Johnny Suede

Big hair-pieced Brad Pitt (as Johnny Suede) moves to a large American city, from North Dakota; he wants to become a Big pop music star. He has everything except "Black Suede Shoes". One evening, he discovers a woman being roughed up in an alley/alcove. While in a nearby phone booth, calling for help, Pitt is practically hit over the head with his blessed "Black Suede Shoes". Then, he feels he is on his way. Pitt is hampered by an underwhelming singing voice, and poor material; but, due to his muscular good looks, he is successful with women. Pitt has several sexy underwear scenes; and, he slips under the sheets with quirky Catherine Keener (as Yvonne) and alluring Alison Moir (as Darlette).

Pitt idolizes Ricky Nelson (who certainly would have gotten a *kick* out of this movie). For the record, the most frequently played song, Rick Nelson's "Teen Age Idol" could not have been turned over to play "Travelin' Man", as Pitt does in an effective scene with Ms. Moir. The two Nelson hits were on different Imperial singles. The record album hanging on Pitt's apartment wall is the excellent "Ricky Sings Again" album. "Midtown" is the best of the "original" tunes; it has some of the breezy feel evident in Nelson's early Decca material.

Moir, Ms. Keener, and Calvin Levels (as Deke) perform very well. Keener won an "Independent Spirit Award"; but, Moir and Mr. Leeds are also very impressive. Tempting Tina Louise (as Mrs. Fontaine), from "Gilligan's Island", has a leggy cameo; and, Nick Cave is a "Freak Storm". Debuting director Tom DiCillo's "Johnny Suede" is filled with style and good intentions.

****** Johnny Suede (1991) Tom DiCillo ~ Brad Pitt, Catherine Keener, Calvin Levels

Several years before his roles as the leader of a fight club, a backwards-aging man, and a Nazi-slaughtering redneck, Brad Pitt played the title role in Tom DiCillo's "Johnny Suede". Johnny is man on skid row with ambitions to be the next Ricky Nelson. He already has a band, and even starts up a relationship with young Darlette (Alison Moir). But as his music career goes nowhere, she leaves him. Upon meeting the offbeat Yvonne (Catherine Keener), Johnny starts to wonder if maybe there's more to life than trying to be a rock star.

I didn't find this movie to be any sort of masterpiece, but I still thought that it was worth seeing. More than just an early vehicle for Pitt - sporting an absurdly large pompadour - and Keener, it shows Johnny's eventually having to recognize reality, especially given the world that he inhabits (the movie doesn't present a flattering look at Brooklyn).

There are also two supporting cast members playing roles totally the opposite of their most famous ones. Tina Louise, far removed from Ginger Grant, plays Darlette's manipulative mother. Samuel L. Jackson plays one of the band members. Ginger Grant co-starred with the guy who said "mother---king snakes on a mother---king plane" (although they don't share any scenes).

Anyway, I recommend "Johnny Suede". A look at lost dreams - much of the movie is in fact made to look dreamlike, probably stressing the contrast between Johnny's fantasies and reality - along with some very surprising stuff. Nick Cave appears as another man with a crazy hairdo. Tom DiCillo later directed "Living in Oblivion", starring Steve Buscemi as a man going through hell trying to make a movie.

Independent filmmaker Tom DiCillo made his debut here with this hip, refreshingly quirky character study, with Brad Pitt scoring as the central character. He plays Johnny Suede, aspiring musician who idolizes Ricky Nelson and occupies a fairly run down apartment in Brooklyn. The film follows Johnny around as he alternates between reality and his own dream world. His relationships with women are a focal point, first as he hooks up with Darlette (Alison Moir) whose mom (Tina Louise) has connections to the music business. Then he chances to meet schoolteacher Yvonne (Catherine Keener) and falls for her hard enough to be ready to make some changes in his life. DiCillo injects some moments of amusing surrealism into his film while still basically handling his material in a straightforward manner, never going for stylistic choices when it isn't necessary. The dialogue is sometimes quite funny, and really comes to life in the hands of these talented actors. Among the other people in Johnny's offbeat life are his friend and bandmate Deke (Calvin Levels); Samuel L. Jackson has a brief, one scene part as the bass player in his band. The brightest moments belong to real-life music star Nick Cave, playing a character named Freak Storm; his scenes with Pitt are fun. DiCillo does a good job with visual detail, right down to the clothes that his characters wear. The story, as has been pointed out, is about so much more than just a specific kind of music (although the music is wonderful throughout) - it goes to great lengths to depict this amiable, ordinary guy struggling not just to make it as a musician but to adjust to the highs and lows of everyday life. Pitt shows here, as he has on so many occasions, to be more than just a pretty face, and an actor of range and depth. You like Johnny and want to see him find happiness. And at the end you can't help but sympathize with him. Overall, this is an endearing little gem, one in which DiCillo refrains from giving in to predictability and finds a realistic centre amid the more offbeat aspects to the world he creates. Well worth a look. Eight out of 10.

