एक आतंकवादी साजिश को नाकाम करने के लिए, एक एफबीआई एजेंट आपराधिक मास्टरमाइंड की पहचान ग्रहण करने के लिए चेहरे के प्रत्यारोपण सर्जरी से गुजरता है।एक आतंकवादी साजिश को नाकाम करने के लिए, एक एफबीआई एजेंट आपराधिक मास्टरमाइंड की पहचान ग्रहण करने के लिए चेहरे के प्रत्यारोपण सर्जरी से गुजरता है।एक आतंकवादी साजिश को नाकाम करने के लिए, एक एफबीआई एजेंट आपराधिक मास्टरमाइंड की पहचान ग्रहण करने के लिए चेहरे के प्रत्यारोपण सर्जरी से गुजरता है।
- 1 ऑस्कर के लिए नामांकित
- 11 जीत और कुल 23 नामांकन
James Denton
- Buzz
- (as Jamie Denton)
फ़ीचर्ड समीक्षाएं
Yes, make no mistake: this is a very entertaining, very stylish film, done by Hong Kong action guru John Wood and featuring two fine actors. However, its almost too much to watch in one viewing. It just wears you out! If this film was cut from 140 minutes to 120 it would have been much easier to watch.
Woo's action scenes includes tons of explosions and breaking glass. This director just can't get enough of those explosion scenes. Some of those segments are excellent but many of them go on too long, particularly at the end of the film where it went on what seemed like forever.
The best part of the film are the two lead actors and the interchangeable characters they play. John Travolta and Nicholas Cage are extremely entertaining in here. If they kept the story more about those guys and their switched identities and didn't have eight thousand explosions, this could have a super movie.
Woo's action scenes includes tons of explosions and breaking glass. This director just can't get enough of those explosion scenes. Some of those segments are excellent but many of them go on too long, particularly at the end of the film where it went on what seemed like forever.
The best part of the film are the two lead actors and the interchangeable characters they play. John Travolta and Nicholas Cage are extremely entertaining in here. If they kept the story more about those guys and their switched identities and didn't have eight thousand explosions, this could have a super movie.
90U
This is an epic action movie with everything and more: plane explosions, a jail break, boat chases, the latest scientific advances, and of course, the white doves flying off before a gun fight. It also has the premise of putting on someone else's face, which is an insane plot twist, which somehow turns out amazing. Also, if you don't already appreciate the gem to American cinema that Nicholas Cage is, prepare to be blown away.
This one has a tough job of convincing the audience that the main characters, Travolta and Cage, could swap faces via plastic surgery and still be convincing as one another. It works! Woo has a certain style down-the long flowing robes, slow mo shootouts, orchestral hype in the background, furious shoot outs, explosions, etc. Essentially a more stylish Bruckheimer movie if ya think about it.
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
From director John Woo comes this exhilarating action movie that takes a deadly cat-and-mouse game to the next level! A tortured federal agent, haunted by a painful tragedy and obsessed with catching the slick sociopathic terrorist who's eluded him for years and years, is forced to take the face of his mortal enemy in order to acquire vital information. The daring plan quickly goes awry when he loses his own identity in the process, and discovers his arch-enemy is cohabiting with his family. Film's enjoyment depends on the viewer: you'll either condemn the story as absurd and far-fetched, or you'll buy into it and go along for this supercharged, over-the-top action extravaganza. Travolta and Cage are both extraordinarily good, and with Woo at the helm you know that you'd better hang on for dear life! Occasionally silly, with a plot that tosses credibility out the window, but still a helluva lot of fun. ***
Face\off is the REAL masterpiece by John Woo (at least among his movies directed in the USA). It's spectacular, touching, tough and strongly directed.
Here there are a bunch of references to all his precedent movies, in particular to "The Killer" and "Hard Boiled" , with all their poetic in those long shoot-out which look like classical ballets, in that hyperbolic violence which actually is self ironic, in that kung-fu fights derived by Hong Kong film industry.
Eventually John Travolta and overall Nicholas Cage perfectly play the "literary" theme of doubles. 9\10 without second thoughts.
Here there are a bunch of references to all his precedent movies, in particular to "The Killer" and "Hard Boiled" , with all their poetic in those long shoot-out which look like classical ballets, in that hyperbolic violence which actually is self ironic, in that kung-fu fights derived by Hong Kong film industry.
Eventually John Travolta and overall Nicholas Cage perfectly play the "literary" theme of doubles. 9\10 without second thoughts.
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage breaks down his transcendent performances in Valley Girl, Vampire's Kiss, and Face/Off to reveal how they changed both his career and his life.
क्या आपको पता है
- ट्रिवियाNicolas Cage and John Travolta spent two weeks together before filming to learn how to play each other. They decided on specific gestures and vocal cadences for each character that could be mimicked.
- गूफ़During the hangar shootout one of Archer's federal agents is killed with a shotgun blast (we get a good look at his face), yet a few moments later you notice the same agent is standing, alive and well.
- भाव
Castor Troy: [to agent Winters as she poses as a flight attendant] Y'know, I could eat a peach for hours.
- इसके अलावा अन्य वर्जनIn the Domestic release, the Paramount opening logo is played, and at the end of the film, The still closing version of the Paramount logo is shown; while on the International prints, the Buena Vista International logo is played for 20 seconds before the company credits is shown.
- साउंडट्रैकThe Hallelujah Chorus - Since By Man Came Death
From oratorio "Messiah"
By George Frideric Handel (as Georg Friedrich Händel)
Performed by Boston Baroque Orchestra & Chorus
Conducted by Martin Pearlman (uncredited)
Courtesy of Telarc International Corporation
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- फेस/ऑफ
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $11,22,76,146
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,33,87,530
- 29 जून 1997
- दुनिया भर में सकल
- $24,56,76,146
- चलने की अवधि2 घंटे 18 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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