A Kiss Before Dying

For this type of thriller, this movie is entirely average. The plot and overall theme is decent enough, but the film loses any potential it might have by featuring such lousy acting. Even Max von Sydow, who is a veteran and is normally an excellent actor was disappointing in this. The only actor who did even a decent job was Matt Dillon. The film also has a bad pace, it's far too slow; in fact, it's incredibly slow and boring, for such a short film; it's just over 90 minutes, yet I can't bring myself to sit through the entire thing again(I did once, but ever since then I haven't been able to do so). The climax in the film is also below average, and flat-out boring. The supposed twist-in-the-end was lame, and not to mention far too easy to figure out. Also, the film introduces the villain far too early, in my opinion. Five minutes into the film, you knew who you were gonna root against. That's just too early. The film lacks any real surprises, as well as any great qualities. The few scenes detailing the psychopath's gruesome murders are decent, but lacks any real intensity or excitement, simply because you know exactly what will happen. As far as thrillers go, this is average and entirely forgettable. I recommend it only to the biggest of thriller fans. 5/10

Inferior remake of the 1956 classic. Matt Dillion was still very handsome when this was made and the real reason to watch. He is effective as the sociopat, and would have been better with a talented and attractive leading lady. Sean Young is just really, really bad. If you dislike her, this plays as an unintentional comedy. A nice touch is Matt lighting a cigarette after he pushes her off the roof.

Now if Matt was teamed with Diane Lane again, this could have been an effective and sexy thriller. BTW, well to do women do not buy box hair color at the drugstore they have professionals color it. Hair as dark as Young's would have to be bleached first anyway. It is a two step process.

The large part of the fun of watching A Kiss Before Dying is looking out for the number of Hitchcock movie moments the film is paying tribute to: from Psycho's shower shots and the lonesome mother's house our Norman Bates has escaped from, to the bleaching of the heroine and taking the Kim Novak role a la Vertigo with possibly lethal consequences. I was hugely amused and never mind the creaking plot. On a technical level, I loved the Technicolor hue of the film, very Hitchcock period too. I'm not sure why the lead actress, Sean Young, got a double Razzie award for her dual role. It seems undeserved. I'm sure there must have been far worse performances in 1991 to choose from.

A remake of the 1956 film of the same name, A Kiss Before Dying is directed by James Dearden and Dearden adapts the screenplay from Ira Levin's novel. It stars Sean Young, Matt Dillon, Max von Sydow, Dianne Ladd and James Russo. Music is by Howard Shore and cinematography by Mike Southon.

Story has Dillon as a troubled young man who murders his pregnant girlfriend (Young) and then hones in on her twin sister (Young again obviously) for further psychotic shenanigans.

It's just about an average thriller at best, where even if the plot line and character motivations are intriguing enough to hold the attention to keep one interested to the ending, even there the outcome is rushed and unsatisfying. From the negative reaction at the initial test screenings, to Golden Raspberry awards, and tales of rewrites and re-shoots et al, this noir reboot is messy.

The tie-in to Hitchcock's Vertigo is glaringly "not" homage worthy, and not just content with that, director Dearden tries to use some of Hitchcock's macabre black humour to unintentionally "not" witty results. So with Young on hilariously bad form as well, the thriller aspects strain to get resuscitated for dramatic worth.

Dearden does show some nice touches with his camera-work, and there's a lurid quality to Southon's colour lenses that pay respect in heart to Levin's source material, but ultimately it's hard to recommend seriously to noir fans and the 56 version (itself not without problems) is still the way to go. 5/10

Sean Young gets a double Razzie nod for sleepwalking through her dual role in this journeyman thriller which sticks Matt Dillon out front as an upwardly mobile man who prefers to murder his way to the top of the corporate ladder. Full of contrivances and asking many questions while providing few answers, this mediocre rehash of a 1956 thriller makes for little more than a nominal couch potato no-brainer. Okay to zone to. (C+)