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In 2020, Douglas feels he needs a break from the day to day life and goes to Total Recall – where memories are planted in your head to make you think you are someone else for a while – a holiday in your head if you will. However before he can be injected he begins to have flashbacks and suddenly finds that people are trying to kill him and that somehow he must get to Mars to uncover the reasons. However what is truth and what is fake and is the whole thing really happening or not?

Based on a Phillip K. Dick story this was always going to be intelligent – however it's surprising that Verhoeven manages to keep that core well. The plot allows his excessive violence but is also a great story that more than holds the interest with twists and turns and neither Douglas or us fully knowing what's going on. The action is great – even 10 or so years on, and the tension just stays solid throughout.

Schwarzenegger does his usual invincible muscles stuff and looks happy blasting crowds, but he is also OK in other areas too. Tictin is good but never repeated this success for herself. The baddies (or maybe not?) are the best roles – solid baddies like Ironside and Cox are just as good as they were in other similar roles and Sharon Stone is good as Douglas' wife.

Overall this continues Verhoeven's trend of making ultra-violence and clever plots and satire work well together (Robocop, Starship Troopers and this) as opposed to his trend of making trash! Everything about this film works well – whether it be the action or the acting or the plot – a surprisingly nice package for a violent action movie!

'Total Recall (1990)' is both an interesting, layered, concept-driven science-fiction film and a squishy, one-liner-filled, Arnold Schwarzenegger action romp, essentially, in equal measure. It's concerned just as much with its special effects and filled-to-the-brim squibs as it is with its twisty narrative and heady ideas. This contrast is, in practice, cohesion. It's what sets the piece apart from almost all others in its genre. It's enjoyable on all levels. It provides breathless, balls-to-the-wall action and an intriguing, ultimately fulfilling narrative filled with well-rounded characters and genuinely clever concepts. The world is incredibly creative and the tone is spot on, in typical Verhoeven fashion. The characters are also great, though, and the way they interact with the central conceit is brilliant. I won't spoil the main twist of the piece but it really is fantastic, something that you'll still be pondering - as a concept - long after the credits have rolled. On the whole, this is a really great film. It's tangible, exciting, inventive and, generally, just entertaining. 8/10

When a man (Arnold Schwarzenegger) goes for virtual vacation memories of the planet Mars, an unexpected and harrowing series of events forces him to go to the planet for real, or does he?

One could consider "Total Recall" part of a Philip K. Dick trilogy: Blade Runner, Total Recall and Minority Report. With A Scanner Darkly and Paycheck (among others) creating an extended trilogy (you know, like Douglas Adams did). Total Recall is easily worthy of standing beside Blade Runner. And even as a stand-alone sci-fi film, it ranks as one of the better ones of the 1990s, if not all time.

One of the great things about Total Recall is the ambiguous nature of the story. Is it a dream? A brain embolism? Reality? Any of these has evidence to support it and also to contradict it. And this is a strength for the movie.

There is a certain absurdity with the special effects -- eyes bulging and whatnot when the people lose oxygen. In real life you would simply die in space, not explode. But at the same time this was somewhat amusing and a bit comical so it can be overlooked. Besides, coming from Rob Bottin ("The Thing"), the focus should be on the strengths of the makeup and effects and not the possible shortfalls.

The casting was great. Arnold was a great choice, and no one else could be Quaid. Kurt Russell, Stallone, Swayze... these guys are great but not right for this part. And Sharon Stone was looking her best for this movie, and since her role seemed to be the sexpot wife who does little more than exercise and seduce her husband, that is a big endorsement.

Clearly the best character was Benny the Cab Driver, played by Mel Johnson, Jr in his only notable role. He stole the scenes he was in with great comic timing and an interesting back-story. I was quite interested by how he went from being what could have been a minor background role to a primary figure in the overall plot. Exquisite.

I guess I simply must recommend you see this movie. If you have not seen Blade Runner, watch that first. If you have not seen Minority Report, watch this first. But either way, be sure that you put this movie somewhere high on your to-do list.

Years later, they made a repeat of this movie. Of course, it was not the same beauty. I watched the first movie again. Our childhood was also a very important movie. Visual effects still look beautiful. It's nostalgia to see the youth of the actors.

The red pill and how's a dream comes reality.... I rewatched this movie after almost 30 years and definitely is a classic. The script and action is so much better than today's full CGI movies.