Siu nin Wong Fei Hung chi: Tit ma lau

Version: Universal Studios / Hong Kong Legends R4 DVD release. Cantonese / English subtitles.

I first saw 'Iron Monkey' on an old, poor-quality VHS release with dodgy English subtitles placed underneath really big and bright Chinese subtitles that took up half of the screen space. You know the type I'm talking about. Even then, my immediate reaction was "AWESOME WOW AWESOME".

The corrupt officials of a Chinese province find themselves the target of Iron Monkey (Rongguang Yu), a sort of Chinese Robin Hood. When Wong Kei Ying (Donnie Yen) and a young Wong Fei Hung (Sze-Man Tsang) arrive in town, Kei Ying is forced to help the corrupt authorities track down Iron Monkey. Naturally, things get complicated when a group of Shaolin rebels arrive in town. Led by Hin Hung (Yee Kwan Yan) these evil Shaolin Monks and Nuns have been paid take out our heroes, leaving Iron Monkey, Kei Ying, Fei Hung, and Miss Orchid (Jean Wang) to kick many an evil-doers arse.

The story in 'Iron Monkey' serves only as a device to allow for more fighting. Things that might usually be kept secret are revealed nearly straight away, just to avoid any major plot twists and allow for more kung-fu time. In fact, in 'Iron Monkey', kung-fu time occurs much more frequently then plot-development time, and whenever a plot-development moment comes along, it usually accompanied by kung-fu time. Awesome.

We all know that Donnie Yen and Rongguang Yu are awesome. They spend a good deal of time putting on some awesome fight scenes. Jean Wang and Sze-Man Tsang (who, in Monkey Magic style, is actually a girl) pull of some really cool action sequences. Granted, most of it is grounded in fantasy, much like 'Crouching Tiger, Hidden Dragon' and friends, but it still looks really cool, and a few of these fights are easily some of my favourite fight-scenes ever. Also, the technique names rule. I wish I could perform a no-shadow kick or a King Kong palm.

'Iron Monkey' is nearly nothing but martial arts fantasy. Fans of Hong Kong wuxia movies will get a kick out of this, as will action fans in general. Fans of 'Crouching Tiger, Hidden Dragon', 'Hero', and 'House of Flying Daggers' should see this to see how wuxia should be done, but they may not like it. Fantastic action movie - 9/10

Note that this movie's subtitle is "The Young Wong Fei-Hong."

This isn't so much a movie about a Chinese Robin Hood/Zorro figure, or a strict martial arts hero - it's a movie about a young boy and the people who influence who he will become. It's poignant in parts - such as when Fei Hong tries to grab his father's hand and is scolded for it - and hilarious in others - "My kung-fu is pretty good!" exclaims a surprised Fei Hong in one scene.

While much of the movie is focused on the concerns of the adults around him, Fei Hong is also the audience's conduit to the subtle messages of the movie as a whole. It's not all about kick-ass fight scenes - that's just how they keep our attention. The world portrayed in IRON MONKEY admires intellect and wit as much as martial arts ability. Woven into the whole is a lesson in honor, the balance between discipline and recklessness, and the need for affection and love.

Fans of CROUCHING TIGER, HIDDEN DRAGON will love this movie because of one simple fact - the plot is linear, with short flashback sequences as needed, and despite its intricacy, it's not too involved. CTHD would be like riding in a Rolls-Royce: beautiful to look at, enjoyable to drive; but IRON MONKEY is like a Porche, fast, sleek and dangerous. CTHD may be visually superior as far as cinematography goes - and in a lot of ways, it is - but IRON MONKEY moves along in ways that CTHD does not.

Also look for Tsang Sze Man, who had the potential to be what Haley Joel Osment is here in America. Pity Man didn't do any more martial arts films.

Film fans must see this movie; kung fu fans probably should see this movie. But if subtitles scare you (the dubbed version isn't quite as good) and guys in robes and braids are "gay," keep away. Go rent DUMB AND DUMBER or something.

This is by far one of the top 10 martial art movies of all time.

