The John Larroquette Show

From the start "The John Larroquette Show", was bright, literate, willing to touch on sensitive issues, and hilarious to boot. But its audience was marginal by network standards, and each year it received a makeover in hopes of boosting the ratings. Season launching episodes were not at all subtlety titled "Changes", "More Changes", and "Even More Changes" as fair warning to long time viewers. By the beginning of the fourth and final season "The John Larroquette Show" had in many ways become indistinguishable from the rest of prime time television. Still quite funny thanks to a very talented collection of actors and writers, but its rough edge was gone.

Unique, funny and pure genius. This show was the perfect forum for Larroquette's abilities and he played extremely well off of the other actors. I still hold a grudge against NBC for changing, then changing, then changing, then cancelling the show. If it had not been constantly tinkered-with and toned down, it might still be running. I mean, how many comedic programs deal with a recovering alcoholic and have a prostitute as a character? With the recent explosion of television programs dealing with darker content, it's easy to see that this show was ahead of its time. I'd love to get the DVDs, though NBC may not release them.

Sometimes when I think of "The John Larroquette Show", it depresses me. It depresses me because a hundred years from now, when critics talk about "television of the 1990's", it is such a shame that they will talk bout shows like "Friends", "Seinfeld", and all of their imitators, and that this brilliant, darkly hilarious and inventive masterpiece will go virtually unnoticed. I won't say that this show was ahead of it's time, because no show has dared venture into these waters, neither before or since. This was probably the bravest situation comedy ever to go on the air. Where shows like "Friends" wanted us to sympathize with people who, even at their very worst, were far better off than anybody watching could possibly be, this show went the other way, showing us people who were no doubt worse off than most, yet still finding a way to laugh and embrace their lots in life, which made our laughter actually MEAN something. The Friends characters were gorgeous on the outside, callous and shallow on the inside. The characters here were ugly on the outside, and absolutely glowing on the inside, and the perfect combination of writing and acting brought that out. There is one episode that personifies this notion perfectly: An abandoned baby is found in a dumpster. (name another sitcom that would dare to find the humor in this). The seedy people in the seedy St. Louis bus station take turns watching it. There is one scene that is so true, and so real, and so heartwarming. The janitor Heavy Gene (played by Chi McBride), sits alone in the bar with the baby in his arms, as he gently sings Danny Boyto the child. The scene has nothing to do with any kind of narrative, and it doesn't push the plot of the episode in any specific direction. It's just a moment, that's all it is. A moment that gives the audience a microscope into the soul of a character that would never exist in any other sitcom, other than to be ridiculed or used for comic relief. The John Larroquette Show is filled with moments like this. We get to laugh and cry with an alcoholic, a hooker, a hobo, a janitor, a food-counter owner, a single Latino secretary, and others. We feel their pain without them asking us to. We feel their pain by laughing with them. None of them are stupid, or ditsy, or manipulative. They are just real. In it's second season, this show turned into what it so daringly avoided in it's first season, and became "Cheers" in a bus station. But the first season, quite frankly, is the best full season of television I have ever seen. I hope someone digs up the masters of this show and makes it available to be seen again. So much can be learned about life, and television, from this absolutely beautiful show.

I really liked this show during it's first season. It even had a local connection for me. The outside of the "bus station" was actually the historic railroad passenger terminal here in Sacramento.

The show was funniest in it's first year, because it showed him trying to balance recovering from alcoholism while managing this madhouse of a bus station on the graveyard shift. The alcoholism made for some very dark, (but very funny) humour.

A good example of the dark humour is when a robber is holding a gun on Larroquette and the black food counter owner (can't remember the character's name), the black guy says to the robber, "Shoot him (pointing at Larroquette) he's white." Larroquette responds "No. Shoot him (pointing at the black guy). You'll do less time." Edgy, but funny!

After the first season, they almost completely discarded the "recovering alcoholic theme" making it an OK show. But without the dark comedy of the alcoholism theme, it made it just another sitcom.

The show "held on" for one more year, and then pretty much floundered after that.

Season 1 was superb: gritty, realistic characters who behaved like they lived gritty, realistic lives...unapologetic hookers, transvestites, bums, and alcoholics who were hilarious. Almost like watching a play...like "Hot L Baltimore" in the 70s. As the sign on John Laroquette's wall said, "This (was) a Dark Ride." Weird, fun, occasionally disturbing because it was a lot more lifelike than the usual sitcom.

Season 2? Blatantly obvious that the network got nervous about all those hookers, transvestites, bums, and alcoholics not being apologetic...the fix was in, they cleaned it up, and the show became just another basic sitcom about a bus station. I was sad to watch it go.