एक धोखेबाज़ एफबीआई एजेंट सर्फर्स के एक समूह द्वारा किए गए बैंक डकैतियों की एक श्रृंखला की जांच करने के लिए अंडरकवर जाता है।एक धोखेबाज़ एफबीआई एजेंट सर्फर्स के एक समूह द्वारा किए गए बैंक डकैतियों की एक श्रृंखला की जांच करने के लिए अंडरकवर जाता है।एक धोखेबाज़ एफबीआई एजेंट सर्फर्स के एक समूह द्वारा किए गए बैंक डकैतियों की एक श्रृंखला की जांच करने के लिए अंडरकवर जाता है।
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
John C. McGinley
- Ben Harp
- (as John McGinley)
फ़ीचर्ड समीक्षाएं
I really like Keanu Reeves. But boy, does Patrick Swayze steal the show. In what is maybe the most charismatic role of his career, he makes Keanu develop a serious man-crush on him, and we can all understand why Keanu couldn't do what he was about to do in one of the most iconic scenes of the film.
If only we had more directors like Kathryn Bigelow. This woman showed more balls in this one movie than most male directors will ever have in a lifetime. The shots are bold, dynamic; the directing is intense and energetic - I fell in love with this film and Kathryn Bigelow the moment I saw the first shots.
If you haven't already - please go watch this movie. It has aged very well - in fact, I feel like it hasn't lost any of its power, which in my book is a sign for an outstanding achievement. It feels as fresh as those waves it managed to capture in incredible style.
If only we had more directors like Kathryn Bigelow. This woman showed more balls in this one movie than most male directors will ever have in a lifetime. The shots are bold, dynamic; the directing is intense and energetic - I fell in love with this film and Kathryn Bigelow the moment I saw the first shots.
If you haven't already - please go watch this movie. It has aged very well - in fact, I feel like it hasn't lost any of its power, which in my book is a sign for an outstanding achievement. It feels as fresh as those waves it managed to capture in incredible style.
Thirteen years on it sounds a little trite - an FBI agent examines his inner self whilst trying to bring down a gang of surfer bank robbers by infiltrating their scene. But dude, how Point Break pulled this off!
In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.
Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.
In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.
You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.
In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.
Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.
In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.
You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.
Just a ripping movie that came out of nowhere. Keanu Reeves, action star? Who Knew.
Swayze is mega convincing as the rogue surfer dude looking to live the dream.
The 3 leads are right on the money.
Fun story crazy action :)
The 3 leads are right on the money.
Fun story crazy action :)
Point Break is one of those films that everybody loves, but that nobody actually talks about all that often. It is a film that if you mention it in conversation, everyone else around is bound to say how much they enjoyed it.
The film's two main assets are unexpected ones, in the form of the direction and the script. The direction by Kathryn Bigelow is nothing short of excellent. Her handling of the action and suspense scenes is exciting and riveting. The two sky-diving scenes are brilliant as is the foot chase through the streets (and houses) of the city. The script, by W. Peter Illif, is also very good and the best thing about the film. The plot is multi-layered and has an original relationship between the hero and the villain. The way the story resolves itself and the ultimate resolutions is excellent, by the standards of most Hollywood action films.
This film deserves to be remembered as one of the better actioners of the nineties, not up there with Die Hard 2/3 or Speed, but better than 90% of the action junk made nowadays. At least this film has a plot.
The film's two main assets are unexpected ones, in the form of the direction and the script. The direction by Kathryn Bigelow is nothing short of excellent. Her handling of the action and suspense scenes is exciting and riveting. The two sky-diving scenes are brilliant as is the foot chase through the streets (and houses) of the city. The script, by W. Peter Illif, is also very good and the best thing about the film. The plot is multi-layered and has an original relationship between the hero and the villain. The way the story resolves itself and the ultimate resolutions is excellent, by the standards of most Hollywood action films.
This film deserves to be remembered as one of the better actioners of the nineties, not up there with Die Hard 2/3 or Speed, but better than 90% of the action junk made nowadays. At least this film has a plot.
As a 90s kid I've always been aware of this flick but never watched, until it showed up on Hulu. Glad I finally watched because it was definitely entertaining. Loved seeing Patrick amd Keanu in one of their most famous roles. I enjoyed the play on undercover agent infiltrating a subculture not to often heard from. It's not Broadway nor is it MARVEL superheroes, but it's quality entertainment worth watching more than once.
On another note, it was AWESOME seeing the lead singer of one of my all time favorite bands in this; even though he does something quite hilarious!
क्या आपको पता है
- ट्रिवियाPatrick Swayze was an accomplished skydiver, and took part in the big skydiving scene. He made fifty-five jumps in total.
- गूफ़When Bodhi shows Jonny the 'kidnap' tape in the back of the van, the monitor is a small, approx 5 inch portable device with dials down the right-hand side and the VCR underneath. However, when they exit the van and we can see inside, the monitor is now a normal 12 inch portable TV with no dials and the VCR appears to be on top of the TV.
- इसके अलावा अन्य वर्जनThe 15-rated UK cinema version was trimmed by 25 secs to obtain the lower rating by the BBFC. There were five cuts to remove bullet impacts, cuts to shots of a naked woman being fired at during the house raid and several cuts to remove aggressive strong language. The cuts were restored the following year when the distributors opted for an 18 certificate for the video release. This same cut was resubmitted in 2011 and received a 15 certificate.
- साउंडट्रैकNobody Rides for Free
Performed by Ratt
Written by Steve Caton
Produced by Mick Guzauski with Ratt
Courtesy of Atlantic Recording Corporation, a Time-Warner Company
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Point Break?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Punto de quiebra
- फ़िल्माने की जगहें
- Lake Powell, यूटा, संयुक्त राज्य अमेरिका(skydiving scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,32,18,387
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $85,14,616
- 14 जुल॰ 1991
- दुनिया भर में सकल
- $8,35,31,958
- चलने की अवधि2 घंटे 2 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें