The Hairdresser's Husband

Banning this beautiful film for being unrealistic or unbelievable only shows how self-centered can American audiences be.

The fact that a mid-class French hairdresser commits suicide just because she is afraid to lose her present loving feeling should not be considered absurd, but instead should make all of us think how do we lose our own love day by day -doing nothing to prevent it.

And the way Jean Rochefort talks to the customer at the last scene is just so moving -oh well, you might say it's only an old mad Frenchman, but believe me, there is much more than that.

Being a Patrice Leconte-directed film, you know this is going to be nicely photographed with a lot of Sergio Leone-type facial closeups. I always appreciate that, and especially here when it is the beautiful face of Anna Galiena featured often. Some of the "portraits" of her in here would make magnificent paintings.

The story isn't much but it kept my interest in an odd way. The film had some strange scenes and some strange viewpoints on life, although I noticed much of the same secular and superstitious liberalness in many films from France. Unfortunately, that secular viewpoint can lead to tragic endings as is the case in this story which finished in a shocking manner.

However, there is some nice humor in this drama, too, such as the funny dance scenes by Jean Rochefort.

One thing about French films: they don't need a lot of action to keep your interest. They are wonderful storytellers and I usually enjoy their films, despite their odd philosophies on life.

this is actually what this movie is about: what happens when all your dreams come true and what you exprience every day is so incredibly beautiful and fulfilling that you fear even think of losing what you have. funny and touching, poetic and sad - this movie has this 'something special' about it that makes it unforgettable. great acting, one-of-the-kind story and beautiful cinematography combined with really unique, fairytale-like mood make this movie a genuine 10 out of 10.

I am a little at a loss of words to describe this small gem of a movie. It is very sensual, it is deeply moving, and it is very funny. As a small boy Antoine is asked by his father what he would like to be one day. He answers that he wants to marry a hairdresser ... and he does some fifty years later when he weds Mathilde. Their relationship is an ideal one: warm, affectionate, deeply loving. It brings out the very best in both of them. But Mathilde knows (fears?) that what goes up must come down...

The acting is superb. Very little is actually said but both Jean Rochefort and the Italian actress Anna Galiena speak with their bodies and above all with their faces, and their language surpasses that of words: their superb acting makes it appear easy for an audience to share their emotions and be elevated to similar heights and depths of feelings. If only all films would manipulate our emotions in such a subtle and gratifying way. First rate!

I love this film probably because it seems to be the kind of movie that would never get made in the US. It not only seems to be foreign, it seems otherworldly. The musical interludes featuring the bizarre movements of Jean Rochefort are worth many repeat viewings. (I own a copy of this video.) The movie looks at obsession and the transitory nature of relationships in a bittersweet and magical way.