Oscar

You don't have to be a Stalone fan to enjoy this film. It is a comedy, and it delivers in large doses.

There are a ton of characters and most are played by well known actors. The story progresses very fast because they introduce one of the new characters at every corner for much of the movie. This may sound chaotic, but the plot flows and you get just enough of each character to feel satisfied.

If you need a good family film with lots of laughs Oscar won't disappoint. The basic premise, is a Gangster in the days of prohibition who is trying to leave his life of crime while many crazy events try to thwart his attempt.

I am very selective about the movies I buy for my personal library, and this one passed. The whole movie takes place between 8:30 a.m. and 12:00 noon, and the twists and complications never stop. It's packed with memorable one-liners and hilarious images: former hit-men being butlers and making fruit salad, a linguist (Tim Curry) whose unsolicited grammar corrections keep getting misunderstood, the melodramatic daughter (Marisa Tomei) of a gangster named after a cheese.

Few movies carry this many successive gut laughs. It's quite an ab workout. It's also comparitively clean—five or six swear words and some allusions to premarital pregnancy and activities. I highly recommend it.

I would never have dreamed that Sylvester Stallone would appear in a film that has its basis in a French farce. But Oscar is exactly that.

Taken from a play by Claude Magnier with the same title, the action is transferred to 1931 Chicago where gangster Angelo 'Snaps' Provolone is looking to go legitimate because of a promise he made to his dying father. The father is played by Kirk Douglas and Douglas's death scene opens the film and it's hilarious.

Sly Stallone looked like he was having one great old time spoofing his own image. The rest of the film is a day in his life dealing with bankers he's coming in with, an embezzling employee, a rival mob, a daughter looking to break loose from the family, and the police.

It's all done at a pace that rivals Billy Wilder's classic, One Two Three. In fact Oscar would have been a classic if they'd somehow persuaded Billy Wilder to direct it. It just needed that extra something from a comedy master.

Still Stallone gets good support from several generations of Hollywood players who range from Don Ameche as a priest to Marisa Tomei in her film debut as Stallone's daughter.

Catch this one if it's broadcast, especially you Stallone fans.

I don't know why this movie is rated so low. This is a good old fashioned farce that is done very well and most the actors, especially Chaz Palmenteri (I don't know how to spell that name).

People must have knocked it because they can't accept Stallone in anything other than action films. This is one of the funniest films I have ever seen.

7/10

for me,it remains a lovely surprise. an old fashion comedy, with a brilliant genius of humor from Silvester Stallone, admirable job of Ornella Mutti and Linda Gray escaping from the circle of "Dallas" in charming manner. but, more important, "Oscar" is a great resurrection of old fashion comedy. and, maybe, this is its basic virtue. the humor who has not the desire to impress, sweet, seductive, familiar, out of vulgar allusion, using the Mafia motif in smart way and the love as key of beautiful end. so, a refreshing film. one of the most important pretext for see it. less twice. better, often.