अवतार

A CLASSIC MOVIE, PERFECTLY PICTURISED OUR SOCIETY'S DARK SIDE WHERE PARENTS SPENT THEIR EARNINGS AND VALUABLE TIMES TO CONSTRUCT THEIR CHILDREN'S FUTURE AND BETRAYED BY OWN BLOOD.

Review By Kamal K

Salute to the director of avtaar movie that how he defined each character in their role in a beautiful & real manner. This is not a movie only but it is also a real lesson in which the director shown in day today life condition. . Its a great piece of work showing the harsh but the true reality. Excellent movie.

Up until the early 1990s, mainstream Hindi cinema had developed a weird trend of casting young actors in parts of older characters. And not just older - old. While early examples (i.e Nargis in Mother India) could be great, this habit was getting greater and greater, and for commercial actors it was considered a validation of their talent. That's a little funny, because most such films were often terribly melodramatic, and along with the unconvincing physical transformation in terms of makeup and overall appearance, actually brought a reversed outcome, making the actors look like real caricatures. Now one such film is Avtaar, but unlike most films which have their stars play old versions of themselves, this film has Rajesh Khanna and Shabana Azmi playing their older versions for the majority of its runtime, quite an exception. As a film, we have a typical Hindi ultra-melodrama, with a done-to-death story of parents getting neglected, abandoned and maltreated by their ungrateful children. Despite everything, Avtaar is quite watchable, and the twist in the story, however cliched, is a welcome change for viewers.

The problem with Rajesh Khanna in this regard isn't that he plays the old character but actually that he plays the young character, which he looks too old for. In my opinion, Khanna wasn't a particularly good actor, but given the right material with the right directors (like Hrishikesh Mukherjee), he could do really well. I'm not sure Avtaar is an example of this, but he is really good within the melodramatic context of the film and the film definitely rests on his starry presence. Shabana Azmi balances it out with a wonderful performance. Those who have seen the kind of offbeat films she used to appear in and which she is best known for will find it almost amusing to watch her play the exaggerated sentimentality of the story and fit in the proceedings. Some of her lines are so stagy one wonders how she, or any actor for that matter, wasn't embarrassed to utter them with full conviction. But they do, and they understand what this film is. And I'm the last person to look down on sentiments that so many people can relate to and be moved by. Avtaar is actually enjoyable.

Avtaar was a blockbuster in 1983 and, along with Souten & Agar Tum Na Hote, it put Rajesh Khanna in pole position again. Khanna again demonstrates what a great actor he is by giving an amazing true to life performance. His acting leaves the viewer mesmerised and one can hardly believe he/she is watching a film - his performance is so realistic.

The film itself has a great storyline, very emotional and people of all ages will love it. You will never forget the acting talent of Khanna after watching this film. He excels on every level. Must watch for Khanna fans and anyone who appreciates good acting.

While Amitab Bachan had ushered an era of action movies riddled with violence and was flying high as a top notch Bollywood icon; there was still some beacon light left in Rajesh Khanna to attract the cine-goers with a real life sentimental social drama which proved to be a Box office hit.

Although the ephemeral limelight stolen by Rajesh Khanna in 1983 with the simultaneous release of "Souten" and "Agar Tum Na Hote" was short lived, still he portrayed a convincingly strong role in Avtaar, when many a times he mesmerizes the audience with his originality while sublimely touching the latent strings of anguished vibes/feelings.

Mohan Kumar as director had the greatest hit of his career with the release of Avtaar. Although, Naseeruddin Shah performed very well in Masoom the same year and won the National Award, it would not be out of place to suggest that Rajesh Khanna was an equally strong contender for this award.

To recapitulate, in 1972 Rajesh Khanna was unjustly superseded by Manoj Kumar for the National Filmfare Best Actor Award for "BeIman", a crappy movie instead of the romantic, evocative and memorable portrayal by Rajesh in "Kati Patang". Nevertheless, just and fair things don't always happen in this imperfect world. The times and response of the audience is a bitter judge of decisions made with a twisted conscience.