Bad Channels

I had never heard about this 1992 horror sci-fi comedy titled "Bad Channels" before now in 2023, as I happened to stumble upon the movie by random chance. And of course I opted to sit down and watch it, on account of it being a movie that I hadn't already seen.

Writers Charles Band and Jackson Barr put together something definintely unique and strange here. But it was working out in favor of the movie, because the storyline was so corny and cheesy that it was actually a fun movie to watch.

I wasn't familiar with the cast ensemble in the movie, but the actors and actresses put on good performances to bring their characters to life on the screen.

The special effects in "Bad Channels" were actually working out well in favor of the movie. Some of the special effects were pretty bad, but still worked out fair enough as they were so bad that they became fun to behold on the screen. And then other effects were rather nicely made, such as the creature seen towards the end of the movie.

If you enjoy a sci-fi horror comedy that doesn't take itself particularly serious, then give director Ted Nicolaou's 1992 movie "Bad Channels" a chance. I was definitely entertained by this cheesy early 1990s movie.

My rating of "Bad Channels" lands on a five out of ten stars.

Utterly bonkers movie regarding a 'shock jock' at the local radio station finding himself in danger (like the girl who cried fire to get attention then burnt to death) because aliens invade the radio studios and start collecting women (including busty waitress Cookie played by once-upon-a-time Full Moon favourite Charlie Spradling) in conical vases. Ted Nicolaou, a veteran of Full Moon films including some of their best really screws this up with lazy-haphazard and purposeless direction while the script by Charles Band and Jackson Barr (probably not a real person) is certainly among the formers' worst efforts. Tim Thomerson's Dollman character is credited and I was confused how I had missed his cameo but stay tuned until the credits finish for a relatively amusing brief Dollman extra scene. The aliens are ridiculous, one a scale covered monster, another a small tin robot that looks like it was a reject from the acclaimed Smash Potato Mix adverts. Truly rubbish film but intriguing and amusingly painful in equal measures.

I like Full Moon films, they have a certain charm to them despite on the surface being seven shades of awful. If it weren't for Full Moon we wouldn't have had the Puppet Master franchise, Doll Man, Gingerdead Man, Evil Bong and countless others.

Bad Channels is supposedly part of the Puppet Master universe but I can confidently say I don't see the connection.

It tells the story of a "Shock Jock" who comes into contact with aliens intent on using his radio station equipment to kidnap women............somehow.

Not the most intriguing of plots and truth be told it's execution is even worse. It looks like a Full Moon film with the same plasticcy special effects and that's okay, the general quality of the film however isn't.

It's just so, bad! The characters, the script, the concept, it's like a weird artsy student film and I have to say I think this is likely the worst Full Moon movie sadly.

I'd suggest that anyone beyond the most hardcore Full Moon fan avoid this one, it isn't horror, it isn't comedy, it's just the absolute pits.

The Good:

Full Moon feel

The Bad:

Extended musical segments

Pretty much everything to be honest

Here's a sci-fi / horror B flick for the MTV generation, a positively goofy and cartoonish piece of lightly entertaining trash. Paul Hipp stars as "Dangerous" Dan O'Dare, a controversial radio disc jockey doing a marathon at isolated station KDUL. Well, along comes an alien, a bipedal monstrosity with a hilariously oversized head and a faithful robot. The alien (Michael Deak) takes over the station, and puts into a motion a plot to kidnap and shrink hot young woman by hypnotizing them with rock video styled visions.

"Bad Channels" has to rank as one of the silliest things that Full Moon produced. If one is looking for "cheese ball" entertainment, they could do worse than this. The various rock acts are passable, with Sykotik Sinfoney rating as the WTF highlight. This act dresses in various costumes and plays some pretty absurd stuff. All of the creature and makeup effects are pretty tacky, but that may only add to the appeal for some in the audience. That robot has to be seen to be believed.

The cast is basically okay. It is cool to see MTV VJ Martha Quinn in one of the leading roles, as ace reporter Lisa Cummings. The cast includes other familiar faces as Aaron Lustig, Ian Patrick Williams, Michael Huddleston, and Sonny Carl Davis. Sexy co-stars Charlie Spradling, Daryl Strauss, and Melissa Behr give it all their all as they dance away in what they think are these rock videos.

The truly worthy component is a score by the veteran rock band Blue Oyster Cult. Folks do have to wait through the closing credits for the best joke in the movie, a cameo by a Full Moon franchise character. As always, it's a pleasure to see this actor in anything.

Five out of 10.

Well, you certainly won't expect Citizen Kane renting this movie, but it's mildly entertaining. Martha Quinn really needed to have a better agent, given this and other career killers, but her chemistry with Paul Hipp (Dangerous Dan O'Dare) is enjoyable. The goal of the rest of movie is one thing pure and simply: titillation, and it doesn't accomplish that. The rock video visions, which I'm sure were intended to give a rock-n-roll edge to the movie, simply detracted.