"Johnny Suede" is not a film for all tastes. Not because it's a very strange piece, but because it's not an example of that in-your-face cinema that many are accustomed to. This is Tom DiCillo's directorial debut. I saw one of his recent films, "The Real Blonde," and I found it to be very impressive. So I felt quite curious about checking out his early work. There's not even a hint of flashy direction, and it's obvious throughout that the makers of the film were running on a low budget, but I didn't worry about those things.

Brad Pitt (before he became a household name) is great--and perfectly cast--in the lead role. Next to his role as Tyler Durden in "Fight Club" I would say this is one of the best performances of his career. I just felt, in every aspect, he was made to play this character. Even the pompadour looked perfect on him, and I couldn't imagine any other actor wearing it better. His character, Johnny Suede, is so utterly likable that you feel obligated to scurry along on his little journeys. Johnny is not the smartest guy on Earth, not the classiest either and certainly not the most successful. He lives a pretty simple life in a ratty apartment, listening to vintage records by rock and roll legends. He has dreams of becoming a rock and roll legend himself, and is the leader of a band. However, the band never quite takes off. None of that "I dream of becoming a rock and roll star and the next minute I'm staring at crowds of screaming fans chanting my name" garbage we see repeatedly on VH1 as one of the "Movies That Rock." This is the life of a real struggling artist, who does have talent and potential, but can't quite get off the ground. Well...not yet. His love life isn't all too successful, and that's what's hindering his ability to proceed in his daily endeavors. First he falls in love with a beautiful girl whose current boyfriend likes to beat her. He has every right to believe that the sparks are flying between them, but suddenly she just blurts out, "I don't love you, Johnny." Then he falls in love with Catherine Keener. Things go well between them at first, but like in his previous relationships things also get shot to hell eventually. And we feel sorry for this poor guy. He may not be smooth or unusually charming, but that's the point. He's a nice, unpretentious average Joe who seeks true love and quite frankly he's doing everything in his power to make these relationships work. I've always admired Brad (A.K.A. Mr. Handsome), but I considered this performance especially unique. Though he's just as handsome as he was in "Legends of the Fall" and "Meet Joe Black," he's not on screen to portray his now-proclaimed status as the "Sexiest Man Alive." He just plays a normal guy, living a normal life and seeking a normal relationship. Though we may not all go for the "pompadour" look or listen to classic oldies on an old record player, we can all relate to his character in some sort of way. And speaking of music, I love that line where he says, "Real music has no time." When you listen to great songs by great artists like Bill Haley and the Comets or Ricky Nelson, you don't think about what time period they came from because they're timeless. At first, I thought this movie might've been set in the 1950's, but in all actuality it just involves a man who happens to be fascinated by the trends of the 50's, and I'm down with that.

Don't expect a plot, because this is strictly a character-driven effort. And with a strong central character like Johnny Suede, I felt amazingly captivated and had an unspeakable urge to keep on watching. I guess you can call it a slice-of-life comedy-drama. I highly suggest people check out this overlooked gem. You'll laugh. You'll have fun. You'll have a good ol' time.

My score: 7 (out of 10)

This is one of the very early films in which Catherine Keener appears, and if you are among her growing population of admirers, this film is amust see. Keener has never been better, except maybe in "Living in Oblivion". Aside from that, this film is about as forgettable as an offbeat film can be. Annoying at times, there are some bright spots in this film that make it worthwhile as a whole.