Anémic cinéma

A mesmeric seven minutes of avant-garde animation in which spiralling patterns alternate with nonsensical prose.

Anemic Cinema (1926) is a short film consisting simply of spirals and text. This short is very avant-garde and leaves a lot to the audiences interpretation, but it was strangely hypnotic.

If you decide to watch this please watch it without sound as, in my opinion, the spirals create a rhythm of their own and I got a lot more out of my watch when the video was muted.

This film, even though incredibly simplistic, was interesting and felt quite progressive. It was definitely something I needed to delve into and do research after watching but I'm glad I did!

The use of text is intriguing, for example, the title itself is almost a palindrome which I found pretty cool. Also, the text spirals get slower as you read further in, i fell like there's meaning to this. The phrases written are almost child-like and read like a tongue twister, however some quite 'controversial' language is used which feels oxymoronic

For me, the spirals partly represent how film makes you FEEL, rather than the direct actions you watch on screen. The whole movie is a massive metaphor and definitely not for everyone, but it was certainly fun to look into!

This is the only film directed by French artist Marcel Duchamp, whose name is associated with the Dada and Surrealism movements (who doesn't remember the urinal exhibited with the title "Fountain"?). As other similar avantgarde works made by Man Ray, Hans Richter or Fernand Léger, there's not a plot, only moving shapes and objects, in an attempt to deny the vision of art as contemplation and ecstasy. All we see here is only wheeling spirals and disks in which we can read sentences that apparently have nothing to do with the film. So it's impossible to comment this short the way you can comment any other non-avantgarde movies. It's Dada. It's strange. It's incomprehensible and also a bit monotonous, but we can forgive the genius Man Ray for this.

"Anemic Cinema" is a different sort of Dada film from the 1920's when compared to the work of the surrealists which later followed it. Instead of disturbing, dreamlike imagery which became the trademark of Luis Bunuel, or the creepy, uncomfortable world created by the Quay Brothers, the famous French artist Marcel Duchamp here goes more for the look of a moving painting rather than a film in the repetitive cycle this short follows. The effects of the moving discs called "Rotoreliefs" might question your use of drugs, and as a whole the film takes on the look of a flip-book.

Duchamp's film--not his only one as he apparently made several other versions of the Rotoreliefs after this--depicts many whirling spirals intercut with French text, apparently a series of puns that are incomprehensible if you don't know French. While it creates a good effect for a bunch of cardboard discs, the speed of them really isn't fast and doesn't go for a hypnotic effect like you might expect, and the entire thing seems a little too long like some segments could have been removed; it drags after a bit. Also, the amount of movement itself depends: some spirals create better visual effects than others, and at one point one of the least-moving ones stops entirely. Interesting and eye-catching, but little else.

Well, what can one say about this? Seven minutes of spirals and circles and nonsensical sentences or sentence-fragments in French, an experiment in revolution I suppose you could say. Duchamp's only known film as director, obviously a conjunction of formalist exercise and dadaist nonsense. I won't say it wore out its welcome, but I'm also glad it wasn't any longer. Watched on YouTube in an OK copy but most with a real interest in the avant-garde will want to catch it on Kino's excellent "Avant-Garde #1 with other experimental works from the silent and early sound periods including works from Man Ray, Joris Ivens, etc.

Not really "rateable" I think, though I'm doing it anyway...