Le parfum d'Yvonne

A bad film also merits proper attention as it can help critics and viewers to ascertain what went wrong during the making of a particular film.This is also true for French film "Le Parfum d'Yvonne" which remains one of those horribly bad films which deserves to be seen as it has been directed by a famous director.For this film Patrice Leconte loses artistic control on many occasions as he leaves a lot of questions unanswered.The entire film is nicely shot and depiction of fun loving idlers is authentic yet this film fails to captivate audiences.This is the reason why most of the viewers will have a hard time figuring out what this film was trying to convey.It appears that viewers might complain that very less background information has been provided to enable them to comprehend what the film was all about. Despite its inherent shortcomings "Le Parfum d'Yvonne" is a film whose established actors Hipployte Girardot and Jean Pierre Marielle have done immense justice to their roles.However,it is really a pity that nothing much is known about Dutch actress Sandra Majani who shines throughout the film.Her sensual performance is extraordinary as it helps this film to be enjoyed only for its visual erotic undercurrents.

I have really no idea if I like this film for its good points, or to intensely dislike it for the bad ones. The title should have been, in my opinion, ' Villa Triste ' as it is not only a better title ( based on Patrick Modiano's novel ) but because who cares or knows what perfume Yvonne wears ? I only watched the film as I like Modiano's work, and as I have not read this specific one I hoped for better. I am convinced the book has more merit than Patrice Leconte's film. Bad things first. Sandra Majon was one of the most tepid actors I have ever seen, and in this film the passivity of Hippolyte Girardot's acting in a complex role was in my opinion quite simply lazy. And then there is a sad old homosexual played by Jean-Pierre Marielle that showed off every pathetic gesture that presumably the director thought every ageing homosexual should, or does have. The music is relentlessly soft focussed when it is not maudlin, and so is the camera work in far too many scenes. Now for the good points. It does have a few powerful scenes and to avoid spoilers the Algerian War raging in France in 1958 was sometimes put to the foreground and the regret of wasted and passing years movingly shown. I do not want to give away more except to say the ' erotic ' scenes were dull, and repetitious and totally unconvincing. I give it a 5 for an attempt to put a Modiano book on screen, and for the ambiguity of motives adequately conveyed. As I said my opinion of this film is in the balance, but with more thought probably veering towards the bad.

1958 and the summer of secrets haunt Victor as his memories dwell into the lustful past of Yvonne's passion. They are accompanied by the eccentric gay Doctor and all together they hide secrets. Director Leconte never reveals in detail the meaning of their secrets but hints on them, allowing the viewer to work that little bit harder. The main interest is the sexual passion the camera has with beautiful Yvonne, a woman of leisure that distracts Victor and the viewer.

If I would have the choice to take only one movie with me on the famous lonely island I would take this one. The director Leconte succeed to show what's really about in a relationship between a man and a woman. And that 's very difficult to show, very difficult.

And the beautiful actors, scene, Music ( Bach, Aznavour etc.)

To my mind it's not necessary to know from where the acting people are coming, and to be honest, after watching this movie more than twenty times for example I still don't know in which things Dr. Rene Meinthe is involved. The film shows the morbidity and noblesse in those times simply wonderful.

It's a little bit different from the novel but that doesn't matter. So enjoy. And of course it's a french one. Or does anyone of you really believe that you can make an erotic or at least a love scene between Britt Pit and Angela Dohle, that would look alike a frog is kissing an Allien. But that'a different thing.

The film creates a melancholic feeling of nostalgia. Viewers, who are able and willing to engage with it, will "mourn"/suffer with the characters and for the characters who, with all their hopes, dreams and (hinted) regrets, remain victims of their time or prisoners of their unlived lives.

Yvonne's sensualité, which is not an eroticism à la américaine, is, above all, part of her wider appeal: With Yvonne there is light, hope (America), dreams and the possibility of an escape from the existence of everyday life for Victor and Dr. Rene.

However, both characters seems to sense that these dreams and hopes are as éphémères as the summer they spend with Yvonne.

The melancholy in this film may be a bit on the sentimental side, which happens when you link it to nostalgia (but not necessarily as "In the Mood for Love" shows).

But I'd recommend it anytime, esp. If you have a chance to watch it in a cinema.