Sin noticias de Dios

Agustín Díaz Yanes's mesmerizing, quirky and funny 'Sin Noticias de Dios' is a refreshing take on heave and hell on earth. With an original and amusing premise and strong writing, it is a fun ride all the way. I haven't seen anything like it. The humour is a good mix of quirkiness, dryness and sarcasm that works on multiple levels. It's funny how a black and white 50's French setting is chosen to depict heaven while a dirty (perhaps South American prison) setting is chosen to portray hell. Similarly language selection is interesting as French is spoken in heaven, English is spoken in hell and Spanish on Earth.

Heaven is shown as a very romantic, classy and glamorous place to be at (a bit like the romanticized image one sees in classic French films) while hell is quite the opposite. Fanny Ardant and Gemma Jones play the leaders of the respective places (and they're both terrific). Their character recruit Carmen and Lola to conquer fallen boxer Manny's soul. Of course battle ensues when the two recruits come face to face but not the way you think.

Yanes assembles a n enviable cast that includes Penelope Cruz, Victoroia Abril, Gemma Jones, Gael Garcia Bernal, Elena Anaya, Elsa Pataky, Fanny Ardant, Demián Bichir, Cristina Marcos, Peter McDonald, Luis Tosar and more. All the actors do a great job. Abril sure is stunning and she sure can sing. Her rendition of 'I Want To Be Evil' is a must-see. Penelope Cruz has a tricky role and she does full justice to it. She is sexy, spunky, streetsmart and not to be messed with but at the same time she's just 'like one of the guys'. Saying more would be revealing too much.

On the technical side, it's a very well made film. Colour is used very effectively. The cinematography is first rate. I especially enjoyed the long single shots. And of course, the soundtrack is magic.

'Sin Noticias de Dios' is one of a kind. I'm surprised it's received so little recognition but it's a thrill ride all the way.

"Don't Tempt Me" is a very pleasant action comedy plenty of humor , surrealist dialogs , emotion , spectacular scenes and mayhem . Heaven and hell send their best agents to Earth , and they're wearing heels . Two angels are on Earth , one named Lola (Victoria Abril) from the heaven and one named Carmen (Penelope Cruz) from the hell, come to save a boxer named Many (Damian Bichir) who finds his soul to be the object of a metaphysical fight.

This exciting film results to be a surrealist comedy/action/drama/thriller and displays an all Spanish star-cast. The singer played by Victoria Abril and the former mobster performed by Penelope Cruz star this dark story of redemption about heaven and hell ; both of whom have a violent confrontation to accomplish their objectives . Rightly enjoyable and fun-filled , milestone comedy which neatly combines humor , mirth , entertaining situations and amusement . The funny screenplay manages a lot of laughs from the audience and twisted elements that you never loose your attention from the film . The only flaw I can find is that some of the story lines are overwhelmingly absurd and some character arcs end up being implausible . Some situations are laugh out loud ridiculous and the story proceeds at a breakneck speed that never falls flat .Pay attention as one couple of younger actors very well played by Victoria Abril and Penelope Cruz alternate with the other pair of older players perfectly performed by Fanny Ardant and Emilio Gutierrez Caba . I liked everyone in the excellent cast, and the male and female actors , they were all very attractive . Flawless and fantastic story full of twists and turns with a duo of sensational protagonists , including an unforgettable Penelope Cruz , she parades and dances sexily at her best and more relaxed and enticing than ever . The hit of the show is undoubtedly for the fetching Penelope who gives one of the best screen acting . The support cast is top-notch as Elsa Pataky , Luis Tosar , Gael Garcia Bernal , Gemma Jones , Cristina Marcos , Elena Anaya , Bruno Bichir , Juan Echanove and many others . And cameos by Javier Bardem in the closing credits, as we learn that Penélope Cruz was changed back into a man in the afterlife , then we see the man's photo , it is Javier Bardem ; furthermore , the photo Victoria Abril puts into the album shows the mother of Manny , the woman in this photo is the actress Pilar Bardem . Atmospheric and appropriate musical score by the recently deceased Bernardo Bonezzi . Colorful and adequate cinematography by Paco Femenia .

Agustin Diaz Yanes' return to top form , with an intelligent and engaging script which uses amusing situations to give us a good movie in fast pace , entertaining events , plot twists and that kept me entertained for the almost two hours of duration . Diaz Yanes is a fine craftsman , thanks to his reputation as screenwriter and the support of Victoria Abril he was able to set up his first film as director: "Nobody Will Speak of Us When We're Dead " that became the greatest hit of Spanish cinema at its release in 1995 and the Festival San Sebastian , including best actress to Victoria Abril . Yanes subsequently directed the successful ¨Alatriste¨ and ¨Solo Quiero Caminar¨ that failed at Spanish box office .

