एक अग्निशमन कैडेट, दो कॉलेज के प्रोफेसर, और एक सरकारी वैज्ञानिक एक विदेशी जीव के खिलाफ काम करते हैं जो एक उल्का के अंदर पृथ्वी पर आने के बाद से तेजी से विकसित हो रहा है।एक अग्निशमन कैडेट, दो कॉलेज के प्रोफेसर, और एक सरकारी वैज्ञानिक एक विदेशी जीव के खिलाफ काम करते हैं जो एक उल्का के अंदर पृथ्वी पर आने के बाद से तेजी से विकसित हो रहा है।एक अग्निशमन कैडेट, दो कॉलेज के प्रोफेसर, और एक सरकारी वैज्ञानिक एक विदेशी जीव के खिलाफ काम करते हैं जो एक उल्का के अंदर पृथ्वी पर आने के बाद से तेजी से विकसित हो रहा है।
- पुरस्कार
- 2 कुल नामांकन
Michael Bower
- Danny
- (as Michael Ray Bower)
फ़ीचर्ड समीक्षाएं
Evolution is meant to be nothing but a fun flick and that what is. The fil is vein of Ghostbusters and has very funny moments. Seann William Scott makes this movie for me though. He's on the verge of being a superstar. The atcion sequences and direction also make this a good film. Check it out for a good time.
When I first read about Evolution, the latest sci-fi scheme to come from DreamWorks, I was interested. A story about aliens with humor, not bad. Then when I read that Ivan Reitman, the BEST comedic director of the 80's and one of the best of all time was at the helm, I was thrilled. I mean, come on, after he was given duds like `Father's Day' and `Six Days, Seven Nights' to work with, isn't it about time that Hollywood gave him a project worth while (I won't even mention the bombastic disaster of `Junior'
oh, I just did)?
It begins with the introduction of Scott's character, Wayne Green, a wannabe fireman practicing for his fireman final (questionable at first, hilarious in the end). Then he gets an unexpected visitor - a meteor, carrying alien organisms hits the heart of the Arizona desert. After a community college science professor, Ira Kane Duchovny, working with one screwed up screen name)and his eccentric geologist buddy, Harry Block (Jones) discover the meteor, they find that the `bleeding' rock starts to create these weird alien creatures and soon they begin to multiply. Kane's nemeses, Gen. Woodman (Levine) and the military get involved, things get too out-of-control, so it's up to the teaming of Kane, Block, Green and government scientist Allison Reed (Moore) to stop the evolution.
If you're a Reitman fan, the plot of this could make you go in expecting some kind of tribute to both `Ghostbusters'. In a way it is, and is that a bad thing? Hell no! If you liked, or even loved (like me) `Ghostbusters', I can bet my clean pair of boxers that you'll get a hoot out of `Evolution'. But of course any film must maintain some distance from the films its being compared too, and `Evolution' does that. The characters and situations are different, atmospherically. Duchovny turns in a `cool' performance, by that meaning he wasn't Mr. Badass or Mr. Laugh-a-Minute, he was just, well, Duchovny and that itself is always pleasing to watch. Jones is his usual funny self, delivering some funny lines. Moore's ability to do just about anything comes in handy here, playing the hottie-yet-clumsy love interest. Scott's acting resembles the other roles he's done in the past, and I've come to appreciate that (that thing he does w/ his eyebrow is getting funnier every time). Can't say the same for Levine; his cliché performance as the bad-guy-who-doesn't-listen character gets annoying fast.
A lot of the film makes me question what it is, and really what it could have been. The script, penned by three writers, was originally written as a sci-fi THRILLER, not a sci-fi comedy. There were a lot of laughs, but because of the script's origin, there could have been more. But considering the script was originally a sci-fi thriller, the filmmakers, including Reitman, did a great job. Can't say much for the ending, though: the ending looks and feels like a meshed-up result of what-could-have-been, and from that mushiness, the filmmakers poked at and took at least some of the good elements. Thank god the film is a comedy; if it was its original idea, the ending would have been disastrous.