This movie has beautiful scenery and atmosphere. It transport me back to a place long ago and far away where life is cruel and government officials are corrupt but all is not forsaken for heroes are out there with heart of pure goodness, body of iron armor, and spirit of courage and valor. This movie made me believe in this world where human can train their body and mind to do inhuman feats like leaping onto roof tops and shattering cement blocks two feet thick. It invoked memories of my childhood dream of becoming a martial art master able to kick butt but also the restraint and pathos for helping those less fortunate. Both Dr Yang and Wong Kei-Ying plays a martial art hero that possess these traits. They are well rounded individuals that posses other admirable skills. Dr Yang for example is a highly skilled doctor, a flashy cook, and a musician. I love one of the breath taking scenery in which he was playing this Chinese instrument out in the court yard on a golden autumn day. It's very nostalgic for me for some reason. Orchid, Dr Yang's assistant is wonderful in this movie as well. She brought beauty and depth to this movie. The young Wong Fei-hung character was great as well. These wonderful characters on top of the amazing fight sequences makes this movie transcend martial art movies and rival any movies genre ever produced in terms of sheer entertainment value. I have read review about the bad/simple plot or fake wire-fu in this movie. That's not the point, the mastery of mood and texture in this movie is sheer enjoyment. How much plot can one develop in a 90 minute martial art movie?...or any movie really...it's all about the human conditions some more complex than other often recycled over and over through the years and placed in a different setting and different context. Great movies capture the human imagination and touches a spectrum of human emotions. Great movies also flow smoothly and do not go into a lull. For me this movie did that and more. Hopefully you'll want to watch it again and again like I did.

Hong Kong film director and martial arts expert Yuen Woo-ping is absolutely outstanding. In "Iron Monkey," one scene I admire most is the poetically quiet, beautiful interaction of fluid movements in graceful progression: as Dr. Yang and Miss Orchid close shop (the clinic), a whiff of wind blows the papers (written prescriptions) up in the air, and Yang (who's actually Iron Monkey) elevates himself up into the air to catch the flying papers, while Orchid, with a few agile movements and glides, catches the balance of the flying papers. It's like a short interlude - a silent romantic song with punctuated accents - with a slight kick from Miss Orchid, a stool plops into place upside down as it should be on another neatly ends the piece. I actually relish this quiet segment much more than the awe-struck extensive finale scene, which is truly an amazing display of exquisitely choreographed martial art movements of three masters (two good forces tenaciously team up against one skillful evil monk) on multiple wooden poles with inferno-like fire a-dancing below. Fantastic performances from Donnie Yen as Wong Kei-ying, father of Wong Fei-hung, who's deftly portrayed by a young girl Tsang Sze-man, and Yu Rongguang as Dr. Yang/Iron Monkey, with Jean Wang as Miss Orchid, to the upstanding police chief, the devastating evil monk and all.

Iron Monkey is essentially a film about the legendary Shaolin kung-fu master (also known as drunken master) Wong Fei-hung when he was young. In fact, the alternate title is "Siunin Wong Fei-hung tsi titmalau," literally: Young Wong Fei-hung's iron monkey.

Follow this up with Jet Li's "Once Upon A Time In China 2" ("Wong Fei-hung ji yi: Naam yi dong ji keung" 1992, literally: Wong Fei-hung #2 - young man should be self-sufficiently strong) and the adult Wong Fei-hung portrayal will be better understood: why he's so good at his knowledge and practice of Chinese medicine, why he acted so restrained and coy with Aunt Yee, whom he very much loves but won't express so - all due to the austere teachings from his father as noted in "Iron Monkey." We also learn that he lost his mother at a tender young age - though from Jackie Chan's "The Legend of Drunken Master" (2000 USA, "Jui Kuen 2" 1994, literally: Drunken fist 2), we can see he has quite a wonderful stepmother - smart and wittily portrayed by Anita Mui! See it if you want another excitingly fun, martial arts action-packed drama about the adult Wong Fei-hung.

Iron Monkey (Siunin Wong Fei-Hung tsi titmalau), released in North America on the coat-tails of Crouching Tiger, Hidden Dragon, was actually made in Hong Kong in 1993. Plenty of special effects augment the fight choreography, which brings to mind Matrix and Crouching Tiger, but this film, in its simplicity, is more enjoyable to me than either of these.

I didn't realize how much I liked this movie until it came on digital cable and I watched it every chance I could get. This movie is eye candy. It's not bothersome or preachy or heavy. It's just fun to watch. And the utter absence of Hollywood is like a cool breeze on a hot summer day.