The Concert in Central Park

This concert film had some fun moments, but it never felt like a full-fledged Simon and Garfunkel reunion. Simon's solo numbers (which make up slightly more than half the set) all get big, lush arrangements, while the S&G songs sound spare and sloppy and tossed-off. What a shame. The duo does shine on 'Mrs. Robinson' (a great opener) and 'Bridge Over Troubled Water', as well as on Simon's then-fairly recent 'Late in the Evening'. Unfortunately, Garfunkel gets to perform only one of his solo songs, 'A Heart in New York'. It doesn't help matters that, up until the last several numbers of the concert, these old friends seem pretty tense around one another. If you're a fan of Simon and Garfunkel or of Paul's solo career (or both), you'll enjoy "Concert in Central Park" to some degree. Still, you'd be much better served by getting the "Old Friends Live On Stage" DVD that was just released. The duo was spectacular throughout their 2003-04 tour, and the concert on the new DVD (well, the set is actually culled from *two* concerts) is much longer.

You don't have to be a S&G fan to enjoy this concert film, showcasing the singer/songwriter and his harmonizing companion after almost ten years of professional separation.

Some of the highlights are: Bridge Over Troubled Water, 50 Ways to Leave Your Lover, Out in the Evening, Kodachrome, and "The Graduate" standards, of course.

I can't think of a better way to unwind or relax or if you just want to listen/watch some good music.

Someone recently told me that he thought Paul Simon is generally underrated as a songwriter.

I responded that most would regard him as the top tier of great songwriters. He is in the list of one of the all time best.

The duo of Simon and Garfunkel split up after the recording of the album Bridge over Troubled Water in 1970.

The split was acrimonious but in 1981 they reunited for a one off concert to raise money for the restoration of Central Park itself.

Over half a million people attended to watch this two performers reunite. Belting out classics such Mrs Robinson, Homeward Bound, The Sounds of Silence. There were a few solo hits and an a fan interrupted the performance.

Art attempted some humour that the drug dealers would donate half their proceeds to the restoration fund.

I did find the performance was a little subdued, maybe they needed to have rehearsed a bit more.

Also the constant shaking of hands and putting their arms around each other looked a bit forced. I think the simmering tensions never went away.

It was the dawn of a new decade and Simon and Garfunkel showed that their songs were still relevant. This concert brought them a new audience.

This pleasant documentation of the 1981 reunion of Paul Simon and Art Garfunkel is a must-see for die-hard fans, of course, but it's likely to please the more casual listener also. The duo's much-ballyhooed get-together shows that even though the partners may have been unequal in songwriting talent, there was still something special about them when they reunited to harmonize on their classics. Simon's post-Garfunkel compositions work well too, and a highlight is his "Slip-Slidin' Away," in which his soaring voice on the chorus wraps beautifully around Artie's. "Late in the Evening" is a standout also, showcasing the band of top-notch New York musicians assembled for the occasion, including Steve Gadd and Richard Tee.

There isn't much to say about the vocal duo of Simon & Garfunkel that hasn't already been said. Their music (mostly written by Paul Simon) has provided the soundtrack for some of the most profound moments of the 1960s and 1970s. This concert, in particular, finds these two musical geniuses together again for the first time in 10+ years (September 1981). Though some of their exchanges in between songs are a bit chilly, their musical execution is pure precision. It's clear that their decade of separation has, in many ways, helped Simon & Garfunkel mature as musicians. The simple harmonies and musical settings of the original LPs resonate in this performance - and they are enhanced as these middle-aged performers try new things with their old favorites.

What's more awe-inspiring is the decision to include many of Paul Simon's material from his solo career - and to exclude Art Garfunkel's (with the exception of his pandering, ineffectual quasi-love song, "Heart in New York", that is clearly the weak point in the concert). Though Simon enjoyed more critical acclaim, one of the things that made S&G so special in the 1960s is that they were a team of two equal musicians with distinct gifts. Art, for his part, appears pleased to join in Paul's songs throughout the concert. In fact, on "Slip Sliding Away", Art moves stage left while Paul sings the solo verse. The camera catches Art merrily singing along like any normal concert-goer, before returning to the mic to harmonize on the refrain.

There is nothing overly exceptional about the cinematography of this video (not that you need it for a 1981 concert of folk musicians), but it does an adequate job of capturing all the musicians on stage. The opening aerial view of Central Park gives the viewer an idea of the enormity of the concert (500,000+ in attendance). When it's all said and done, this video lets the performance of two great musicians stand alone.

This is, arguably, S&G's finest concert EVER, when you consider the scope of music and the fact that these men are in the musical prime of their life. Regardless of age or musical taste, you can't help but enjoy this epic concert.