`Evolution' is a overall crowd-pleaser with nice special effects and makeup (those dead aliens looked great). It's a few laughs and comedic situations short of comedic greatness, but look on the bright side-Reitman is back in his lovable kick-ass form. He's tapped into the present and how most comedies are made, but he didn't dare forget his roots: there is a sequence in the film where Duchovny, Jones and Scott chase down a flying creature in a mall. The three, equipped with shotguns, dispose of it in true Ghostbusters style. And with me being a big Ghostbusters fan, I fell in love with the it, plus its the best scene in the film. (The trio singing after their battle; nice touch).
GRADE: B+
It begins with the introduction of Scott's character, Wayne Green, a wannabe fireman practicing for his fireman final (questionable at first, hilarious in the end). Then he gets an unexpected visitor - a meteor, carrying alien organisms hits the heart of the Arizona desert. After a community college science professor, Ira Kane Duchovny, working with one screwed up screen name)and his eccentric geologist buddy, Harry Block (Jones) discover the meteor, they find that the `bleeding' rock starts to create these weird alien creatures and soon they begin to multiply. Kane's nemeses, Gen. Woodman (Levine) and the military get involved, things get too out-of-control, so it's up to the teaming of Kane, Block, Green and government scientist Allison Reed (Moore) to stop the evolution.
If you're a Reitman fan, the plot of this could make you go in expecting some kind of tribute to both `Ghostbusters'. In a way it is, and is that a bad thing? Hell no! If you liked, or even loved (like me) `Ghostbusters', I can bet my clean pair of boxers that you'll get a hoot out of `Evolution'. But of course any film must maintain some distance from the films its being compared too, and `Evolution' does that. The characters and situations are different, atmospherically. Duchovny turns in a `cool' performance, by that meaning he wasn't Mr. Badass or Mr. Laugh-a-Minute, he was just, well, Duchovny and that itself is always pleasing to watch. Jones is his usual funny self, delivering some funny lines. Moore's ability to do just about anything comes in handy here, playing the hottie-yet-clumsy love interest. Scott's acting resembles the other roles he's done in the past, and I've come to appreciate that (that thing he does w/ his eyebrow is getting funnier every time). Can't say the same for Levine; his cliché performance as the bad-guy-who-doesn't-listen character gets annoying fast.
A lot of the film makes me question what it is, and really what it could have been. The script, penned by three writers, was originally written as a sci-fi THRILLER, not a sci-fi comedy. There were a lot of laughs, but because of the script's origin, there could have been more. But considering the script was originally a sci-fi thriller, the filmmakers, including Reitman, did a great job. Can't say much for the ending, though: the ending looks and feels like a meshed-up result of what-could-have-been, and from that mushiness, the filmmakers poked at and took at least some of the good elements. Thank god the film is a comedy; if it was its original idea, the ending would have been disastrous.
`Evolution' is a overall crowd-pleaser with nice special effects and makeup (those dead aliens looked great). It's a few laughs and comedic situations short of comedic greatness, but look on the bright side-Reitman is back in his lovable kick-ass form. He's tapped into the present and how most comedies are made, but he didn't dare forget his roots: there is a sequence in the film where Duchovny, Jones and Scott chase down a flying creature in a mall. The three, equipped with shotguns, dispose of it in true Ghostbusters style. And with me being a big Ghostbusters fan, I fell in love with the it, plus its the best scene in the film. (The trio singing after their battle; nice touch).
GRADE: B+
A lot has been said about what's good and bad in the movie. I won't revisit those comments. I thought the creatures were creative and hysterical.
Sure they weren't logical or realistic, but they were fun in a fantasy sort of sense. I enjoyed the watching the entire alien "ecosystem" evolve.
Fortunately, I'm the kind of person that understands a movie made to be predominantly a comedy doesn't require scientific accuracy, nor should the audience expect it. It was intentionally silly.
One last thing. I thought David Duchovny did a great job playing a character that had a wry, dry sense of humor. He wasn't exactly a straight man, but it was clear to me, he was laughing at the world.
Rating, I gave it 8/10 because it entertained me AND my wife, something many movies can't do.
Sure they weren't logical or realistic, but they were fun in a fantasy sort of sense. I enjoyed the watching the entire alien "ecosystem" evolve.
Fortunately, I'm the kind of person that understands a movie made to be predominantly a comedy doesn't require scientific accuracy, nor should the audience expect it. It was intentionally silly.
