न्यू जर्सी, 1950 का दशक. दो भाई एक इतालवी रेस्तरां चलाते हैं. व्यवसाय ठीक नहीं चल रहा है क्योंकि प्रतिद्वंद्वी इतालवी रेस्तरां प्रतिस्पर्धा में उनसे आगे निकल रहा है. रेस्तरां को बचाने के एक ... सभी पढ़ेंन्यू जर्सी, 1950 का दशक. दो भाई एक इतालवी रेस्तरां चलाते हैं. व्यवसाय ठीक नहीं चल रहा है क्योंकि प्रतिद्वंद्वी इतालवी रेस्तरां प्रतिस्पर्धा में उनसे आगे निकल रहा है. रेस्तरां को बचाने के एक अंतिम प्रयास में, भाई अविश्वसनीय भोजन की एक शाम करने की योजना बनाते हैं.न्यू जर्सी, 1950 का दशक. दो भाई एक इतालवी रेस्तरां चलाते हैं. व्यवसाय ठीक नहीं चल रहा है क्योंकि प्रतिद्वंद्वी इतालवी रेस्तरां प्रतिस्पर्धा में उनसे आगे निकल रहा है. रेस्तरां को बचाने के एक अंतिम प्रयास में, भाई अविश्वसनीय भोजन की एक शाम करने की योजना बनाते हैं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 9 जीत और कुल 17 नामांकन
Andre Belgrader
- Stash
- (as Andrei Belgrader)
फ़ीचर्ड समीक्षाएं
10Nog
After having looked over my reviews on IMDb, I noticed that only one of them was enthusiastic. That should be rectified, since I consider myself a big fan of cinema, and I choose as my second enthusiastic recommendation Big Night. This is one of those films that doesn't have to show off. It's a slice of life sort of thing going on here, with an assortment of people with strengths and faults, but who all value life's simple pleasures, like good food. It's a story about the underdogs , and their hopes and dreams and struggles -- some within reach, some not. It's got a good cast too. They all make it look easy, but they have a charming script and careful direction. I think Billy Wilder would have approved. At turns funny and touching, and the last scene -- several minutes without a word of dialogue -- is pure gold.
The story seems simple at first sight: an Italian restaurant is going under in debt. 2 Italian brothers excell at cooking, but are disastrous at selling their delicous food to the customers, who arent interested in culinary exotics. The further we stroll into the story however, the more we realise as viewers that this movie is more about the love and hate for family bonds. And cooking for your family is equal to showing your love.
There is a natural laid back rythm to this story, that is very mesmirizing. Some of the best moments are those in which nothing is said, when we only see 2 brothers eating and cooking together, in complete silence, symbolising their unspoken love for each other. That is a definite sign of great craftmanship, because there are very few directors who master this kind of story telling without using words.
The end credits mention special thanks to director Robert Altman. That credit goes to show that this movie is a bit more then just an amusing portrait about Italian family bonds. "Big Night" is a director's gem!
There is a natural laid back rythm to this story, that is very mesmirizing. Some of the best moments are those in which nothing is said, when we only see 2 brothers eating and cooking together, in complete silence, symbolising their unspoken love for each other. That is a definite sign of great craftmanship, because there are very few directors who master this kind of story telling without using words.
The end credits mention special thanks to director Robert Altman. That credit goes to show that this movie is a bit more then just an amusing portrait about Italian family bonds. "Big Night" is a director's gem!
Campbell Scott and Stanley Tucci are good friends in real life and together they made this delicious gem. Tucci plays Secondo who along with his brother Primo (Tony Shalhoub) run a restaurant named the Paradise. Primo is a genius as a chef but they are on the verge of going out of business so Secondo goes down the street to a very popular place run by an acquaintance named Pascal (Ian Holm) and Secondo asks for a loan. Pascal doesn't give it to him but decides to help him by having singer Louis Prima come to their restaurant with the press knowing he's coming also. Their restaurant will become famous when its mentioned in the paper so the two brothers plan a big night with special meals. Secondo invites his girlfriend Phyllis (Minnie Driver) and Primo wants to invite the flower shop woman Ann (Allison Janney) but is to shy. Secondo helps him out by inviting her. This is another enjoyable film where food is the common component that enables them to communicate. The food and its preparation is the art of the film. Watching Primo prepare meals is a real spectacle to behold. He really does come across as a great chef, there is no doubt as you watch this. But at the core of this film is the love and respect of Secondo and Primo as brothers. Even when they argue it is done with mutual respect. Yes, they get furious but at no real time do we get the feeling that they will walk away from one another. Scott and Tucci have created a wonderful blend of food and love and its the relationship between the two brothers that is the key here. Secondo is having problems committing to Phyllis and while its an important part of the film, its not the main focus. Janney adds just the right touch as Ann and you can understand the awe that she feels when she watches Primo at work and can witness his skill first hand. Tucci and Shalhoub shine in their roles and together they bring a very good film up another notch! This film also does a believable job of recreating the time period that the film is suppose to take place in. When people ask me for a good film to rent I always think of this one. Its a real gem.
