Walking on Water

Can you think of any movie whose main characters are homosexual which isn't all about homosexuality? I can't, but this is one, and it was such a delight to witness.

Fantastic acting, very realistic slice of life, but not much of a storyline.

I was disappointed to see that of the two big sex scenes in the movie, the homo one was over in a flash, and the het bonkathon, as usual, seemed to go on forever. Ah well, you can't have everything in a movie, I suppose.

WALKING ON WATER is disturbing in the best sense of the word: it calls forth a sense of identification with each of the major characters in this story and makes us uncomfortable while providing avenues for insight and change. Were that all movies had the emotional and spiritual impact of this fine film written by Roger Monk and directed newcomer Tony Ayres.

The setting is Sydney, Australia and the mood is established by cinematographer Robert Humphreys' panoramas of the ocean and inlets and coastlines surrounding this city. Gavin (David Bonney) is dying with AIDS and has been attended in his home by his friend and business partner Anna (Maria Theodorakis) and caregiver Charlie (Vince Colosimo) and Charlie's lover Frank (Nicholas Bishop). It is Gavin's wish to die with dignity and when the time comes for the assisted suicide, the designated doctor Dr Simms (Timothy Jones) administers IV morphine while Gavin is surrounded by his extended family as well as his brother Simon (Nathaniel Dean) and wife Kate (Anna Lisa Phillips) and his mother (Judi Farr). The euthanasia does not seem to be working and in desperation Charlie places a plastic bag over Gavin's head to hasten the requested death - a deed that will haunt Charlie and the rest at the bedside.

Anna remains apparently calm in the immediate aftermath, tending to the 'funeral' arrangements according to Gavin's requests. Gavin's mother appears to want to make up for years of distance by interceding in the plans and the will, but Anna is strong and the service goes as planned. After the funeral the mother and Simon's wife leave to return to their home away form Sydney, leaving Simon to remain until Gavin's ashes are ready for transport. In this 'home' things begin to disintegrate: Charlie attempts to evade his guilt about his final assistance by anesthetizing himself with morphine elixir, cocaine, alcohol and barhopping. His behavior further distances his lover Frank and the latter ends the relationship. Anna finds emotional outlet in placing demands on Charlie and eventually sublimates her loss by escaping into physical encounters with Simon, taking him to bed and to bars and to drugs all of which eventually awaken Simon to his infidelity to Kate and results in his leaving the 'home'.

The climax of the film is the confrontation of those who were closest to Gavin - Anna and Charlie - who in despair vent their rage so intimately associated with the death of a loved one and search for a path of recovery. It is this means of healing that comprises the ending of this richly tender film.

Actors Vince Colosimo and Maria Theodorakis are exceptionally fine in their roles and the supporting cast is homogeneously fine. Judi Farr gives one of those cameos that breathes 'best supporting actress'! The concept of how extended families intertwine with genetic families in times of stress is as well shown in this film as any in memory. One criticism: much of the excellent script is lost to poor sound editing, to the good but overly loud music, and most important to the lack of English subtitles for those of us who are not intimately familiar with the varying Australian accents! Watch this film twice and with trained ears you'll appreciate it even more. Grady Harp

Gavin is dying, presumably from AIDS. He wants to die at home and asks for help from his friends and family. The friends include Charlie and Anna, the latter of whom is also Gavin's business partner. Family includes Gavin's mother and brother, the latter of whom arrives with his wife and child.

Unfortunately, Gavin's departure is not as smooth as was planned, which serves as a catalyst for everyone else's problems to come out. Besides the obvious grief, we see addictive behavior from several people. We also see people try to use sex to deal with their pain. This is fairly balanced between heterosexuality and homosexuality, although until I thought about it afterwards, the film seemed heavily skewed towards the latter. My personal discomfort had affected my perception.

The acting is definitely a strong point in this film. Almost all of the performances are very good, and some are amazing, including one scene with Gavin's brother later in the film. There are is some excellent cinematography outdoors, especially of the ocean (presumably taken near Sydney, Australia, where the film takes place).

Seen on 11/2/2002 at the 2002 Hawaii International Film Festival.

This film is OK.

It positions itself safely in the territory of Lantanaland...earnest, frank, emotionally charged and sometimes tawdry.

The shots are uninspired as are the ideas the story is dealing with. Grief is sad....but can we go deeper? Can we dig a bit more and discover something truly perverse or honest about ourselves. Maybe his friends don't really care all that much. Maybe his mother is just a tad less likable. I am not sure. In the end...it all seemed a bit cinematic ally safe.

Everything made too much sense. Everything had been worked over far too much. LIFE is a great film about AIDS. SAFE and POISON are great films too. This is good but feels a bit like movie of the week.

Australian film "Walking on Water" is one of the most original films about homosexual characters.The best thing about it is that unlike other gay films it does not glorify homosexuality and gay people.It shows gay people as perfectly normal ordinary mortals whose joys and sorrows are same as that of straight people.This film's director Tony Aires started his career in 1999 with a documentary called "Sadness". His feature film debut "Walking on Water" is about tough choices one has to make in life.It is said that life assumes a different meaning altogether when people are confronted with death.This is something which happens in this film as a gay character dies after waging a valiant war against his illness.This film revolves around a group of friends who cope with an inevitable grief arising out of their friend's death.Their presence highlights the fact that a slow death is more brutal than Euthanasia.As a tale of human emotions and their implications on ordinary people,Walking on Water shows that friends are always around when one is abandoned by family.This is one of the best rewarding reasons for watching this film.