Between the Lines

Between the Lines is gripping police drama about the CBI investigating abuse of police powers and corruption within the force. The first remarkable thing is that BTL has a fairly unlikeable protagonist: womanizing career police man Tony Clarke who is really blackmailed into joining the CBI. He acts so irresponsibly in his personal life throughout the series that it is really difficult to sympathize with him (and he wears the worst fitting suits I have ever seen). On the other hand he is very emotional about his job and also really professional about it (unless his private life or hormones get in the way) in spite of the fact that he really hates his job. His team consists of bisexual Maureen Connell and veteran copper Harry Naylor whose wife develops a terminal illness in the second series. These three really complex characters really carry the show. The standard of writing is also fairly high. The stories are complex and satisfying which is not easy to achieve in a 45 minutes format. However, in the second season they become formulaic in terms of the CBI's impotence to deal with corruption in the force. You can't help wondering why they bother at all. Apart from the strong performances of the cast (with the possible exception of the rather one dimensional DCS Graves) the series also has some episodes that are visually very well made particularly the inteview situation. For 1992 the first season is also groundbreakling in its depiction of nudity as you see some full frontal shots of Clark's beautiful girlfriend and you see Jaye Griffith's bottom.

This brilliant 90s police drama series makes the more recent Line of Duty series look very basic indeed. I remember Between the lines being compulsive viewing and subsequently found line of duty to be a pale facsimile in comparison.

When it grows up Line Of Duty would like to be Between The Lines.

I like Line Of Duty but Between The Lines was more realistic I think.

Daily Mail readers might be critical of Between The Lines but when you consider Hillsborough and the Miner's strike the corrupt police in league with the establishment while protecting themselves the plots in the series seem realistic.

It is April 2021 and the news reports a met cop charged with being a fascist you think Line Of Duty should be set in London.

But enough reality this is a well acted drama with usually great scripts and a big budget for its time.

Like all these older productions the supporting cast is interesting.

There is a Daniel Craig in this,whatever happened to him?

People slag off series 3 but I like it but it is not as good as the first 2 series.

... Watch the first two series and ignore the third because series one and two are amongst the best drama the BBC produced in the 1990s

The format for this show revolved around Detective Superintendent Tony Clark who was drafted into the Police Complaints Investigations Bureau where he and his two colleagues chain smoking scouser Harry Naylor and ginger haired Scottish lesbian Maureen Connell have to investigate complaints made against policemen . In many ways it's like a cross between the Richard Gere movie INTERNAL AFFAIRS and the classic British cop show THE SWEENEY with gritty story lines like a local police squad rolling drunks for their money , an episode where a man waving a replica gun is shot dead by police marksmen leading to riots orchestrated by the estate's drug dealers and manipulated by a Chief Superintendent , a retiring senior cop suspected of being bent and perhaps the best episode centered on an undercover cop who has infiltrated a neo Nazi group but is believed to have gone native . All these story lines are believable and almost certainly reflect the growing disenchantment the British public have for the police . You're not going to confuse this with DIXON OF DOCK GREEN since the lead anti hero Tony Clark seemed to be a bit obsessive in letting women get their hands on his truncheon !

It spearheaded BBC 1's Autumn schedule and received massive critical acclaim from the critics and for the first two years BETWEEN THE LINES was a winner . Then for some reason known only to the producers the format was changed , no longer were Tony , Harry and Mo employed by CIB , they were drafted into another secretive government department similar to MI5 . What this meant was that the credible story lines featuring , corrupt , violent or just plain over zealous cops were now replaced by plots featuring international politics and terrorists ! A ginger haired Scottish lesbian as a Bond girl ? I don't think so . There is one episode in the third series involving the trio to go under cover at a hotel that feels like it belongs in the previous two series but the other plots are so laughably over developed it's like watching either a parody or an entirely different show . I mean anti vivisectionists running around with bombs and Uzi 9 mms ! And the series ends on a BLAKES 7 type cliffhanger after Tony and Harry infiltrate a gun running operation by the Ulster Volunteer Force . The series never returned after this and since the critics were bitterly disappointed by the direction that the third series had taken not too many people petitioned for its return

I have watched every episode at least twice over the past 5 years (we got this series a little later than the UK of course). It's realistic cut throat, no holds barred depiction of UK police corruption was leading edge. Presented in the UK at a time when confidence in the UK police was at a record low, this show encapsulated the feelings of the day. It is very well acted, the principals gelling nicely right from the first episode. The third series is less tight and focussed, which explains why the main cast members refused to sign up for a 4th series. Neil Pearson (one of the sexiest men on the screen these days) is extremely convincing as Tony Clark. In fact, I can't think of any weak performances at all. great writing too. certainly a "10"