One last thing. I thought David Duchovny did a great job playing a character that had a wry, dry sense of humor. He wasn't exactly a straight man, but it was clear to me, he was laughing at the world.
Rating, I gave it 8/10 because it entertained me AND my wife, something many movies can't do.
I can't say I suspected much from the previews. I anticipated another lame comedy and a cheap imitation of "Men in Black." "Evolution" can be compared to "MIB" in certain aspects, but it breaks new ground.
I can't give a really scientific review, because quite frankly I was too busy laughing to weigh out the pros and cons. This is a great popcorn movie! (Metaphorically speaking, I was eating nachos) There are scary moments involving slimy creatures, so chances are if there are any females with you--they will be clinging onto your arms.
Ivan Reitman is the famed director of the "Ghostbusters" movies, and "Evolution" has much of the same charm and quirky sense of style and humor. David Duchovny (who really has a good sense of humor off-camera, but happens to get stuck with mostly serious roles) is terrific in a looser role that enables him to flaunt his knack for comedy. Of course, Orlando Jones is the funniest in the bunch. He has a terrific scene in which a bug crawls inside his skin and doctors have to get it out...rectally. I have to say, that was the highlight of this offbeat comedy and had me on the floor! Julianne Moore plays the clumsy assistant. I can't say I found her role all that humorous. Her pratfalls are pretty lame and predictable. But that minor hint of cheap slapstick didn't ruin the overall experience.
"Evolution" is great fun from start to finish (a very interesting finish with an innovative product placement)! Sure, it's all low-brow, but it works and the crude humor is tamed down to a tolerant level (Well, compared to the average contemporary comedy). This is not a movie to be studied or analyzed or discussed for hours at a time. Just sit back and HAVE SOME FUN!!! Because chances are (considering previous 2001 releases) you won't be having this much fun at the movies in quite a while. I could be wrong, but better to be safe than sorry.
My score: 7 (out of 10)
I can't give a really scientific review, because quite frankly I was too busy laughing to weigh out the pros and cons. This is a great popcorn movie! (Metaphorically speaking, I was eating nachos) There are scary moments involving slimy creatures, so chances are if there are any females with you--they will be clinging onto your arms.
Ivan Reitman is the famed director of the "Ghostbusters" movies, and "Evolution" has much of the same charm and quirky sense of style and humor. David Duchovny (who really has a good sense of humor off-camera, but happens to get stuck with mostly serious roles) is terrific in a looser role that enables him to flaunt his knack for comedy. Of course, Orlando Jones is the funniest in the bunch. He has a terrific scene in which a bug crawls inside his skin and doctors have to get it out...rectally. I have to say, that was the highlight of this offbeat comedy and had me on the floor! Julianne Moore plays the clumsy assistant. I can't say I found her role all that humorous. Her pratfalls are pretty lame and predictable. But that minor hint of cheap slapstick didn't ruin the overall experience.
"Evolution" is great fun from start to finish (a very interesting finish with an innovative product placement)! Sure, it's all low-brow, but it works and the crude humor is tamed down to a tolerant level (Well, compared to the average contemporary comedy). This is not a movie to be studied or analyzed or discussed for hours at a time. Just sit back and HAVE SOME FUN!!! Because chances are (considering previous 2001 releases) you won't be having this much fun at the movies in quite a while. I could be wrong, but better to be safe than sorry.
My score: 7 (out of 10)
The first thing to say is that this review is written by a non-American. This is to say that a different set of principals are brought to bear on the subject matter. I'm sure that other in the U.S and around the world will(and have)expressed opinions, but this one comes from "a whole other country". Evolution is a very enjoyable film. It has been made in a summer of super event movies, and film/game conversions and I feel stands alone as the only comedy with an original source material (in sci-fi anyway).
It is highly enjoyable. If you're paying 5 pounds (or $8.50) you need to find a film that refreshes your sentiments with regards to just what a big "money" film should be. As I sit here smoking a cigarette and drinking a 7up, I figure this film to be a winner. The principals act in a manner appropriate to the subject material, and although Mr. Duchovny is not a comedy actor, I feel he acquits himself admirably in an unfamiliar field. Mr. Jones is a relative newcomer to the cinema, and I reckon that over time he may very well ascend to the the same esteemed level as Eddie Murphy, or his latterday composite (of sorts) Will Smith.
