IMDb रेटिंग
6.7/10
11 हज़ार
आपकी रेटिंग
छोटे शहर टेक्सास से दो पुलिस वाले एक प्रमुख ड्रग डीलर को पकड़ने के लिए अंडरकवर के रूप में जाते हैं और अपने असली काम से समझौता करते हुए ड्रग कल्चर में फंस जाते हैं.छोटे शहर टेक्सास से दो पुलिस वाले एक प्रमुख ड्रग डीलर को पकड़ने के लिए अंडरकवर के रूप में जाते हैं और अपने असली काम से समझौता करते हुए ड्रग कल्चर में फंस जाते हैं.छोटे शहर टेक्सास से दो पुलिस वाले एक प्रमुख ड्रग डीलर को पकड़ने के लिए अंडरकवर के रूप में जाते हैं और अपने असली काम से समझौता करते हुए ड्रग कल्चर में फंस जाते हैं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 5 नामांकन
Jimmy Ray Pickens
- Man in Disco
- (as Jimmy Pickens)
Cynthia Dale Scott
- Yellow Rose Waitress
- (as Cynthia Scott)
फ़ीचर्ड समीक्षाएं
For those who claim this film unrealistic, mind you it is based on a true story. I hail Rush as one of the most powerful and emotional films to ever portray addiction. The characters coupled with Pete Dexter's realistic and sincere dialog paint a very sad, yet human picture of our culture. Our need to punish crime, yet our inability to steer 100% clear of it, is one of many themes intertwined with Rush's story. This film is a fine example of true filmmaking. There are no big effects, no trick stunts, yet one cannot turn away from the screen. Everything from the sutle production design to Eric Clapton's score make Rush a true modern classic.
I watched this only because Sam Elliott was in it, expecting little from Patric & Leigh, whom I looked upon as TV-quality lightweights. I was quite wrong -- both can act with great strength when given a quality script (a rare item in Hollywood). This is an intense, driven tale about undercover cops firmly entangled in the drug underworld, with the criminal activity and hypocrisy evenly spread between the cops and the dealers. The accuracy of this portrayal and the obvious futility of the "War on Drugs" explain why this film was hammered loudly by the police departments, newspapers and mainstream critics. To anyone who hasn't spent time around serious junkies this film will be a bit of a jolt, but it's the best and most honest portrayal of this world ever put on film.
This is definitely not your standard two-cop "buddy" films that spew forth so often from the Hollywood colon. The story is not predictable, nor is the ending....nor the ending after that ending. Scripts like this are jolting because they make you realize just how awful most of the other films actually are.
Some of the secondary actors turn in surprisingly nice jobs here. Sam Elliott turns in his usual good work, always enjoyable, but several others are well worth mention: Max Perlich, the pathetic little snitch, and Gregg Allman, who with almost no dialogue does a very convincing portrayal of a malevolent local crime kingpin.
This is one of those rare movies where the soundtrack is worth owning. Eric Clapton does a superb score, and his selection of music for the saloon and drug den scenes is masterful.
I've watched this three times, each a few years apart, and it gets better each time. The film doesn't have rely on fancy car chases, lengthy gunfights or comic relief. It's simply a fine film done by craftsmen -- a rare treat indeed.
This is definitely not your standard two-cop "buddy" films that spew forth so often from the Hollywood colon. The story is not predictable, nor is the ending....nor the ending after that ending. Scripts like this are jolting because they make you realize just how awful most of the other films actually are.
Some of the secondary actors turn in surprisingly nice jobs here. Sam Elliott turns in his usual good work, always enjoyable, but several others are well worth mention: Max Perlich, the pathetic little snitch, and Gregg Allman, who with almost no dialogue does a very convincing portrayal of a malevolent local crime kingpin.
This is one of those rare movies where the soundtrack is worth owning. Eric Clapton does a superb score, and his selection of music for the saloon and drug den scenes is masterful.
I've watched this three times, each a few years apart, and it gets better each time. The film doesn't have rely on fancy car chases, lengthy gunfights or comic relief. It's simply a fine film done by craftsmen -- a rare treat indeed.
While no masterpiece, "Rush" is an offbeat, well made film set in the early '70's centering on the efforts of some Texas cops to bust supposed drug dealer Greg Allman -- at all costs.
All of the actors perform well -- Jason Patric gives a particularly intense performance as the once idealistic officer who has obviously stayed undercover too long.
Great score by Eric Clapton. I really have no idea why this fairly unconventional film (gee, maybe that was the reason -- it wasn't a formulaic cop/buddy movie) did not receive more acclaim. 7/10.
All of the actors perform well -- Jason Patric gives a particularly intense performance as the once idealistic officer who has obviously stayed undercover too long.
Great score by Eric Clapton. I really have no idea why this fairly unconventional film (gee, maybe that was the reason -- it wasn't a formulaic cop/buddy movie) did not receive more acclaim. 7/10.
Jason Patric and Jennifer Jason Leigh play two beat cops graduating to agents who are given a rather diabolical case on their first undercover go-around. The two are tasked with gathering enough evidence to jail a ruthless drug lord (Gregg Allman).
The two go through a good amount of close calls with Allman and company and after trying heroin a few times; become full-fledged addicts. A move which prevents much of anything in the way of investigations to happen.
A strong cast and keenly realized ending make up for the lull spots that seem to plague the very middle of the film.
Set in East Texas an undercover narcotics agent by the name of "Jim Raynor" (Jason Patric) is given an assignment to gather enough evidence to convict a well-connected drug dealer named "Will Gaines" (Greg Allman). Realizing the risks in an operation of this sort he chooses an attractive rookie cop by the name of "Kristen Cates" (Jennifer Jason Leigh) to be his partner. Although she is warned beforehand that the narcotics environment can drastically affect a person she agrees to accept the assignment in the naïve belief that she can "make a difference". Little does she know just how bad it will get for her and her partner as they descend into seamy world of drugs and addiction. Now rather than reveal any more I will just say that I was very impressed with the raw and brutal nature of this film with both Jason Patric and Jennifer Jason Leigh put in outstanding performances in their respective roles. To a lesser extent I also liked the performance of Max Perlich (as the small-time drug dealer known simply as "Walker") as well. In any case, as mentioned earlier this film has some rather explicit scenes here and there but it definitely kept my attention from start-to-finish and for that reason I have rated it accordingly. Above average.
क्या आपको पता है
- ट्रिवियाJason Patric actually did shoot up for authenticity's sake for the film, though the substances he used in his syringes were either saline or vitamins.
- गूफ़(at around 10 mins) When Jim slams the door of the Charger and the window falls down, you can see the hand of a crew member in the back seat quickly pulling something to let the window fall.
- भाव
Willie Red: I think she fix... I think she fix , or she don't walk outta' here.
- साउंडट्रैकTears in Heaven
(released as a single on 18 December 1991)
Written by Eric Clapton and Will Jennings
Performed by Eric Clapton
Produced by Russ Titelman
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Rush?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Rush: un viaje al infierno
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,70,00,000(अनुमानित)
- US और कनाडा में सकल
- $72,41,350
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $36,890
- 22 दिस॰ 1991
- दुनिया भर में सकल
- $72,41,350
- चलने की अवधि2 घंटे
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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