Chandni Bar

What worked:

• an inner view of the life of the bar girl in Mumbai; some of the plots seemed stereotypical but indeed true to the fact
• strong screenplay and lead actors

What did not work:

• maybe the ending was necessary the way it was, but we could hope for some alternative endings with something optimistic. However, the ending is still as powerful as it should have been

Final verdict: Recommended.

Chandni Bar is an intrguing film and, to this day, remains Madhur Bhandarkar's best film. Bhandarkar gives us a glimpse into the filthy world of Mumbai's lower strata of prostitution, and it is a very truthful look at once. I'm not going to drag it, the one who gives the film its realistic edge and poignancy is its leading lady. Tabu is tremendous in this film - totally there, committed, real, and very credible. You really feel for her throughout the film and want her best interest. She lives her role rather than just playing it and even though she is at times lacking in energy, she is the film; nothing else in it works as well as her story and superlative performance. She is well supported by a competent Atul Kulkarni as the tough but kind husband, and Anaya Khare gives a remarkably realistic performance in a tiny short role with just a few scenes to deliver. Chandni Bar is gritty, gripping, and for the most part rings true, which is a surprise considering the director's other works. Sadly Bhandarkar seems to have fallen too much in love with the idea of showing "the dark side of" that his next projects revolved around similar ideas but focused on providing the viewers some shock value, with much less credibility. Chandni Bar is one piece he could always be proud of, it is worth a watch as a film, and the brilliant Tabu remains its prime asset.

In the land of Bollywood, where movies are purely escapist fantasies of love everlasting, here is one film that isn't afraid to be realistic. Chandni Bar tells of the plight of young girl from a small town, who goes to sin city Mumbai where she works as a bar dancer to make both ends meet. There are several scenes in this movie which shine with brilliance, and Tabu shines in her role. The rest of the supporting cast also give expert performances, but particular mention must be given to Ananya Khare, whose portrayal of bar dancer Deepa steals the limelight from Tabu whenever both of them are in a scene together. Atul Kulkarni also gives a great performance as Tabu's criminal husband Potya Sawant. The film has a very realistic look in its portrayal of the gritty back alleys of Mumbai.

If you are in the mood for pure escapist fantasy, go watch Kabhi Khushi Kabhie Gham. But once you get sick of the sugary sweet concotions Bollywood has to offer, give Chandni Bar a try. It's deliciously bitter!

"Chandni Bar" is the BEST movie to come out of Bollywood in 4 decades. Its a brave film, speaking unabashedly about the seemy underbelly of Bombay (and YES it is and always will be Bombay to many), about the nexus between crime and the corrupt police in this city, about sin and the hope of redemption dashed by a vicious system. No wonder this was NOT India's entry to the Oscars....our politicians would be loathe to export something that could "create a bad impression" (they sent the ghastly jingoistic "Lagaan" instead). Pity, because, as an example of cinema verite at its grittiest, it would have probably won. Tabu would have definitely been in the running for Best Actress --- her performance is a study in truth and control. I happened to meet her on a plane and asked whether the film was shot more-or-less in sequence; and she answered in the affirmative --- no doubt this helped her create a slowly-intensifying graph of emotion, peaking at her gut-wrenching howls in the final scene. Her subtlety and sensitivity in the role of the dance-hall girl have had few equals seen by this writer in the cinema. Also the film's design, capturing the slums, back-alleys, police-stations and of course the seedy, sexual, smoky, boozy atmosphere of the dance-bar (changing its decor and its music with the passage of time in the plot) has an attention to detail and a REALISM that anyone who has ever been to these places will marvel at. Bravo to all concerned....and now may we PLEASE have this available on DVD?

This is one of the movies that allows to peek at the life of the people who have suffered and haven't seen the light at the end of the tunnel. The movie is very effective for it takes us into the life of a beer bar dancing girl (Mumtaz) in the city of Bombay, and shows us the rut that she is in and any attempts made by her to rise are in vain. The movie is both dark in content and in the lighting which is symbolic of the hopelessness and is very effective. Tabu's performance is noteworthy as she depicts the life of Mumtaz with absolute sincerity. Details, such as, her twirling the cord of the phone when she is in a state of hopelessness shows she has really immersed herself into the character. With her performance you never feel that she is putting on a show. The movie neither glamourizes nor demeans the profession of these girls and the director deserves praise for that. The lack of songs is highly appropriate for this movie as this is not a "feel good" movie. As a warning to the faint of heart, this movie is highly disturbing and should be avoided when depressed.