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Der ewige Jude

  • 1940
  • 1 घं 2 मि
IMDb रेटिंग
4.5/10
4.1 हज़ार
आपकी रेटिंग
Der ewige Jude (1940)
इतिहासडॉक्यूमेंट्री

अपनी भाषा में प्लॉट जोड़ेंUnder the guise of a brutally honest documentary, this malevolent propaganda film aims to be an "indispensable tool in the hands of the Aryan race," designed to depict the "true" Jew when th... सभी पढ़ेंUnder the guise of a brutally honest documentary, this malevolent propaganda film aims to be an "indispensable tool in the hands of the Aryan race," designed to depict the "true" Jew when the masks of Western civilization fall off.Under the guise of a brutally honest documentary, this malevolent propaganda film aims to be an "indispensable tool in the hands of the Aryan race," designed to depict the "true" Jew when the masks of Western civilization fall off.

  • निर्देशक
    • Fritz Hippler
  • लेखक
    • Eberhard Taubert
  • स्टार
    • Curt Bois
    • Charles Chaplin
    • Albert Einstein
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    4.5/10
    4.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Fritz Hippler
    • लेखक
      • Eberhard Taubert
    • स्टार
      • Curt Bois
      • Charles Chaplin
      • Albert Einstein
    • 44यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो28

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    + 22
    पोस्टर देखें

    टॉप कलाकार23

    बदलाव करें
    Curt Bois
    Curt Bois
    • Self
    • (आर्काइव फ़ूटेज)
    Charles Chaplin
    Charles Chaplin
    • Self (1931)
    • (आर्काइव फ़ूटेज)
    Albert Einstein
    Albert Einstein
    • Einstein
    • (आर्काइव फ़ूटेज)
    Adolf Hitler
    Adolf Hitler
    • Self - Speaking at Reichstagssitzung
    • (आर्काइव फ़ूटेज)
    Fritz Kortner
    Fritz Kortner
    • Dimitri Karamasoff
    • (आर्काइव फ़ूटेज)
    Peter Lorre
    Peter Lorre
    • Hans Beckert
    • (आर्काइव फ़ूटेज)
    Ernst Lubitsch
    Ernst Lubitsch
    • Self
    • (आर्काइव फ़ूटेज)
    Rosa Luxemburg
    • Self
    • (आर्काइव फ़ूटेज)
    Mona Maris
    Mona Maris
    • Self
    • (आर्काइव फ़ूटेज)
    Léon Blum
    • Self
    • (आर्काइव फ़ूटेज)
    Kurt Gerron
    Kurt Gerron
      Leslie Hore-Belisha
      • Self
      • (आर्काइव फ़ूटेज)
      Emil Ludwig
      • Self
      • (आर्काइव फ़ूटेज)
      Richard Oswald
      Richard Oswald
      • Self
      • (आर्काइव फ़ूटेज)
      Walther Rathenau
      • Self
      • (आर्काइव फ़ूटेज)
      Max Reinhardt
      Max Reinhardt
      • Self
      • (आर्काइव फ़ूटेज)
      Philipp Scheidemann
      • Self
      • (आर्काइव फ़ूटेज)
      Richard Tauber
      Richard Tauber
      • Self
      • (आर्काइव फ़ूटेज)
      • निर्देशक
        • Fritz Hippler
      • लेखक
        • Eberhard Taubert
      • सभी कास्ट और क्रू
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      उपयोगकर्ता समीक्षाएं44

      4.54K
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      फ़ीचर्ड समीक्षाएं

      5uldbjerg

      An interesting view into nazi-propaganda

      People might argue that this movie is full of lies, and thus have no value because its untruthfulness. I find the film very interesting because it is a opportunity for us to learn how things not always is how they seem to be. We must have in mind that the common people of that time didn't have the same horizon as people have now a day. Therefore it was easier to convince them.

      I see the film as a reminder to not always trust what we are told.
      JMartin-2

      The most vile piece of cinematic garbage ever made

      We watched this film in history class as an example of Nazi racial ideology. The fact that they were somehow able to stretch Hitler's braindead axiom -- summed up in his speech at the film's close, where he prophesizes the destruction of the European Jews -- to an hour-plus-long-film is amazing. There is not a single truth to be found here; even the film's explanation of the migration of Jews into Europe (something a first-year anthropology student can figure out) is distorted, while pseudo-scientific figures are used in an attempt to justify the obviously unjustifiable. Many parts would be hilarious, in a sort of camp, paranoid, "Reefer Madness"-type way, if not for the fact that the German people swallowed this garbage hook, line and sinker and stood by idly while their leaders carried out the genocide of millions of innocents. Many snippets are almost deliciously ironic in retrospect -- for example, the bit attacking Einstein's Jewish "pseudo-science" (a peculiar allegation, seeing how desperate the Nazis were to recruit his aid) and another slamming the Jewish actor Peter Lorre and his film "M" (Lorre was Hitler's favorite actor, and "M" his favorite film). From a cinematic perspective, the film is dull and hackneyed, even by 1940 "documentary" standards. It should be said that the movie is darkly fascinating (in the same sense as, say, a bad car wreck), but the only legitimate reason for its existence is to illustrate the evil yet idiotic nature of Nazism.
      Jordan_Haelend

      Raw cruelty on film.

