आलोचक समीक्षाएं

The most disturbing and effective thriller I've seen in many moons. Rarely, indeed almost never, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite, unfakable sense of cinema.

The script is a steady accretion of small stabs to the heart, propelling the gorgeous performances of Berling, Regnier, and especially the 76-year-old French cinema veteran Bouquet, whose every faint smile is killing.

The result is an intelligent, moving and invigorating film, just the thing for adults bored with the shock-horror posturing to be found in the work of so many young European directors.

Not about murder in the literal sense, although that seems a possibility. It is about a man who would like to kill his father, and who may have been killed spiritually by his father.

Fontaine gives her film the tone of a psychological thriller, with the potential of violence always lurking beneath the surface.

Fontaine's thoughtful character-driven screenplay is the perfect vehicle for Berling and Bouquet and both are superb. As father and son, they play off each another in fascinating ways as the film moves towards its perfectly modulated, intriguingly ambiguous final moment.

Fontaine and Jacques Fieschi collaborated on the screenplay, and Jocelyn Pook's chilly string score nicely evokes the menace underlying the film's plush settings.

Cold, nervy and memorable.

A disappointment after the droll, breezy suggestiveness of Fontaine's equally Freudian "Dry Cleaning," How I Killed My Father is rather less than the sum of its underventilated père-fils confrontations.

A kind of murder mystery, but eventually the only victim is the audience's interest -- the picture is uncompromising and inauspicious.