अनहोनी

This could, and should, have been an interesting look on the idea of invisibility. Unfortunately, somewhere along the line, they ran out of ideas and decided to just kill everyone off and have it end in huge explosions, demonstrating a total lack of creativity. Too bad. It could have been great, were it not for the total lack of good acting, the one-dimensional characters, the corny lines and the general lack of anything worthwhile in the movie at all, other than good special effects. I feel bad for Paul Verhoeven; he used to make great movies; RoboCop, Basic Instinct & Starship Troopers were all way better than this mainstream garbage. The only good thing about this movie is the special effects, and, believe me, they are good. They are just not good enough to distract the viewer from all the negative points about the movie. It's really too bad that they couldn't make a better movie about invisibility; we've never had a truly good movie dealing with the rush of power it would be to be invisible. This movie tries, but it just falls short. All those great special effects, and no good movie to back them up. I'd only recommend this to special effect nerds, people who'll watch a movie regardless of quality just to see good special effects. I can't imagine anyone else actually enjoying this movie. I gave it a 6/10, but only because of the special effects.

Sebastian Caine and his team have worked tirelessly to develop a formula that can not only turn animals invisible but also bring them back to normal at will. With Governmental pressure on them to show results, Sebastian decides he will be the first human to try the formula. He becomes invisible for a short time, however efforts to bring him back fail and he finds himself stuck. As work continues on the formula, the others in the lab begin to notice him becoming increasingly unhinged.

From director Verhoven the norm is to expect great special effects and violence. He has also been known to integrate themes and good stories into these mainly effects driven films. On this occasion however he fails to really do that and is left with a fast paced and enjoyable film that makes up in effects what it lacks in substance. The plot is pretty basic and never goes deeper – Sebastian's descent into madness is not really a descent so much as a short trip that is not really built to so much as just delivered. In it's placed though, the effects are really impressive and make the film worth seeing simply because, not only are they great, but they are also used very well in the action rather than just being the film in themselves.

The cast is OK but don't really have much to work with in terms of material. Bacon is much more interesting when not on screen than when he is. His character is too thin and he fails to portray any sort of `descent' in his character's behaviour. Shue is pretty good and seems to enjoy running round with a flamethrower. The rest of the cast are OK but basically just act as fodder in the way that a normal slasher movie will have actors to be disposed of as the film rolls.

Overall I really enjoyed this film as it is a very expensive special effects movie which relies on spectacle to keep things moving. The effects are great and take the mind away from the lack of real substance and the action at the end is very enjoyable. A really good special effects movie as long as you don't expect anything more.

I was pleasantly surprised by this film. The acting was quite adequate, the film score very imaginative and the special effects amazing (and gruesome). It copies "The Invisible Man", made half a century before, in having its protagonist lose his mind but unlike the other film, there is no humor to be found - nor any reason for it. It is a bit too apocalyptic near the end and I felt that the special effects turned it perhaps too much into a technical spectacle, but it made sense in general and brought me more pleasure than I had expected. Kevin Bacon was certainly up the his part and William Devane was frightening in his brief scene,

Curtis Stotlar

I watched Hollow Man in theaters and maybe once after that. I remember liking it. All these years later as a much more seasoned movie fiend, I expected this to be outdated, cheesy and bad. Yet I found myself enjoying it from beginning to end.

It barely feels dated. The visual effects are a thousand times better than I expected them to be. The pacing is great with increased intensity through to the climax. There are so many suspenseful scenes as well as creepy ones.

There are a few questionable parts but the movie is way smarter than the usual late 90s/early 2000s movie. It also repeatedly surprised me with the violence. Every time I think something will be implied or will happen off screen, the movie says nope, in your face. I miss when movies weren't afraid and am so sick of all the neutered PG-13 horror movies.

(about 3 viewings, 6/29/2024)

Hollow Man boasts some pretty impressive visual effects and does have an intriguing story. Kevin Bacon plays Sebastion Caine, an arrogant scientist who develops a serum for invisibility. Withholding information from his superiors, Caine tests his serum on himself and undergoes a transformation that is quite visually arresting. It's like an anatomy book come to life. But while Caine's transformation and subsequent experiments with his new found power prove interesting, the movie fails to capture what it feels like to truly be invisible. Caine says to his colleagues, "You have know idea how much fun this is." In truth, we don't. We see Caine slowly going mad and trapping his fellow scientists in the lab when they threaten to go public. But, we don't get any sense of power from Caine. True he does venture out into public and enters the apartment of his very fetching neighbor, but that's about all the real world we see with Caine. It would've been interesting to see Caine in the real world, and what would've been done to capture him. Instead, we have Bacon, Elisabeth Shue and Josh Brolin and a few others mixing it up in a hidden lab somewhere in D.C. While the actors try to make the best with what they have, Paul Verhoeven tries to goose us a little. He succeeds in a few instances, and he does manage to hold your attention for a while, but the ending is the weakest link in the movie. Had there been a stronger ending, the movie would've been a little better. As it is now, it's a good exercise in visual effects territory, but there are so many other possibilities that lay with the story of an invisible human being.