      A film used to "educate" the German public on the "danger" allegedly posed by the Jews, this film does all it can to paint Jews as subhuman (or better, anti-human) monstrosities.

      Randall Bytwerk points-out in his biography of Nazi leader Julius Streicher (an excellent book which is much more about anti-Jewish propaganda techniques than it is a biography) that it was impossible for the Nazis to actually make the mass of Germans actively hate their Jewish fellow citizens. Bytwerk argues that the propaganda machinery focused on the idea of making Jews seem so wretched, disgusting and hateful that they would appear to be beings simply not worth caring about. This film, it seems to me, takes that as its motivation.

      There is one interesting moment that hurts the filmmakers' cause: the camera panning over the crowds in the ghetto, when a group of Jewish youngsters are shown plainly trying to look over one another's shoulders and heads, grinning at the camera. Such moments would remind the average person that these were plainly people like anyone you might know.

      Overall, however, the Berlin Gestapo reported that audience reaction to this film was "highly favorable," particularly the scenes equating Jews with disease-spreading rodents.
      jukeboxbaby18

      Unarguably hate propaganda

      This is a disgusting film in that it gives a totally false image of an entire race - the Jews. Yes, it is important film to watch as long as it is understood that it is to be watched solely to understand how humans can be so hateful, and it is true that history that is ignored is apt to be repeated. This is the only reason that it should be seen. Neo-Nazis distribute this film calling it "the best documentary ever made on Jews." This film is to Jews as D.W. Griffith's "Birth Of A Nation" is to African-Americans. An excellent essay written on this film by Stig Hornshøj-Møller is available in the "miscellaneous" section of this website, I suggest everyone read it.
      8showa48

      Perhaps the most effective propaganda movie ever made.

      Looking away from the content, and seen strictly as a movie whose purpose is propaganda and instilling hatred and dislike of jews, this movie did it's job very well.

      If you see this movie as a document of the general atmosphere at that time (60 years ago, already dislike of jews in NS-Germany, lower educational level among the public in general, etc.) you can easily imagine how effective it was.

      As an illustration of the atmosphere in prewar, nazi-Germany for the historically interested, this movie is a good document.

      इस तरह के और

      Jud Süß
      5.0
      Jud Süß
      Die Rothschilds
      6.1
      Die Rothschilds
      Triumph des Willens
      7.1
      Triumph des Willens
      Adolf Hitler: The Greatest Story Never Told
      7.2
      Adolf Hitler: The Greatest Story Never Told
      Europa: The Last Battle
      7.1
      Europa: The Last Battle
      The House of Rothschild
      6.5
      The House of Rothschild
      Hellstorm
      6.7
      Hellstorm
      The Century of the Self
      8.7
      The Century of the Self
      Things to Come
      6.6
      Things to Come
      5.6
      The Eternal Jew
      Hitler: The Rise of Evil
      7.2
      Hitler: The Rise of Evil
      Kolberg
      6.0
      Kolberg

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        The scene at the end of M (1931) in which Peter Lorre, as a child murderer, is judged by a jury of other criminals was added to this film because Lorre is Jewish and Adolf Hitler felt that this "proved" the criminal mind of the Jew.
      • गूफ़
        This film states that Charlie Chaplin was a Jew. In reality, he was raised Anglican and later professed to be Agnostic. When asked if he was Jewish, he reportedly said, "I do not have such an honor".
      • भाव

        Narrator: This is not a religion - it's a conspiracy against all non-Jews by a sick, deceitful, poisoned race against the Aryan peoples and their moral laws.

      • कनेक्शन
        Edited into Le péril juif (1941)
      • साउंडट्रैक
        Toccata und Fuge in D-Moll
        BWV 565

        by Johann Sebastian Bach

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल14

      • How long is The Eternal Jew?Alexa द्वारा संचालित

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 28 नवंबर 1940 (जर्मनी)
      • कंट्री ऑफ़ ओरिजिन
        • जर्मनी
      • भाषाएं
        • जर्मन
        • यीदिश
      • इस रूप में भी जाना जाता है
        • Forever Jew
      • फ़िल्माने की जगहें
        • लोड्ज़, लोडज़की, पोलैंड(Jewish street scenes)
      • उत्पादन कंपनी
        • Deutsche Filmherstellungs- und Verwertungs-GmbH (DFG)
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        • 1.37 : 1

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