Many observers have noted that at first glance on paper one might think this is a Pedro Almodovar film, what with Victoria Abril cast in it, among other things. Well, I haven't seen too much of Almodovar's work, and I knew nothing about director Augustin Diaz Yanes when I entered the theatre to see this film. But I wonder, did Almodovar show such promise so early in his career? From the first few minutes I was captivated by the movie and I stayed enthralled throughout. By the time Penelope Cruz was dancing around to "Kung Fu Fighting" I knew this was a rare film indeed (and no, it's no rip-off of 'Pulp Fiction,' either!)

For all it's audaciousness, the premise has been used many times before. Like 'Paradise Lost,' the battlefield is Heaven, Hell and Earth. But the specifics are a little more prosaic: angels from Heaven and Hell fight for their survival over the soul of a rather ordinary mortal, a not-to-bright or personable boxer. Heaven and Hell are presented as distinctly mortal-like places--Heaven is nice, but hardly the celestial paradise we envision, and Hell is unpleasant, but nothing nearly as bad as Dante imagined. The two places are run like competing businesses, it would seem, and the CEO God (and presumably Satan in his own realm) is AWOL--apparently he's too tired or disinterested to bother with the details of running the place, leaving that task up to lesser creatures. Right now Hell seems to have the upper hand. Heaven is somehow almost bankrupt and may well go under if they can't snag this one earthbound soul, the aforementioned boxer, who fate has cast in some great future role that we never fully understand. But there's trouble brewing in Hell, too, and even though they've got the advantage over Heaven at the moment, there are internecine power struggles to worry about there. So each each side dispatches an agent to try to win over Manny, this boxer who unwittingly holds the fate of this world and those beyond in his hands.

That's where Abril and Cruz come in, and they are just a joy to watch for the almost two hours this flick runs. Abril is Lola the heavenly angel who ingratiates herself in Manny's life as his wife, and Cruz is Carmen, who poses as his long-lost cousin (Manny isn't the brightest crayon in the box so he can be convinced that all of a sudden he has a five-year marriage he doesn't remember.) Lola and Carmen thrust and parry throughout the film, but on a surprisingly cordial level--Carmen isn't as bad as one would expect a denizen of Hell to be and neither woman seems possessed of any otherworldly powers; they go about their business in a very earthly way. You combine a great script, two outstanding performances and excellent direction and not surprisingly you get a first-rate film, as good as any I've seen this year. This is not quite Orson Welles and 'Citizen Kane' here, but it put me in mind of it, it's that good.

Needing a bit of comedy after the Danish film, Craig, I turn to the ever luscious Penelope Cruz who, along with Victoria Abril, are sure to delight.

To say that Cruz is hot is putting it mildly, as she plays an inhabitant of Hell who is sent to Earth to grab the soul of a losing, debt-ridden, boxer (Demián Bichir). Heaven sends their own representative and the battle is on.

Abril, who falls short of her most skintastic performance, nevertheless gives us a glimpse of her heavenly body as she plays the misogynistic boxer's wife. Cruz keeps it hot as she struts and dances, but does keep it on as the boxer's cousin. Why the bum doesn't stray is a big mystery.

Gael García Bernal (The Crime of Father Amaro, Bad Education, babel) plays the administrator of Hell, who becomes concerned about a corporate takeover by the rich, who are working to convince everyone that they are not really bad, but victims of society. Sides become blurred as the need to continue the existence of good and evil, and Heaven and Hell become more important that who gets the soul.

Fanny Ardant (8 Women, Paris, je t'aime), Elena Anaya (Van Helsing), and Gemma Jones (Bridget Jones Diary, Bridget Jones: The Edge of Reason), and Elsa Pataky (Snakes on a Plane, Romasanta) all add to the fun.

Augustin Diaz Yates heaven-vs.-earth satire DON'T TEMPT ME is really NOTHING that hasn't been done before, and in better films. An angel from heaven (Victoria Abril) and an angel from hell (some Spanish chick named Penélope Cruz...lol!} fight over the soul of a brutish boxer (Demiån Bichir). The way the plot develops is predictable, as is the ending. But there are laughs around the way, most of them provided by Cruz. I can't begin to comprehend why she's such a dull, tedious, unconvincing actress in American films when she's proved to be such a vibrant, energetic and entertaining actress in Spanish films. And while she's made better films (BELLE EPOQUE, JAMON JAMON, LIVE FLESH, ABRE LOS OJOS and even the American ABRE remake VANILLA SKY), I think this is definitely her best performance yet. Her character is the most interesting and entertaining figure during the entire duration of the film, and one of the reasons she gets the biggest laughs is because the screenwriter gave her most of the best lines. The ridiculously talented and versatile Gael Garcia Bernal is a total hoot as a top CEO in hell who's a mix of Spike from BUFFY THE VAMPIRE SLAYER and Tony Shalhoub's eccentric shyster in THE MAN WHO WASN'T THERE. He's so much fun that the movie is hurt because he's a supporting character who only appears in a few scenes, and so many of the lead characters are so one-note and tiring we keep waiting for him to show up more to liven things up. Anyways, this isn't a very good film, certainly one you may not remember for a long, but the good aspects in it kept me entertained...most of the time. B-