The Shipping News

Often when watching a film with a cast which has more Oscar nominations in their careers than the film has minutes, a level of expectations will be engraved which exceeds far above a film than which one should. Such is an example with the poignant, touching and often funny film, The Shipping News.

The Shipping News is film about loss, recovery, pain, but most of all, recovery. When a person loses a loved one, or in this case, a person who loses someone they think they love, it comes with a package of emotional stress and remorse. The person they lose is immortalized within their thoughts, usually in a positive, memorable perspective.

The story begins with a narration by Quoyle (Spacey), and through this depressing and self defeating narration, we learn that Quoyle is man who has never succeeded in anything, is a failure in his family's eyes, and has never accomplished one thing in his entire life. He struggles through every miserable task he is given, he aches at the thought of one more day.

As a defeated man who has never loved, never laughed, and never succeeded, he is desperate for something, desperate for someone. When he meets a woman named Petal (Blanchett) he thinks he's in love. We see a woman who is looking for a costumer, looking for someone to spend the night with. Quoyle sees a wife, someone to spend the rest of his life with. So without hesitation, he takes a swing at this wild tiger. He thinks he has achieved that echelon of happiness. He has a darling little girl, he has a wife, and he has a steady job. But he soon learns that one person, a person he has known for little over a few years, can turn his life upside down. After a realistic and inevitable chain of events, he is back to his pitiful little life. Only this time, he's lost more than he can handle. His own emotional attachments have become his own emotional destruction.

In the midst of these happenings, Quoyle is met at the door by his Aunt Agnis (Dench), whom he has never met. She suggests they begin a new future, for she too has lost something. She decides that they should travel to their native roots, in Newfoundland. The future looks bleak to Quoyle, but only the happiest of times look ahead to Agnis. At least from our perspective.

Throughout the film we are met by several supporting characters played by familiar and not so familiar actors. These characters, while they may seem supporting, play the largest part in the film. For these characters are the building blocks which help Quoyle begin his `transformation'. These are the people which help Quoyle recognize his roots and why he must belong there. Throughout these characters, we are met with many intertwining storylines which could make a whole entire film by themselves. But these characters are all here to help one man find a reason. A reason for being.

Throughout this masterful tale of loss, recovery, and pain, we discover that problems exist within problems. We learn that the future may result in failure, but will always have an answer. The answer lies within Quoyle himself. While these supporting players may have an impact on Quoyle's job and home, Quoyle is the only one who can help find happiness for himself.

With a star-studded cast which shines with the inspiring score by Christopher Young, Lasse Hallstrom has created a film which should not be overlooked, but should be look upon as a film which displays how courage, love, and faith, can overcome loss, struggle, and pain.

I was very impressed with The Shipping News for several reasons: the location should win an Oscar alone, Hallstrom's magical minimalist direction and the acting by the major leads and perhaps even more wonderful, by the many minor parts, were outstanding.

The beauty of the story, involving as it does many all-to-familiar dramas that are easily recognized by people anywhere, was used as a springboard to explore a little known area of the world and to bring much needed illumination on rarely discussed social problems.

To actually see such a beautiful movie shot on location in the magnificent surrounds of Newfoundland should lead film makers away from the sterility of southern California and the too-used streets of New York. I guess I've had my fill of movies about what Hollywood has been dishing out and I've gotten thoroughly jaded with virtually everything made by them.

Director Lasse Halstrom continues to prove himself to be outstanding at presenting sensitive human dramas with this touching film about a broken man's retreat to his ancestral roots. This poignant tale unwinds deliberately and delicately as each of the main characters shares his or her dark secrets buried in the past.

Halstrom is an inspired actors' director who entices outstanding performances from his troupe. He has a wonderful ability to make simple characters appear bigger than life. I continue to admire his unobtrusive presentation, forgoing ostentatious directorial stylizing in favor of simple shots that let the story and the characters dominate. The cinematography and choice of locations in this film are understated and lovely without the need for garishness.

The acting is superb. Kevin Spacey, as Quoyle, once again shows his range, taking on an emotionally crippled character that is quite unlike the confident and clever characters that jump off his resume. Spacey relinquishes all traces of the cockiness that is his trademark and brilliantly renders a pathetic nebbish whose greatest daily struggle is to overcome his own ennui. For Spacey to suppress his natural dynamism to slip this character on so effectively is a testimony to his excellence as an actor.

While this is clearly Spacey's film, the supporting cast of accomplished veterans weaves a splendid tapestry. Julianne Moore is excellent as Quoyle's love interest with a delicate portrayal of a character that is simultaneously supportive and insecure. Judi Dench is marvelous as Quoyle's crusty old aunt, who drags him back to Newfoundland to find himself among the ashes of his unseemly clan. Cate Blanchett is bodacious as the impulsive vamp who ravishes Quoyle and stays with him only long enough to give him a daughter. Scott Glenn is terrific as the cantankerous publisher of the local newspaper who turns Quoyle from a typesetter into a reporter.

This film is not for everyone. It is extremely deliberate and will fray the patience of the average viewer. However, for those who have a love of human interest stories with flawed but lovable characters, this will be a treat. I rated it a 9/10. It is a gem of human foibles and interactions that is moving and insightful.

I am a tremendous fan of the book and read it twice. I sense the movie missed the point here. Kevin Spacey does an admirable job with the difficult role of Quoyle, he is shot from strange angles to emphasize a height and width that is not there in real life. I had envisioned Gerard Depardieu in the role, big, hulking and awkward. I note also that one of the daughters was dropped from the movie, there are two in the book. Judi Dench's performance is incredible and her tough almost fatalistic Newfoundland character feels real. Moore is a disappointment, far too beautiful for the role and not as mysterious as depicted in the book. The scenery is incredible, wild and isolated. I enjoyed the soundtrack and the minor characters, all very well acted. I gave it an 8 out of 10 for the fabulous cinematography and Judi Dench.

It's rare to see a movie made with such tender loving care. Director Hallstrom gathered the best cast and crew he could find for this film. The cinematography is glorious - I can't believe Oliver Stapleton isn't up for every award in the world. Kevin Spacey turns in the best performance of his career as a brutalized man, Cate Blanchett is her usual chameleon self as his trashy girlfriend, Julianne Moore is perfection as the woman who helps him heal, and Judi Dench is funny and touching as his aunt. Hers is a role without a huge amount of lines but tons of substance. Only a master could have given the character such depth.

The Shipping News has poignancy, humor and a great deal of beauty. What it has above all else is atmosphere - Hallstrom's feel for the Newfoundland shipping village, the simple lives led there and the friendships made is truly awe-inspiring.