द ऐज ऑफ़ इनोसेंस

In the 70's, the decade's greatest director Stanley Kubrick broke from his series of groundbreaking films to make a long period piece. That movie, "Barry Lyndon", was met with much critical acclaim, but also a litany of derision from fans and critics alike who called it too slow, too ponderous and too boring. Nearly 20 years later, the world's leading director of that time, Martin Scorcese took the same steps and met with much of the same criticism.

These two movies are not for everyone. If you want to see action and fast-paced filmmaking, you will find them boring. However, if you want to see the pinnacles of the careers of the two greatest directors of the second half of the 20th century, you will find them here.

Enough has been said about the plot and the acting in "The Age of Innocence". The bottom line is that for pure cinematic luster and beauty, the 90's offers only a single movie that can match "Barry Lyndon". Don't watch the clock, watch the film, and enjoy a departure and a triumph that proves the depth and confidence of Scorcese's skills.

Lastly, don't let anyone spoil the ending for you, and don't jump to conclusions. Think about it after you've seen the movie, savour it for a while and the understanding will come to you. This movie quite simply has the finest ending of any movie I have ever seen.

"The Age of Innocence" is the 10 that rises just above Scorcese's string of 9 1/2s. See it.

The world that Edith Wharton grew up within the 19th century and the one Martin Scorsese did in the 20th century are so vastly different. About all they have in common is it's New York City. But each has a strict code of behavior and violation can bring ruin and disgrace or worse.

In the tight little world of the New York upper crust gossip flows freely, but you dare not let your life in that new thing called the tabloid press of Mr. Hearst and Mr. Pulitzer Discretion is the key.

Daniel Day Lewis is your typical society blade of the time who is about to make a good match in Winona Ryder. But he meets up with a cousin of her's Michelle Pheiffer over from Europe. She's married but separated from a profligate scion of old European nobility. Then as now old names marry new money to keep up a lifestyle. It's the bargain you made and by the rules you stick with it.

But Pheiffer is an exciting and liberated woman for the time and she fascinates Lewis. The big question is will he ive in to temptation. In Edith Wharton's world you don't.

The Age Of Innocence is one opulent film as befits the time and place it's set in. Winona Ryder got a Best Supporting Actress nomination and it got a flock of other nominations in technical categories bringing home the statue for Costume Design. It's an eyeful to look at, but Edith Wharton's story and characters never get lost in the splendor.

And it proves a good story is always the bedrock of a good movie.

I actually saw this movie when it was released in 1993, and honestly it was pretty dull then. Of course I was 22, and the workings of that late-1800's New York society really didn't make much sense or have much relevance.

I think the film may have been ignored at its release because of the slew of other "period pieces" which were so popular (an eventually common) in the late 80's/early 90's... But watching it again 10 years later, this film is anything but common.

The true intensity is Scorcese's detached presentation of a hypocritical & hateful society which holds its members as prisoners.

Not to mention impeccable art direction & beautiful cinematography by the legendary Michael Ballhaus. The film looks as impressionistic as the paintings that line the walls of the characters' homes.

Scorsese is always acute in his casting decisions, and this is one of the films many virtues:

Lewis is perfect as a man who's struggle between his passion & his duty are constantly on the verge of devouring him (yet somehow he thrives on his torture).

Ryder is the seemingly innocent & naive girl who is completely manipulative & cunning underneath her exterior (gee, who would have thought?!) -- notice the arching scene.

In a sense, this was one of Pfeiffer's defining roles. Pfeiffer herself (in a sense) is an "outcast" who has never truly been accepted as a "serious" actress by her peers in the acting community. Watching this film again, it amazes me how this role somehow reflects her personal position in the current social structure of Hollywood, similar to her character existing in 1800's New York society.

Wow...

What an amazing pic. I completely "missed it" the first time around. Great observance of "high society." Many of those codes are strangely applicable today.

Not recommended for those who like fast paced movies, or those who are looking for the "usual Scorcese." I would couple this with "Last Temptation of Christ" as Scorsese's most brave, artistic, demanding & abstract films to date.

For those who wonder what is Mr. Scorsese looking for in a film like "The Age of Innocence", (probably more suitable to a director such as James Ivory), the man himself gives the answer: "This film deals with the same matters that can be found in my work in the last 25 years. There is guilt, desire, obsessed passion and the weakness to satisfy that passion".

The story takes place in New York, around 1880. Newland Archer (Daniel Day-Lewis) must choose between his current fiancee May Welland (Winona Ryder) and her cousin who has just arrived from Poland and is recently divorced, Helen Ollenska (Michelle Pfeiffer). May is the symbol of a world he's familiar with, and Helen represents the world he's dreaming of.

Living in a conservative world full of compromises, Newland is as much trapped by his social circle as the Italian-American heroes of Mean Streets and GoodFellas. However, the Mafia here is called New York aristocracy and kills with words, with a gesture or with a look of contempt and rejection, instead of using guns. Scorsese fans who expect to see psychotic characters, violence or De Niro-style performances, will be disappointed. Everything in this movie is based on the observation and recording of the social behaviour codes, the unexpressed feelings and of things which are not not said but implied. Scorsese portrayed with absolute preciseness, almost paragraph to paragraph, Edith Wharton's classic novel. However, he managed to give the film his own unique personal view, proving his gigantic talent and that he's capable of creating masterpieces, whatever the heroes, the story or the genre of the film. Winona Ryder should definitely have won the Oscar for her wonderful performance, but Lewis and Pfeiffer are marvellous as well. What's left to say? The Age of Innocence is an un-excusably underrated all time classic.

Martin Scorsese's beautifully done "The Age of Innocence" almost reaches excellence on a grand scale by having stunning performances and creating real intrigue with a story that could have been slow and dull. It is late 19th Century New York and attorney Daniel Day-Lewis is about to wed socialite Winona Ryder (Oscar-nominated). Naturally their lives of privilege and the finer things in life make them a quietly happy couple. However their lives are changed when Day-Lewis is asked to defend Ryder's cousin (Michelle Pfeiffer), a woman trying to divorce herself from an abusive marriage to a man that never loved her. The socialites within Ryder's circle frown upon Pfeiffer, treating her no better than a common stranger (that is putting it mildly at best). Day-Lewis takes a liking to Pfeiffer and he develops admiration and sympathy for the emotionally tortured woman. A mutual love and romance may blossom, but what complications will this create for the duo? "The Age of Innocence" is a strong film that dominates because of Scorsese's outstanding direction. Much like "The Last Temptation of Christ", Scorsese tackles something totally different from what he had previously worked on. The film is a fine accomplishment that is a successful venture overall. It nearly reaches total excellence, but a few minor problems with pacing hurt the production admittedly. Still one of Scorsese's best works. 4.5 out of 5 stars.