up the screen on the side of good is a real treat, and makes this a film impossible to dislike.
Elsewhere, THE SEVENTH CURSE is a film fuelled by effects-enhanced mayhem, featuring all manner of bizarre creations. There's the usual army of black-clad cult members, some acrobatic Buddhist monks, a couple of living skeleton monsters, and creatures that look like the alien from ALIEN in both baby and adult form. The effects are rubbery but fun, and there's plenty of artery-spraying gore for the horror fans to enjoy. Alongside ALIEN, a big inspiration here seems to be RAIDERS OF THE LOST ARK, as THE SEVENTH CURSE has the same kind of madcap, action-heavy exotic adventure. It may not be high art, but it is a lot of fun.
This is the most popular of the Chinese film series featuring the character of 'Wisely', a pipe-smoking professor who fights evil in his spare time. Chow Yun-Fat essays the role here, but as this was before he really hit the big time, he doesn't have a great deal of screen time, although he does make the most of when he appears and that bit at the climax is a hoot.
Chin Siu-Ho is a rather stolid lead, and the storyline gets saddled with an ultra-irritating Maggie Cheung as a reporter who tags along for the ride. But the supporting cast is much better: Joyce Godenzi (EASTERN CONDORS) shows up alongside Sibelle Hu, Kara Hui, Yasuaki Kurata, and best of all one of my favourite Hong Kong stars, Dick Wei, who ISN'T cast as the bad guy for a change! Seeing Wei rip up the screen on the side of good is a real treat, and makes this a film impossible to dislike.
Elsewhere, THE SEVENTH CURSE is a film fuelled by effects-enhanced mayhem, featuring all manner of bizarre creations. There's the usual army of black-clad cult members, some acrobatic Buddhist monks, a couple of living skeleton monsters, and creatures that look like the alien from ALIEN in both baby and adult form. The effects are rubbery but fun, and there's plenty of artery-spraying gore for the horror fans to enjoy. Alongside ALIEN, a big inspiration here seems to be RAIDERS OF THE LOST ARK, as THE SEVENTH CURSE has the same kind of madcap, action-heavy exotic adventure. It may not be high art, but it is a lot of fun.
In this collection of three horror stories, Chow Yun Fat is one of two storytellers at a dinner party, recounting his experiences. The last story, dealing with a gruesome creature that attacks him and the group he is with, has some scarey moments. This story goes over the top as the creature is killed in an explosive splatter of blood and flesh. The first story of the three involves a police siege at a hospital. It has a few tense moments but ends up going nowhere. The frame work of the stories, a party that goes on between episodes, is strange. People laughing and having a good time as either Chow or his associate discuss death, horrible creatures and gruesome events. This Golden Harvest production does nothing to enhance Chow Yun Fat's reputation. Not to end this review on a negative note, the special effects are well done.
क्या आपको पता है
- ट्रिवियाUnusual for the time, in Cantonese language versions of the film, the Ni Kuang wrap around scenes were seemingly shot in sync sound rather than dubbed in post. Ni Kuang's character is actually speaking Mandarin.
- इसके अलावा अन्य वर्जनThis film has at least 3 different endings in every of its release. In the original theatrical release, after the monster-killing climax, there's another by-the-pool-party scene (same pool as seen in the beginning of the film, but is supposed to be another party) in which Maggie Cheung's character (kind of) makes up with Dr Yuen. Then we cut to the original party scene that starts off the movie with Dr Yuen, Wisely, Ai Hong (Ni Kuang - the real author of the two pulp-novel series) and a bunch of beautiful girls. As the author finishes telling the movie's story to the girls, one of them asks if he has another adventure story to tell. The author replies, "Well, we have to see what exciting adventures Dr Yuen and Wisely are going to have." The two main characters come into frame, toast and finish their drink. Freeze frame and comes the music and end credits. In the first video release available in Hong Kong during the late 1980s-early 1990s, the last two scenes were completely cut out, so as the very last close-up of Bachu, the native girl. Instead it is replaced with a two-shot of her and her lover, while the end credits rolls halfly over its freeze frame, halfly over black. Also in that video release, the native girl's nude scenes were partly censored with the explicit body parts blacked out to make the film more "family-oriented". In the DVD edition, the second last scene in the original theatrical release is cut out, whilst the final scene is retained but with end credits rolling over. The original dialogues are replaced with the ending music. One would suspect the reason for the last two scene being cut out in later releases is because they drag on for quite a while, though narratively it is not a bad attempt as the two scenes mirror the beginning of the movie.
- कनेक्शनFollowed by Wai Si-Lei chuen kei (1987)
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