Beyond Rangoon

Never had I seen such a powerful true story movie. I discovered a city, a country, a lost revolution and even a Nobel prize winner thanks to this masterpiece of cinema.

If you haven't seen this movie, you can't say you've seen anything .

A great lesson of courage, humility and life.

I haven't seen anything as good since.

T.E. Saturday, January 9th, 1999

While the movie has its flaws, it brings to light some of the problems that come with living in a country that has no democracy. It makes you empathize with the people under such a government and makes you want to learn more about their lives, their struggles and a potential leader Aung San Suu Kyi. It makes one wonder why our government will interfere places we are not wanted yet ignore those who ask our help.

In the 90's, the American doctor Laura Bowman (Patricia Arquette) travels to Burma (presently Myanmar) with her sister and also doctor Andy Bowman (Frances McDormand) to recover from the loss of her beloved husband and son that were murdered in a theft at home. Laura sees a political pro-democracy manifestation to support the leader Aung San Suu Kyi and she decides to participate; however she loses her passport and she is not allowed to leave Rangoon.

While waiting to have another flight, Laura meets the unofficial tourist guide U Aung Ko, who is also a leader of an underground movement, and she decides to visit the countryside of Burma. However, the military dictatorship represses the movement and Laura, U Aung Ko and several civilians try to escape to Thailand in a dangerous journey.

"Beyond Rangoon" is an underrated film that has not aged, with top-notch performance of the gorgeous Patricia Arquette, I saw this film twice on VHS in the 90's and it is amazing that the military dictatorship still does exist in this country.

In accordance with the statement of John Boorman in the Extras of the DVD, the dramatic scene when the commander orders to shoot the politician Aung San Suu Kyi did really happen. Aung San Suu Kyi won the 1991 Nobel Peace Prize and shamefully was only released from house arrest on 13 November 2010. My vote is eight.

Title (Brazil): "Muito Além de Rangum" ("Far Beyond Rangoon")

Patricia Arquette plays American doctor Laura Bowman, who takes a holiday to Burma in an attempt to heal her spirit after the murders of her husband and young son. She is left behind in Rangoon during a military crackdown and leaves the city with an aging man who works as a "tour guide." But he is no simple tour guide; he is a professor who introduces her to the life outside of the tourist traps ... the two of them get caught up in the political upheaval and Laura sees with her own eyes how the government betrays and oppresses its own people.

This movie is one of my favorites because of its themes. First, it's informational (describing some of the injustices that are occurring in Burma). Secondly, it's about a woman's struggle to find meaning in life after an incredible loss. Thirdly, it's about compassion and sacrifice, and people coming together - without even knowing each other - to endure pain and fear.

Just about every beautiful scene in this movie is important; nothing is wasted here. It's an earnest and moving film. There is also a very emotional score composed by Hans Zimmer which complements scenes nicely.

A definite recommend, especially to people concerned with human rights ... and people who want to know, "What purpose can I serve?"

This is one of the most underrated movies of the 1990s. If you allow yourself to identify with the Patricia Arquette character, you will find it to be a very moving story of a woman regaining a sense of purpose to her life, and finding a new will to live.

Arquette's performance is brave because it is purposefully "wooden" -- it's a way of defining her character's spiritual death, her complete lack of a desire to be alive. She moves through life like a zombie because her family has been murdered and she can't see the point of living. What is moving is how in the course of the story, she is reawakened -- by the Burmese landscape, by the beautiful quality of its people and landscapes, and by the primal choices she is forced to confront.

Boorman supports this visually (and Hans Zimmer supports it with one of his most gorgeous, haunting scores) with an often static camera and with a propensity to shoot through glass, windows, windshields, etc. We are on the outside looking in, just like Arquette.... until she finds herself deep in the jungle and is forced to choose whether or not to fight for her life.

I recommend the 1954 movie THE PURPLE PLAIN as well. It's a similar story in a similar setting, and makes for a fascinating comparison.