Lucky Numbers

Do not go into this movie expecting sheer hilarity. Do not go into this movie expecting character development. Do not go into this movie expecting realism or a positive portrayal of Harrisburg, PA and its residents. If you can do that, you might be able to enjoy this for what it is- an unrealistic situation comedy with a couple of surprises and laughs. Think "Disorganized Crime" with more humor. Travolta is actually fairly low-key, Kudrow is not as annoying as I expected, and decent cameos/supporting performances by Ed O'Neill, Darryl Mitchell & Bill Pullman (as good cop/bad cop), Michael Moore (!?!), and Tim Roth. Set your expectations low and you should enjoy it.

This movie desperately needed better screenplay and better ending to it.Fair black comedy though becouse of the great cast and the powers of Travolta and Kudrow.Unfairly cut down by many critics.It is worth a watch as long as you do not expect a classic which I'm sure most knowledgable movie goers will not.The director shoud have made it more underground and less mainstream given the style chosen to do this film.......

Picture this.... a room that is full of people and only one of them has any redeeming values whatsoever but that person is patently unlikable. If this sounds like it might be a fun story, you're right. I enjoyed this movie on the simplest and most shallow level. It's no great spellbinder, there is no big surprise, but it moves along nicely and had be laughing out loud on a consistent basis. The performances were good with each character convincingly revolting. This movie is on my "Own It" list. Not because it is a masterpiece but because it managed to entertain me its entire length. I recommend this guilty pleasure to anyone who isn't too wrapped up in pretending they are a movie critic for PBS.

Lucky Numbers is not a great film but a good one. I thought John Travolta, Lisa Kudrow and Tim Roth and Ed O'Neill gave fine performances. Lisa Kudrow is the only one of the "Friends" cast who doesn't make totally sucky movies. With the exception of Jennifer Aniston in Office Space and maybe David Schwimmer in Apt Pupil.

I really dug the Midwest American setting, the two bumbling cops, how Travolta's character Russ Richards wallows and loves his local celebrity status and his reserved parking spot at the local Denny's, and the great 80's soundtrack. And this has to be the first flick directed by Nora Ephron that I enjoyed.

Adam Resnick wrote the screenplay for Lucky Numbers and the more recent Death To Smoochy. Both these films are good but flawed dark comedies and deserve to be seen and enjoyed. So don't listen to what others may say and go see these two (flawed) Resnick gems. Ciao!

I think highly of John Travolta as an actor. After being one of the hottest properties in the eighties, he virtually disappeared for five years and then spent another four years with nothing more substantial than three `Look Who's Talking' movies. Then at 40 years of age, he took an enormous gamble with `Pulp Fiction', making a triumphant comeback and never looking back. Unfortunately, 2000 was not a good year for Travolta. After the lackluster `Battlefield Earth', he needed a project that would help him regain his momentum. This film wasn't it.

`Lucky Numbers' is a dark comedy about two hapless employees of a local Harrisburg TV station who try to fix the state lottery. The screenplay is goofy and has a TV sitcom feel to it. The majority of the jokes don't work. Director Nora Ephron (`Sleepless in Seattle', `Michael', `You've Got Mail') is a talented director, but quirky slapstick is not her strong suit. She does much better with schmaltzy romantic projects.

Travolta hasn't played a character this vacuous since Vinnie Barbarino in `Welcome Back, Kotter'. It is a definite step backward for him, since he has proven himself an excellent dramatic actor. His performance isn't terrible, the character is. For Lisa Kudrow, this is the same ditzy character she has been playing for years, only with a liberal dose of profanity. She does a good job, but the character is extremely predictable with little range. Ed O'Neill is droll as the station manager who tries to cut himself in on the caper.

This film has plenty of talent, but a weak script. I rated it 5/10. It is not awful, but it is extremely mediocre and it didn't provide Travolta with an opportunity to redeem his year.