The Shipping News

I was very impressed with The Shipping News for several reasons: the location should win an Oscar alone, Hallstrom's magical minimalist direction and the acting by the major leads and perhaps even more wonderful, by the many minor parts, were outstanding.

The beauty of the story, involving as it does many all-to-familiar dramas that are easily recognized by people anywhere, was used as a springboard to explore a little known area of the world and to bring much needed illumination on rarely discussed social problems.

To actually see such a beautiful movie shot on location in the magnificent surrounds of Newfoundland should lead film makers away from the sterility of southern California and the too-used streets of New York. I guess I've had my fill of movies about what Hollywood has been dishing out and I've gotten thoroughly jaded with virtually everything made by them.

Lasse Hallström had created a number of great films that deliver serious introspective messages of human emotions, with masterful uses of filming locations and scenery to create the various moods of his films which is often pensive or thought-provoking. We have seen them in "Chocolat", "What's Eating Gilbert Grape?" and in "The Cider House Rules". His selection of novels he makes films based on is also brilliant. Here, "The Shipping News" is another master stroke from him which leaves the viewer quite in awe to the film's sentiments and atmosphere.

I haven't read the novel. And it's quite unlikely I'll find it in my local bookstores and I hate e-books. So I can never judge the film's quality of adaptation. All I can say is that the film offers us a wonderful story of a rather ordinary man named Quoyal who's brilliantly portrayed by Kevin Spacey. The character of Quoyal is still fascinating, extra-ordinarily ordinary. The best chemistry of Quoyal is not with his later love-interest Wavey, but with his aunt Agnis. This is a major touch of brilliance in the story. The story also tells us about Newfoundland and its people... and leaves us indeed fascinated by those facts. But in the end, emotions are same everywhere, be it Newfoundland or Indonesia, so the story is ultimately of grief, sense of loss, rediscovering one's self and love.

Julianne Moore is rather stiff in this film. I don't know whether it's for her role or she acted badly. Judi Dench is a pleasure to watch again. Cate Blanchett's extended cameo is awesome too. But actors don't carry the film. The major credit for the film goes to the director. There's a major flaw (perhaps) in the story in the end concerning the character Jack but Hallstrom pulls it off nicely so that the audience cannot react to it and accepts it temporarily. Hats off to you, Mr Hallström.

I am a tremendous fan of the book and read it twice. I sense the movie missed the point here. Kevin Spacey does an admirable job with the difficult role of Quoyle, he is shot from strange angles to emphasize a height and width that is not there in real life. I had envisioned Gerard Depardieu in the role, big, hulking and awkward. I note also that one of the daughters was dropped from the movie, there are two in the book. Judi Dench's performance is incredible and her tough almost fatalistic Newfoundland character feels real. Moore is a disappointment, far too beautiful for the role and not as mysterious as depicted in the book. The scenery is incredible, wild and isolated. I enjoyed the soundtrack and the minor characters, all very well acted. I gave it an 8 out of 10 for the fabulous cinematography and Judi Dench.

It's rare to see a movie made with such tender loving care. Director Hallstrom gathered the best cast and crew he could find for this film. The cinematography is glorious - I can't believe Oliver Stapleton isn't up for every award in the world. Kevin Spacey turns in the best performance of his career as a brutalized man, Cate Blanchett is her usual chameleon self as his trashy girlfriend, Julianne Moore is perfection as the woman who helps him heal, and Judi Dench is funny and touching as his aunt. Hers is a role without a huge amount of lines but tons of substance. Only a master could have given the character such depth.

The Shipping News has poignancy, humor and a great deal of beauty. What it has above all else is atmosphere - Hallstrom's feel for the Newfoundland shipping village, the simple lives led there and the friendships made is truly awe-inspiring.

Having read the brilliant and seamless novel - and believing that movie adaptations of novels rarely succeed - I did not expect to like this movie. Much to my surprise, I found the film totally successful. Kevin Spacey - who seemed to be an odd choice for the role - is perfect as Coyle, capturing the true spirit of the character and proving himself to be one of the finest movie actors of his generation. Judi Dench is, as always, just right. Julianne Moore (I was not previously familiar with her work) is astonishing. The look of the movie...the tone...the screenplay all work - as an adaptation of the novel and as a film unto itself. I do not understand why this movie did not garner more recognition. I strongly recommend it to those who have read the novel and those who have yet to experience Annie Proulx remarkable prose.