Kyôfu kikei ningen: Edogawa Rampo zenshû

The movie directed by Teruo Ishii was part of series of very radical erotic violence movies that he directed for Toei studio in the late '60s and early '70s.

The story is an edit on many novels written by Edogawa Ranpo (who got his name from Edgar Alan Poe), but gathered fans and has become a popular story since it was made. Kogoro Akechi is the main protagonist that appears in many of Ranpo's novels.

Kogoro Akechi has somewhat become like the Sherlock Homes of Japan. Becoming the focus of many mystery drama with even new stories invented like this one long after the death of his creator.

This is a pretty interesting story, and no wonder it still garners fan base. It's an improbably story, but it carries the essence of Ranpo's novel that contains strange and unusual situation, and characters. Actors, and acting are first rate, and has the over the top craziness that director Ishii is known for, that makes this movie worth watching.

It's not a mainstream movie by any means, but is an interesting movie from the '60s Japan.

This infamous Japenese cult flick unfortunately doesn't live up to its lofty reputation. It has some worthy moments, but only a few in what is otherwise a painfully boring and poorly made affair. The confusing story involves a medical student searching for his origins based on the few memories he has from his childhood. He makes his way to the coast of the Japan Sea, where he discovers an obituary for a man who looks exactly like him. He then pretends to be the dead man resurrected, and eventually is brought to an island not far away where the dead man's father is purportedly conducting odd experiments on human beings. The entire story up to here is confusing, uninvolving, and honestly pretty stupid. Only when the protagonist arrives on the island with the titular malformed men does it contain a shred of interest. But only a shred. The mad scientist on the island, kind of the Japanese version of Dr. Moreau, is mutating human beings into freaks. These people, played by circus performers, are dressed in weird costumes and covered with icky makeup. Supposedly the film was meant to reflect the effects of an atomic bomb. I'm not really that sure that was meant, since I don't think any radiation poisoning resulted in a person turning silver. This seems to be where some of the film's fans find substance in the thing, but, really, that half-assed commentary isn't even close to as good as the half-assed commentary in the original Gojira, or, even more appropriate to this conversation, another Ishiro Honda film, Matango: Attack of the Mushroom People, which was made six years earlier than Horrors of Malformed Men. The malformed men are pretty cool, I must admit, but their appearance and participation in the film takes up around ten minutes of this 100 minute film, one tenth, by my estimation. I couldn't forgive the first half of the movie. And even moreso I can't forgive what comes after this, where the mad doctor tells his story in a prolonged, monochromatic flashback. I guess I should be thankful, because the stuff I couldn't understand about the plot earlier in the movie is explicated in such detail that I wanted to rip my hair out. But at least I finally got the plot. And worse, after the doctor has his ten minute flashback, another character has another ten minute flashback. The story is patently ridiculous, but that's not necessarily a bad thing. It could have been fun, but it isn't. It's a crushing bore! It does end on a hilarious bit, but nothing could have saved this movie.

It's funny that Ishii says he was not familiar with the Moreau storyline because this flick looks so much like a crazy adaptation for it. Not an intense feature but one that will serve you very memorable freaky and somewhat psychedelic moments that, out of the wild context, will remind you of all the Japanese contemporary horror everyone yells for (think Ring, Dark Water as much as video games like Siren and Project Zero...). Very poorly written plot, but who cares when they're served such crazy visions and a final I would place in my top 10 of mindblowing movie endings - but that's just me... That's a very hard to see movie, and well worth seeing if you get the chance.

Director Teruo Ishii's HORRORS OF MALFORMED MEN opens in a mental institution in 1925, where Hitomi (Teruo Yoshida) tries to remember the events that landed him there. This leads him on a bizarre journey of discovery, including his having to impersonate a dead man. There are some intriguing and humorous scenes along the way, until the title comes into play.

Admittedly, this is a weird movie. The first half is straightforward enough, though it has its odd moments. However, once we're taken to the island of Hitomi's father, the real strangeness begins. Describing it just wouldn't do it justice. It simply must be witnessed. Personally, the closest I can get is that it's sort of what you would have if THE ISLAND OF DR. MOREAU had been directed by Jodorowsky. If you enjoy mad science, female nudity, mutants, and / or unsavory situations, then you'll probably love this.

Things about this movie you won't soon forget:

#1- The crab scene!

#2- The secret chair!

#3- That damned lullaby!

#4- The fireworks display at the end!

A perverse, twisted nightmare that everyone should see at least once...

Horrors of Malformed Men is a quite experimental movie by veteran director Ishii Teruo that has been inspired by the tales of famous mystery and horror author Edogawa Rampo who had himself been inspired by Western authors such as Edgar Allan Poe. This experimental movie at the pulse of its time combines several of these tales. The main issue is that this fusion isn't always fluid and leads to two completely contrasting parts.

The first half of the movie is a murder mystery tale. A medical student without any recollection of his past is trapped in a sinister asylum. He manages to escape when one of the guards attempts to murder him. The fugitive discovers the photograph of a recently deceased man from a prosperous family who looks exactly like him. The medical student decides to take the dead man's identity to find out the truth about his origins and escape from the police.

The second half of the movie is a supernatural horror tale. The medical student travels to the island of a mad scientist who transforms perfectly normal humans into hideous freaks to create a better society. He gets captured, manipulated and threatened by the scientist and attempts to escape the island and prevent the scientist's megalomanic plans.

It's probably a matter of prefence whether you prefer the first or the second half of the movie but they are so different from each other that few people will equally appreciate both parts. The first half is atmospheric, mysterious and surprising as it convinces with clever storytelling and intriguing characters. It recalls numerous European murder mystery films as especially the German Edgar Wallace films and the Italian giallo genre come to mind. The second half is much more brutal, experimental and frantic and ventures into experimental cinematography with hectic camera work, numerous flashbacks and colourful locations. It's a mixture of Japan's very own pink film genre of the sixties and American pre-war science-fiction and horror cinema somewhere between King Kong and Island of Lost Souls.

In the end, Horrors of Malformed Men is certainly daring, entertaining and unconventional. However, the script is all over the place and the conclusion might even be too unconventional for most open-minded cineasts. Ishii Teruo should have created two different movies here instead of putting together two ideas that don't gel.