Big Night is a peaceful joy to watch because its themes and the overall feeling of the film is so normal. The characters, so beautifully rich, are realistic and so are their problems. The characters are mainly wonderfully, infectiously bombastic Italians, and entire scenes are sometimes constructed of the process of making Italian food from scratch. The subtlety and unaffronting reality of these qualities are so endearing to me. In fact, the scene that leaves an imprint on me more than any of the others, despite how fun it is to see the actors have a blast playing fiery, thick-mustachioed men with heavy Italian accents, is a scene that hardly has a connection with any of the others. An Italian ballad is playing over the soundtrack through the previous scene and continues into this scene, wherein Marc Anthony, playing a low-level restaurant bus boy, a small, quiet, incidental character, begins dancing with himself as he mops the floor of the restaurant. When other characters enter, the music, coming from nowhere but the film's soundtrack itself, cuts off and he continues mopping the floor as if the dancing never happened. It's so touching for that scene to have been slipped in, giving a person who is only against the background of everyone's lives a dreamy, sensitive personality that he keeps to himself.
The focal point of the film is the chemistry between the characters of Stanley Tucci, playing a hard-working, pleading, frustrated restaurant owner, whose head carries only logic and a goal for success, and Tony Shalhoub, his brother, whose aggressive passion is for the food he cooks and the mystery and subtext within it, yet his interaction with people is painfully shy. Their clashes of pride, their battles with each other's completely different perspectives, and yet their sharing of the same dream are what drives the story.
A lot of the film's humor comes from the hilarity of Ian Holm. Ian Holm, a stiff-limbed Englishman, plays here a loud, very animated, hot-tempered Italian entrepreneur with a seamless and wonderfully entertaining delivery of an Italian accent and Italian movements. It's my favorite performance of his because I had never before imagined that he would play a role like this.
Big Night is not a masterpiece nor do I think it was even meant to be one, but what it is is subtle and interesting for purely human reasons. It's soundtrack is also a fantastic celebration of Italian music.
The focal point of the film is the chemistry between the characters of Stanley Tucci, playing a hard-working, pleading, frustrated restaurant owner, whose head carries only logic and a goal for success, and Tony Shalhoub, his brother, whose aggressive passion is for the food he cooks and the mystery and subtext within it, yet his interaction with people is painfully shy. Their clashes of pride, their battles with each other's completely different perspectives, and yet their sharing of the same dream are what drives the story.
A lot of the film's humor comes from the hilarity of Ian Holm. Ian Holm, a stiff-limbed Englishman, plays here a loud, very animated, hot-tempered Italian entrepreneur with a seamless and wonderfully entertaining delivery of an Italian accent and Italian movements. It's my favorite performance of his because I had never before imagined that he would play a role like this.
Big Night is not a masterpiece nor do I think it was even meant to be one, but what it is is subtle and interesting for purely human reasons. It's soundtrack is also a fantastic celebration of Italian music.
I can't even begin to explain how much I love this film. First, it may be one of the great "food movies" of all time. Anyone who considers him/herself a lover of good food and doesn't drool over the "timpano" alone should check their pulse... And the performances are remarkably restrained, yet lively. Stanley Tucci is sublime, Tony Shalhoub is, as always, a marvel. Truly interesting camerawork that draws one in, yet doesn't detract (or distract) from the story or the characters. Because, at its heart, this is a character-driven piece -- about the love and mutual respect shared by two strong-willed siblings. Someday I will take part in a feast like that shared by the characters in this film, and on that day, I will be an extraordinarily happy man. Until then, I'll watch this movie again and again.
क्या आपको पता है
- ट्रिवियाStanley Tucci co-wrote this movie, because he wanted a decent part for himself.
- गूफ़When Ann arrives at the restaurant and is standing at the bar, she is wearing black heels. Then, as she walks over to look at the paintings with Primo, she is wearing flat white shoes. When she later dances with Primo, she is wearing black heels again.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- La gran noche
- फ़िल्माने की जगहें
- 32 Broad Street, Keyport, न्यू जर्सी, संयुक्त राज्य अमेरिका(restaurant exterior)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $41,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,20,08,376
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,85,749
- 22 सित॰ 1996
- दुनिया भर में सकल
- $1,20,09,094
- चलने की अवधि
- 1 घं 49 मि(109 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें