Les deux orphelines vampires

No pun intended obviously as always. Jean Rollins - I reckon reading and seeing that name, people acquainted to him and his movies in general (most likely to be fan of his), will have some inkling ... but more an expectation of what to expect here. And then the movie comes and blows away all that - not in the sense you may think (not that kind of movie here).

The movie has one interesting new item/fact or whatever you would call it. I mean you can watch the whole thing under the prism of what is real and what is not ... but if we take this for what we are being shown, than we do get to see Vampires who are "daywalkers" ... but can not see when the sun is out.

So a nice spin on the whole blood sucking thing (individuals). If you are here for nudity and other such things ... well do not bother! It does have some nudity, but not to the degree you may be accustomed to when it comes to Rollins or other directors (and even some of the actors involved - like Brigitte Lahaie, who has a minor role in this).

It has a sort of over arching story .... but it is more about cinematography and getting from one place to another. And some "cameos" along the way. Though sometimes the lighting does not work in any way that would be good ... that aside, the effects are decent to say the least. Not much substance but still at least fragments of the fantasy (world) Rollins likes to delve in ... if you can dig it ... well you need no more ... (nudity/other things) ...

So many French film makers hide behind the term "surrealism", when what they are making is just garbage. Film is a total art form using motion, sound and text..not just one of the three elements. With Jean Rollins you get nowhere near the full package. What you do get is a very interesting series of photographs, exceptionally lighted, and edited together. Because of the photography-- I will say it is a beautiful film---what makes it even more beautiful, to watch, is the two leading actresses: Alexandra Pic (Louise) and Isabelle Teboul (Henriette). It is obvious that these two actresses are young and inexperienced, they do, nevertheless, a reasonably good job; even if they come across as walking right out of acting class. That is alright, however, since everyone has to start somewhere.

The plot is nothing more than an outline and I have to admit that I would be interested in reading the books to see how well the subject matter is covered. The dialogue is overblown and comes off as being an exercise in amateurism, not surrealism; although the actresses do their best. A plus is that the gore is minimal and looks unrealistic and the director also gets points for the absurdness of some of the "supernatural" characters the two orphan girls come across during the course of the action.

Jean Rollin passed away last year and we will not be seeing another new film by him. I think he had a wonderful eye for finding a hole in the world. By that I would consider him a true surrealist. This particular film, or any of his films for that matter, are not for everyone. He often said he did not make straight horror films, rather fantasy films. He also said he never wanted all the sex, but that is how the distributors wanted to market it. In this film there is one scene where the two embrace naked. The actresses looked uncomfortable which made me feel the same. It is a shame that a film maker has to market something in such a way that changes his vision...but that's show business; I am sure that there are many fifteen year old boys out there that a glad that it is so.

I have a real love-hate relationship with Jean Rollin. If I sit down to watch one of his films I can usually rely on two things; 1, the movie will look great, have an intriguing premise, and feature some stunningly beautiful women. And 2, by the end of it I'll feel hugely let-down and look on the whole thing as a missed opportunity. I know a lot of European directors favour 'style over substance', but Rollin often takes that to a new level. The fact that what's good about his stuff is often SO good is exactly what makes it so annoying; if he missed the mark by a mile it wouldn't matter, but the gorgeous cinematography, composition, lighting, and location work just make the whole thing all the more frustrating.

This movie is a rare exception. Two blind girls (supposedly around the 15-16 yr mark, although the actresses seem to be late teens/early twenties) live at a Catholic orphanage/school. However, at night they can see because they're actually vampires, who after 'lights out' leave the orphanage to hunt. These vampires are more along the lines of Stoker's Dracula; they can move around in daylight, but their vampire abilities only manifest at night when their sight returns and they sprout fangs.

There are several kills (six, by my count), but a fair amount of time is also spent lying around in cemeteries as the girls reminisce about their previous lives (it seems they've been hunted, destroyed, and resurrected several times over 500 years) as well as try to remember who they were before they became vampires. Alexandra Pic (looking like a cross between young Ellen Page and young Jennifer Connelly) and Isabelle Teboul have an ethereal presence as the two girls, and there are cameos by Rollin favourites Tina Aumont and Brigitte Lahaie. It's about 10 minutes too long, and there are still some things that don't make any sense - but that's Rollin. It's slow but very watchable. Some nudity - but for Rollin, not much. 7/10.

It starts well enough with the lovely orphan girls and their white sticks and their apparent blindness. Alexandra Pic and Isabelle Teboul are great throughout but the film is rather long and some of it seems to be repeated again. I understand that Jean Rollin was unwell at the time and, of course, this is a rather late of his films.

A dreamy dark fairy tale about two lesbian orphans who are blind. Also they are vampire and can see in blue vision at night.

I haven't seen many Jean Rollins films, but I enjoyed this one much more than Demonaniacs. It was dark, but sweet. It was dream like with poetic dialog. The relationship between the two orphans was wholesome and Ioving. They weren't strong, they questioned who they are, and they enjoy some brandy to go with their blood. The movie was a great watch and I now feel the need to watch more of Rollins films.