I'll Do Anything

This is a movie about making movies and standing up for your beliefs and not having to bow down under the pressures of audience expectations and studio involvements, and it had musical numbers which were cut and writers come in to dumb it down because of audience expectations and studio involvements.

But I found all that out after I first saw the movie and thought it was great entertainment. I love Nick Nolte, he's so grave and gruff and depressed that I hope he doesn't kill himself cause I really like everything he's done, even The Hulk, and especially Affliction and that Martin Short with a kid movie. Joely Richardson is gorgeous! Julie Kavner and James Brooks are great. I highly recommend this film, and hope to see it again soon on DVD with all of the deleted scenes.

Just caught this flick on Cable by accident. lazy Sunday afternoon, and Contact was playing on TNT for the 50th 'premiere' time, so I figured, what the heck.

And actually, it's kinda interesting I thought. Nick Nolte and kids are always terminally cute for some reason (ref. Three Fugitives with Martin Short). He's like like a big St. Bernard dog.

Anyway, the story is OK, losta phony LA movie folks earnestly searching for themselves, blah, blah, blah. Somewhere in there, there is some genuine humor and heartfelt sentiment. Actually not all that mushy. Tracey Ullman is horrible as always, but apart from that an OK Sunday afternoon flick.

Although I found the movie a bit frenetic, it seemed to have a ring of truth about how things work in Hollywood (especially the "Would you sleep with him?" scene). Nick Nolte keeps everything going, as usual, with his marvelous acting. Is there any other "big guy" actor who can cry believably (well, maybe Harrison Ford)? He was just terrific, so believable as the father who didn't know what to do with his spoiled brat daughter. And wasn't Whittni Wright amazing? I can only hope that was acting, as I've seen plenty of kids just like her. The supporting cast was terrific. It was hard to pinpoint what there was about this movie that made it not quite so good as it could have been. Perhaps it was that it really was an "in-house" film, one that anyone who has been through what the various characters have could identify with, but perhaps not us out in the hinterlands (coming from Wyoming to Australia, I'm definitely hinterland!). Kudos to actors and director for keeping this film together. With lesser talent, it could have fallen flat on its face.

This is one of those 'greater than the sum of its parts' movie, where you can't quite put your finger on why it's so great, but it just is.

The set of this movie must've motivated these actors to beyond their usual performances..........maybe because the script is so great(they all get their shots at character development..... I can think of 5.)

There's Nick Nolte, I've never DISliked him, but his physique combined with his sweet fatherly attitude makes for the perfect combination; it makes him very attractive. Joely Richardson I've only seen in one other movie, but she keeps you interested in her character all the way through, however quirky, weird, or whimsical. Nolte's daughter (Wright) is SO believable as the spoiled little rich girl, brought up by man-hater Tracy Ullman (!)'s character as mom. The two other characters are supporting; one is that lady who does Marge Simpson's voice, and her love interest. All these characters develop and learn.

This film also ironically gives insight into the film industry, and how truly unglamorous Hollywood can be. Nick Nolte must cry in a room full of people withOUT the director even being there, a group of ladies who work in casting are asked, when deciding yay-or nay on this actor, if they would sleep with him.

But in the end, it stays true to its source, meaning it doesn't look completely down at Hollywood or anything else. It's just a really adorable feel-good movie.



Did I mention adorable?



-Sep

Matt Hobbs (Nick Nolte) is a working actor unable to get good gigs. His professional life is diminished by the likes of arrogant producer Burke Adler (Albert Brooks) who ropes him into being his driver. His wife leaves their daughter Jeannie (Whittni Wright) with him even thought he hasn't seen her in 2 years. He's attracted to like-minded production assistant Cathy Breslow (Joely Richardson).

Nick Nolte has an angry intensity. I think James L Brooks is looking for that odd couple with a gruff old guy and a little girl. I get it but it's the anger in him and quite frankly the little girl that makes it hard to laugh at. The little girl has a streak of meanness in her. She's not just the quintessential cute little girl. She's yelling for the first half of the movie. The duo has their cute moments but not any funny moments.

Albert Brooks has some funny moments but he doesn't really fit the stereotype of a Hollywood producer. He's a more bumbling character than that. It's hard to see him push anybody around.