Midnight in Saint Petersburg

Compared to other Harry Palmer films, Midnight in Saint Petersburg is rather mediocre: rambling script, nothing-special cast (apart from two Sir Michaels: Caine and Gambon), uneven change of scenes. The latter is most annoying as you lose track of events sometimes and well performed scenes vary with cheaply filmed chases or scuffles.

The biggest value of this film to me is the filming location - Saint Petersbourg - as I spent several years there studying just some years before the film was shot. Thus, most of places were familiar to me - well, that could be a reason my focus could transfer from watching the events into watching the background, this beautiful city.

If you are eager to see all Palmer-related films, then do it and include the film in question. Otherwise, you might feel bored.

God help us! Another continuity faux-pas. In the scene of Connery greeting General Kornikov,he says he has been in Russia before and answers the General with "Very pleased (to meet you)". Nothing wrong with the words(in Russian) but they would make any Russian language student cringe - talk about butcher the language. Later, "Tatiana's" father walks across a bridge followed by Connery in a Volvo, ostensibly from the Hermitage - except that he's walking toward Nevskii Prospekt, not away ( I don't know, maybe I misunderstood the scene). Still, it's the worst example of Russian gangsterism versuses the spy world ever made. Want reality, try going there and trying to find someone to trust.

After you've watched Bullet to Beijing, in which Michael Caine plays the famous fictional spy Harry Palmer, go out and rent the sequel Midnight in Saint Petersburg. Technically, you can watch this one by itself, but it starts up when the other ended, and so the ending of the first movie would be spoiled.

Once again, Michael Caine finds himself mixed up with bad guys in Russia. He's trying to stop them from acquiring plutonium, and together with Jason Connery—who's just as adorable and endearing as he was in the first film—they head back to Saint Petersburg to save the world! One of my favorite scenes is when Michael finds a bomb in his office. He throws it out of the window, but a dog picks it up and starts running around with it. Michael and his Russian colleagues are shouting at the dog in different languages, trying to get him to drop the bomb, but he runs down an alley seconds before the explosion. Everyone is pretty depressed—and so is the audience—until the dog trots out of the alley, unscathed! Very tense, but with a happy ending.

I liked these later Harry Palmer movies because they're pretty light and fun, without a lot of heavy drama or complicated plot points. Check them out for an afternoon marathon!

This sequal to bullet to beijing was ok. I don't feel like it was as good as that film and there was not enough memorable pieces to it. Its a film that didn't really need to be a sequal and almost worked better as a standalone, if it was not for the returning characters. I also felt we needed more gambon as he was not all that featured in this. The plot about finding missing plutonium was a little watered down and never really went anywhere. But the cast were all still good and once again it was enjoyable to see caine back at it for the last time as palmer and probably for the best as well as the character is a little worn out now. Overall not as great as the other movie and almost not a good end to what was otherwise a pretty good series.

What is wrong with movie writers, producers, and directors? There is a sizable market of baby-boomers who would love to see sequels of fondly remembered movies from the 60s, yet it seems that the powers-that-be are deliberately ruining virtually every opportunity to tap into that market. Granted the younger movie-going public has shown they have little or no attention span, but I have to believe that a good movie would appeal to enough of them to make some money. I cite (shudder) The Avengers and (retch) Wild Wild West as 2 of the worst offenders possible and the 2 90s Harry Palmer films aren't far behind them. Directors: WATCH SOME 60S MOVIES AND TRY TO RECAPTURE THE MAGIC. It is tough, if not impossible, to do, but you can do better than you have been doing. Using some of the original stars such as Michael Caine, Robert Vaughn, David McCallum, Robert Conrad or whomever is still this side of the sod would be wonderful, but it still would require a good script. The 2 Harry Palmer movies don't get it. The music is wrong, the car and boat chases are wrong, the ambiance is wrong, the supporting cast is wrong, etc. Do better while there is still time.