Werewolf

Back in 1988, kids and adults all over America would sit down on those long weekend nights to watch the latest episode of "Werewolf", the new horror series from the creators of "The A-Team". It tells the story of Eric Cord (John J. York), a college kid whose world is ripped apart when his roommate tells him that he is a murderous werewolf and asks to be shot with a silver bullet. Despite his initial scepticism, Eric witnesses his friend change into the beast and is forced to shoot him -- but not before he gets bitten by the monster.

Now he knows that in order to break the curse he must severe the bloodline by killing the original werewolf, an insane sea captain called Skorzeny (Chuck Connors, replaced by a stand-in for the later episodes), while he is also chased by a relentless part-Indian bounty hunter, Alamo Joe Rogan (Lance LeGault). On his travels, hitchhiking his way from job to job while hunting Skorzeny, he finds that ordinary humans can be even more evil than the beast inside of him, but there are also those who try to help and understand him. He even meets others like himself, although they are almost always insane or evil, or both. Later he discovers that his true nemesis is actually a particularly powerful and ancient werewolf named Nicholas Remy (Brian Thompson).

While for the most part this was a fairly lighthearted thriller series at least partly aimed at children, there is also some truly dark subject matter in some of the episodes, and it becomes genuinely more and more surreal as it goes on. It has a great eighties-style soundtrack, although the constant guitar solo in the background becomes a little intrusive in some episodes ... is this a horror show or a Guns n' Roses music video? The episodes themselves are only thirty minutes long, which often feels too short. Many of the episodes could easily have stood being extended to an hour -- the standard length for most series of this type.

After the feature length pilot episode, there were a total of twenty eight episodes that were produced. It also sparked a six-issue comic book adaptation, although that's difficult to find these days. Fox, still in it's early years, cancelled the show after one season -- regardless of the superb quality of the later episodes (it's slot was taken by "Married with Children"). Since then, the show has been completely neglected. Due to the lack of reruns and the fact that it still hasn't been released on DVD, hardly anyone knows about it except those who loved it during it's initial run. This series remains a forgotten gem.

After recently discovering a short-lived show called "Wolf Lake", I began reminiscing about the best werewolf show that I can remember as a series on television. I miss this show "Werewolf". I remember watching this show on USA on Friday or Saturday nights. It was either preceded by or followed by another great show called "The Hitchhiker". These two shows made for one heck of a night of television watching for not only a young teenage boy (me), but for anybody who enjoys supernatural monsters (i.e. werewolves) and thrilling tales of fantasy. I thought the werewolves on this show were the most vicious, coolest looking werewolves that I had seen yet. And while the pentagram on the palm doesn't go with traditional folklore, I like it. This is definitely a show that I yearn to see as reruns on cable t.v, or better yet, picked up by a network and continued where it left off.

When the FOX network started they had a lot of quirky, interesting shows. One of them was Werewolf, which unfortunately, didn't last beyond its first season. The opening credits to this show was great, showing a full moon in the sky before panning down to a werewolf hidden in the bushes. Chuck Connors was great as a malevolent werewolf who gave the impression that he could control when and where he transformed into one, unlike the hero of the show. Connor's character was killed off near the end of the show's run, I believe. However, the main character discovered that there was another werewolf more powerful than Connor's character that had to be dispatched as well before the curse could be broken. That plotline had much potential, but FOX didn't stick with it.

I liked WEREWOLF and remember watching the entire season. Cool FX (esp for it's day on TV), solid acting and writing. It did make me think: Incredible Hulk meets The Wolfman. I was disappointed it didn't return for another season. It was one of the shows that got me watching FOX when it premiered as a network. Ah, the 80s. Good times. I keep saying it but TV Land should do a "lost shows weekend" and run all episodes! Or perhaps, Fox should do it themselves during the summer slump... run the old shows that put them on the map... like a retro-tribute... and show WEREWOLF, DUET, TRACEY ULLMAN, etc. In any case, a DVD wouldn't sink the studio, would it?

This has to be one of the most creative and imaginative television shows of the 1980's. It's incredible to believe that there were only five postings before this one. Previous reviews have already outlined the plot so it won't be repeated here. Some reviews (here and elsewhere) tend to unjustly compare this series to 'The Fugitive' and 'The Incredible Hulk', as if those are the only two shows centering on a man on the run. Truth to tell, there was a show even called 'Man On The Run' well before the Hulk series, and there were other similarly-themed series like 'Starman', 'The Immortal', 'Otherworld', 'Logan's Run', and even the 'Planet of the Apes' TV series, as well as a parody of 'The Fugitive' that aired at the same time as it did. The idea of a "man on the run" show is as valid as a "hospital show" or a "lawyer show" or "ship in space show" or what have you. It is unfair to simply dismiss 'Werewolf' as just a copy of any similar show that preceded it.

'Werewolf' possessed many original features that separates it from the untold number of horror-themed shows that now flood the channels. Remember, there weren't many shows even like this at the time or before. The driving electric-guitar music, the graphic violence, and the mature themes (for a non-'dramatic' show) make every episode something new to enjoy. This series was the first in a long time, if not the very first, to have a weekly show deal with regular ongoing horror characters in a serious way. There were other shows that dealt with the supernatural, but they were anthologies like 'The Outer Limits'. The original nemesis for 'Werewolf' was played by Chuck Connors, who, through disputes with the producers, was written out and replaced with a new villain called 'Nicholas Remy'. Unfortunately the series was canceled shortly after this occurred and the final resolution has never been told (Sci-Fi Channel, where are you?!). Episodes such as 'The Wolf Who Thought He Was A Man', 'Running With The Pack', 'A World of Difference', 'Nightmare in Blue', and 'To Dream of Wolves' represent some of the best episodes of this too-short series.

Some previous reviewers have complained about the supposed 'inconsistencies' with werewolf lore, like seeing the pentagram on his own palm as opposed to the palm of his next victim. These people obviously know nothing of historical werewolf lore outside of film or else they would realize that the whole palm thing was created by Hollywood in the first place. Almost every culture on earth has legends regarding people transforming into animal form, be it wolf or fox or bear, dating back to the ancient Greek story of King Lycos. ANY Hollywood story must be viewed like any other adaptation, in that the 'facts' were changed where deemed necessary. It is doubtful that any film or television series has followed the historical rules regarding lycanthropy.

The 'Werewolf' TV series was no more accurate or inaccurate than 'The Howling' or 'An American Werewolf in London' regarding established werewolf lore, but it presented a new and creative series that attempted to bring to the screen the best of everything that happened before while not being simply a copy-cat of those stories. This series has many fascinating and compelling levels working in its favor, and it only takes the attention of the viewer to appreciate them.