Red Corner

This film held my interest because of the great acting by Ling Bai,(Shen Yuelin),"Edmond",'05, who is a very educated Chinese lawyer and is placed in a very difficult situation in having to defend Richard Gere,(Jack Moore), "Unfaithful",'02, who is also another lawyer from the United States. Jack Moore gets himself in a very bad situation with a young Chinese woman, he some what falls in love with this gal on first sight and winds up in bed with her and all kinds of problems seem to happen. Jack wakes up and can't remember very much of anything that seemed to have occurred with this young gal and winds up being thrown into jail and having to live like a pig in horrible conditions. Richard Gere and Ling Bai are a great combination, however, the film is rather long and drawn out and intends to become a bit boring.

I thought this was wonderful - and can't for the life of me understand the criticisms.

Some seem to be attacking the movie on the basis that it is too hard on China - REALLY?

Ask any North Korean refugee who's been captured in China -

Ask any member of the harmless Falun Gong religious sect -

Ask anyone connected by family ties with those identified as having participated in the Tianenmen Square protests (the protests were actually in quite a number of cities - but television covered just the tens of thousands assembled in Beijing).

No, it's not an "art house" kind of movie - don't expect the slow pace and strange story of something like Farewell My Concubine.

Instead, it's a wonderful Hitchcock-type story transplanted to Communist China - and voila - a wonderful movie that should have been remembered at Oscar time!

It's far better than, say, Hitchcock's Torn Curtain or Topaz - both set in repressive Communist regimes. It's more like a combination of The Wrong Man and North by Northwest - but sexier than either.

Our Welsh friend from beautiful Aberystwyth, Philip Davies, has it about right in his review printed beneath mine.

This is beautifully shot, with wonderful acting in a riveting Hitchcock type movie. Richard Gere is excellent - the politics and scenes of a changing China are fascinating.

I strongly recommend this one.

This is very exciting, suspenseful, romantic - and its depiction of China rings true.

This film revealed the Chinese justice system accurately. I am from China. I have experienced the Chinese justice, it favors the rich and man with connections with the officials, they can forge evidence to frame you, and you can do nothing about it disregard your strong evidence indicate otherwise. People here are nothing but slaves to the powerful red machine. Those corrupt officials always get away with it. Maybe that is why the Hong Kong counterparts want universal suffrage to guarantee their rights not being violated. This film tells the accurate story of how the Chinese Justice System works. The party officials control the lawyers and judges from behind and decide the outcome of the lawsuits.

For about a dozen years, it was hard to find too many films Richard Gere made which weren't interesting and well-made. This was no exception. Once again, he "delivers the goods" and is involved in an interesting story.

Gere, a follower, I believe, of the Dalai Lama whom the Communists forced out of Tibet, uses this film to get his shots in at his mentor's enemy. Anyone who thinks this is just a coincidence is pretty naive. Nonetheless, the facts support the film's stark, brutal portrayal of Communist China's leadership. At the very least, it shows a regime unwilling to hear both sides of a story. (Hollywood has often given the same treatment to the U.S. government, showing it more often in a corrupt light, which is ludicrous compared to restrictive Communist China.)

Anyway, Gere really dominates this film, being in almost every scene. This is your basic frame-up-then-prove-your-innocence-in-court story. It keeps your attention throughout although I thought the ending was a bit confusing because things happened almost too fast for the viewer to take in. At two hours, the film could have been trimmed a tad but the lulls in here were not much.

Overall, an underrated film and unjustly criticized by the national critics, most of whom don't like it when communism is bashed.

Rambling drama about a US salesman arrested for a murder he did not commit, Red Corner has actual footage of Beijing convincingly mixed with the main shooting which gives the impression that the movie was actually made in China - and presumably with the approval of the Chinese authorities. Unfortunately, this is not really true, and the main Chinese lead - Ling Bai, whose name means 'white light' or 'white spirit' - was at Tiananmen in 1989 and emigrated to the US shortly thereafter. I've met students who lived in China at the time who absolutely refuse to discuss the situation back home; that Ling Bai does is testimony to her 'white spirit', and she really does steal the show from Gere here, in a kind of reverse Casablanca 'hill of beans' role. Whether the depiction of conditions in the Chinese judicial system is accurate or not, the movie does succeed in making the viewer understand that there are two views to almost anything, and that in China, as anywhere, power corrupts. Stacking the deck against consular officials is a nice touch, for these people are truly the cowards and turncoats the movie makes them out to be. The plot swerves from the inexplicable to the Orwellian to a love story (which does, it is true, sort of come out of nowhere), but the final scene on the tarmac does much to salvage that. Maybe Gere wanted to make the Chinese look bad, but they certainly don't need his help. Based on an incident that happened not in China but in Italy, Red Corner is viewable without ever coming close to being a great film. Its one claim to greatness is Ling Bai - she's absolutely fabulous.