The plot is most sound, and although it draws some comparisons to "Ghostbusters" as other critics have noted, it stands alone as Summer 2001's most original comedy event movie. Mr Reitman, a veteran knows how to make films play easily, is one of the few directors who knows how to use good comedy actors. With this in mind, no one is underused, perhaps with the one exception of Mr. Dan Aykroyd, nowadays underrated for some insane reason, but who is extremely talented. It's a shame that Aykroyd's presence as a "big" man is more valued then his acting talent, because he's always a delight to watch.
To cut in some sourness, there's not a lot of involvement with the central characters, and you do find yourself watching people being cheated into a state of reaction at the expense of the colourful effects, but that's the way it was made, and we can't change that.
In all I would recommend this film to the less morose viewer, as it's cheerful, colourful, and does not require an over-critical view. Watch it, and the hell with the printed criticism - you'll enjoy it.
It is highly enjoyable. If you're paying 5 pounds (or $8.50) you need to find a film that refreshes your sentiments with regards to just what a big "money" film should be. As I sit here smoking a cigarette and drinking a 7up, I figure this film to be a winner. The principals act in a manner appropriate to the subject material, and although Mr. Duchovny is not a comedy actor, I feel he acquits himself admirably in an unfamiliar field. Mr. Jones is a relative newcomer to the cinema, and I reckon that over time he may very well ascend to the the same esteemed level as Eddie Murphy, or his latterday composite (of sorts) Will Smith.
The plot is most sound, and although it draws some comparisons to "Ghostbusters" as other critics have noted, it stands alone as Summer 2001's most original comedy event movie. Mr Reitman, a veteran knows how to make films play easily, is one of the few directors who knows how to use good comedy actors. With this in mind, no one is underused, perhaps with the one exception of Mr. Dan Aykroyd, nowadays underrated for some insane reason, but who is extremely talented. It's a shame that Aykroyd's presence as a "big" man is more valued then his acting talent, because he's always a delight to watch.
To cut in some sourness, there's not a lot of involvement with the central characters, and you do find yourself watching people being cheated into a state of reaction at the expense of the colourful effects, but that's the way it was made, and we can't change that.
In all I would recommend this film to the less morose viewer, as it's cheerful, colourful, and does not require an over-critical view. Watch it, and the hell with the printed criticism - you'll enjoy it.
क्या आपको पता है
- ट्रिवियाInitially written as a serious science-fiction thriller, Ivan Reitman hired David Diamond and David Weissman to re-write the project as a घोस्टबस्टर्स (1984)-style comedy. The original writer, Don Jakoby, actually enjoyed the changes so much, he continued working on the film alongside the other writers.
- गूफ़In the opening sequence, when Wayne runs from the meteor about to hit the ground, he isn't wearing his fireman's jacket. When he is shown with his back to the camera looking at the explosion, he is wearing a jacket.
- भाव
[Dr. Paulson is going to pull the alien bug out through Harry's rectum]
Nurse Tate: I'll get the lubricant...
Dr. Paulson: There's no time for lubricant!
Harry Block: There's ALWAYS time for lubricant!
- क्रेज़ी क्रेडिटThere is an item 'Stunt Primate'
- इसके अलावा अन्य वर्जनIn the courtroom scene, 'Julianne Moore (I)''s character's top pops open, flashing David Duchovny and contributing to her character's inherent clumsiness. This was later cut from the theatrical release, but remnants of its effect can be seen in the courtroom scene. At the beginning of the scene, the top button of her blouse is obviously stretching her blouse, and later we see her clutching her jacket over the open shirt. There is also an allusion to it later in the diner when Orlando Jones comments upon Duchovny's ex pulling off one of his old shirts, saying all the women he's met today have taken off their shirts in front of him.
- साउंडट्रैकBombshell
Written by Michael Tempesta & Michael Cummings
Performed by Powerman 5000
Courtesy of DreamWorks Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Evolution?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $8,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,83,45,494
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,34,08,351
- 10 जून 2001
- दुनिया भर में सकल
- $9,83,76,292
- चलने की अवधि1 घंटा 41 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें